Tilbury was founded by the drummer Thormodur Dagsson (Skakkamange, Jeff Who?, Hudson Wayne) back in the summer of 2010. It was originally a solo project by the name of Formadur Dagsbrunar but quickly evolved when in a search for a band to record the debut album to the band Tilbury.

Tilbury plays dramatic folk pop led by synthesizers by Kristinn Evertsson (Valdimar) and sixties guitar sound by Orn Eldjarn (Brother Grass). Gudmundur Oskar (Hjaltalin) decorates the sound with his French-ish baselines and drummer Magnus Trygvason Eliasen (Sin Fang, Amiina, Moses Hightower) binds it all together with his dynamic drumming.

Tilbury's debut album, Exorcise, was released in May 2012 on Record Records.

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As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

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