More on this 379th weekly Disquiet Junto project — Open Studios / The Assignment: Share a track, get feedback, and give feedback — at:

https://disquiet.com/0379/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0379-open-studios/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project adapted (cropped, colors changed, text added, cut’n’paste) thanks to a Creative Commons license from a photo credited to Matthew Ebel:

https://flic.kr/p/SJYUSf

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0379: Open Studios

Disquiet Junto Project 0523: Chill Communication
The Assignment: Record the sound of ice in a glass and make something with it.

Process notes: Pan, Vsts, Granular.
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More on this 523rd weekly Disquiet Junto project — Chill Communication (The Assignment: Record the sound of ice in a glass and make something with it) — at: disquiet.com/0523/

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…hill-communication/

On ICE - Disquiet0523

Disquiet Junto Project 0528: Landscape Architecture
The Assignment: Forge an unobtrusive path through musical flora.

I somehow felt the vegetation to be very alien, high frequency, fragile and stereo, the visitor of the flora low frequency, stabile and mono. From there on  I fumbled together things in Reaper. It got a bit lenghty, but I like it very much and needs it's time.

Field recording credits:
https://freesound.org/people/gurek/sounds/168420/
https://freesound.org/people/Kinoton/sounds/347557/
Thanks to you!

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More on this 528th weekly Disquiet Junto project — Landscape Architecture (The Assignment: Forge an unobtrusive path through musical flora) — at: https://disquiet.com/0528/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0528-landscape-architecture/

disquiet silence III

Bandcamp Album (free)

Fragile Vegetation [disquiet0528]

Divina Commedia.  Inferno canto XXIII.

Carmelo Bene - Dante, Inferno XXXIII (La Bocca).
Vittoria Gassman- Dante, Inferno XXIII.
Vittorio Sermonti- Dante, Inferno XXIII.

Inferno XXIII [disquiet0529]

Great task

My approach:
A note from my guitar
EBow used
Through Strymon Volante
Try to destroy Loop
William Basinski

On a dark day like this

Long Time To Fade(disquiet0530)

I took a one-second sine tone, made it a stereo track, extended it it to 65 seconds using both stretching (which causes the fluttering) and tempo adjustment (which causes the breakup at the ends).

Then duplicated it a tone lower with about a 20 second overlap.

Probably could have been much shorter…


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Step 1: Make the thing you think is the minimum viable music.

Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project — Minimally Viable Music (The Assignment: How much less is just shy of too little? ) — at: https://disquiet.com/0530/


More on the Disquiet Junto at: https://disquiet.com/junto /

2 tone [disquiet0530]

naviarhaiku426 – the long night

the long night
made longer –
a dog barking

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Night made longer ( naviarhaiku426 )

音が溶け合うあいまいな尺度

Lost in Crystal Cavern [part 2]

R E S P E C T

Economic Play

disquiet0379

vcvrack    release date: 05_04_2019       
More on this 379th weekly Disquiet Junto project — Open Studios / The Assignment: Share a track, get feedback, and give feedback — at:

https://disquiet.com/0379/

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0379-open-studios/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Temporary Transit(disquiet0379)

Performed by DD, 2014-2015
Electric bass guitar, percussion (talking drums and cymbals), electric guitar, ebow gutar, wurlitzer, synths.

Disquiet Junto Project 0379: Open Studios
The Assignment: Share a track, get feedback, and give feedback.

Project discussion takes place on:
https://llllllll.co/t/disquiet-junto-project-0379-open-studios/

Peter Kate And Tony (disquiet0379)

Work in progress track uploaded for disquiet junto 0379.

Words from Laurie Spiegel (without her permission ;) )

Bugsnag (open-studios)(disquiet0379)

Disquiet Junto 0379

Tangram Swan (Disquiet0379)

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Ryan Scott Mattingly's work sets washes of noise alongside sounds from daily life creating melodic songscapes with traditional acoustic instruments (guitar, banjo, mandolin, double bass),  electronics (synthesizer, pedal steel) and homemade instruments, weaving those juxtapositions into grandiose, otherworldly textures.

Tangram Swan (Disquiet0379)

Ryan Scott Mattingly

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Ryan Scott Mattingly

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