Independent Music Producer from London bringing a broad sound spectrum of creative content.

www.youtube.com/subspectrum
www.facebook.com/pages/SubSpectrum/177135898998171
www.aymenfahmi.com

OUT NOW
Alan Fitzpatrick - Don't Stop [APX031]
orcd.co/apx031

Tour Dates & Music: https://alanfitzpatrick.komi.io

Labels
@wearethebraveofficial
@apexfaction

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

We make zero dollars on Soundcloud, if you want to support us, listen to our  music on Spotify - spoti.fi/3HeYRgw  - every bit helps!

Listen on iTunes
https://apple.co/3bcedE0


Former members from two DC-area bands come together as a new group, chomping guitars, bass, and drums.  Attempting to unite west coast shine and the grey hooks of Manchester, wimps blend and transcend the Velvet Underground, Beck, the Smiths, the Stone Roses, Smashing Pumpkins, and more into a thick, recognizable, potion of simple melodies packaged in creative production. 

If you put us in your playlist, let us know and we'll promote it

  paypal.me/smokedot beatcredits: youngchop johnnymaycash chopsquad ar-ab ape gang garci darklo chasemoola nbakingrellzy apollo13 biingo keyz the outbreak kurupt mindz etc......

Eric McGauley, also known as Eros, is an American electronic music artist based out of Orlando Florida.
Eros began writing and producing electronic music as a teen, immediately followed by releases on multiple Florida based labels (Psylon, PK, Tweak, MAFDAP), including his own eventual D’funkt records. In the 90s, Eros had his first taste of success with two songs being played in regular rotation (Anthem and Roller Skates) on a national radio station. This got the attention of multiple record scouts from 'Tommy Boy' and 'Robins Ent', resulting the release of 'Whats that Sound'. During this time, Eric played frequently across the country at early popular EDM events such as Zen Festival in CA, Ultra Music Festival in Miami and many other events and venues throughout the country. 
Eros currently has 6 full length albums, 15 vinyl releases and is featured on compilations such as Koch’s 'Beatles Re-grooved' series. Eric has recently branched out and begun licensing music to film, television and web based media. His music has been licensed by major brands such as 'Quicksilver, 'Burton Snowboards', 'Patagonia', 'Roxy clothing', 'DC' shoes, 'NBC’s' hit show 'Smash' and the major motion picture 'Bachelorette', with Kirsten Dunst. Along with recent underground tracks being released on Caffeine, Icey's Zone, Baby Anne's Bad Baby label and DJ Magic Mike's EA records, new material is on the way!

About to drop a mixtape soon. figured I'd check this shit out<

AKA Kitty O'Neal. Transcending the borders between alt-folk and indie, march incorporates her diverse tastes and introspective writing style into a distinctive and emotive performance. She cut her teeth as a solo artist on the South UK coast music scene before relocating to London, and has toured around the UK, including multiple slots at Glastonbury and Sofar Sounds. As heard on BBC Radio 6.

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Davie Mcmahon - Music/Artwork
Guest vocalists - Niklavs Trankalis - James Reeves - Sterge.B

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