This track was created for the Naviar Haiku group.
374 week Haiku.

https://naviarlab.tumblr.com/

OneAmbient4 - I Slept (Naviarhaiku 374)

Zlatomir Fung, cello
Janice Carissa, piano

Recorded at Skillman Studios in Brooklyn, mixed by Ted Moore in Chicago

Program note: Prelude is a duo for cello and piano that was written to precede attacca into the Brahms e minor cello sonata without pause (though it may also be performed alone) and is affectionately written for and dedicated to Zlatomir Fung and Tengku Irfan.

Prelude

This lovely idea to have an open collaboration to stand with wet'suwet'en against pipelines and for defending Nature...

May we all have reverence for Water.

Thank you to Bissecta & the Muses...a wonderful tribute to defend our waters and the Earth...

Visit Bissecta & the Muses here:
@bissecta

Sampled from here:
https://soundcloud.com/bissecta/water-is-sacred-because-we

OtisPacific Music https://soundcloud.com/otispacific
supplied the keyboards...

Sacred Water feat. Bissecta & the Muses

Night in forest. Somebody is skulking in undergrowth and making eerie sounds. At times it feels like a possessed child or even Gollum is lurking in dark forest...

Boreal owl and waves of Peipsi lake in background.

23. May 2020, 1 AM. Peipsiveere, Estonia.

Edit: It is most likely a pine marten. I had another recording with visual contact and the sounds were pretty similar.

Creature of night

Not having Disquieted for some time, and not being completely on board with the intention of the project after admittedly skimming various pages, I got all enthusiastic when I saw Bernie Krause’s name and realised the sonic lineage of the assembled creators.

I delved into my old “field recordings” folder (okay, me playing with a Tascam) and chose three or five, then cut them up, treated them and reprocessed them (according to whim and instinct) in Audacity using basic effects and plugins.

I still have no idea if this really fits the brief or not but it was fun.


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The Assignment: Celebrate World Listening Day for the whole weekend.

Step 1: This weekend it’s World Listening Day, which occurs every year on July 18, which is the birthday of R. Murray Schafer, the composer and acoustic ecologist. This year, the theme for World Listening Day is “The Collective Field,” as proposed by Katherine Krause.

Step 2: Read about this theme, “The Collective Field,” at:

https://worldlisteningday.org/ 

Step 3: Make a piece of music for World Listening Day, inspired by the theme, or just in the spirit of the occasion.


More on this 446th weekly Disquiet Junto project, Disquiet Junto Project 0446: WWWLDD — The Assignment: Celebrate World Listening Day for the whole weekend — at:

https://disquiet.com/0446/ 

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

I’m just going to wait out here [disquiet0446]

you can download:
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-sep-2019

long version for tour background for work:
https://youtu.be/TITlj-ErhRI

A Report Of Intergalactic Investigation Sep 2019

Download

20190929Ens1 v6 (short edit)

A large, empty, aircraft hangar. Building 135 on Waterbeach barracks, Cambridge, UK.  I had intended to record a passing thunderstorm but the forecast storm never arrived - only some wind and rain, the large hangar doors moving in the breeze, roosting pigeons, corvids and other assorted wildlife. 

Binaural recording - A pair of MKH8020 mics in a dummy head 'Pammy' to a SD-MixPre3. 24/48.

July 2019

With thanks to Urban & Civic for permission to access the site and record.

Building 135 - When Nature Takes Over

Composed for Naviar Haiku #358.

More on Naviar Haiku:
 https://www.naviarrecords.com/about/naviar-haiku/

Close My Eyes

Close My Eyes - Naviarhaiku358

“Like it belongs in a game as a weird minor characters theme. Someone who appears and says weird shit, then leaves” 
brother feedback

when yur fingers turn to spider legs and you just go with the god damned FLOH

Entering Spiderkiss Nest

This is the first time I participate in the annual ice cubes challenge of the Disquiet Junto. I first recorded the sound of ice cubes falling into a glass in Audacity. Then I slowed the recording down 10 and 50 times. I made three versions of a 30 times slowed down recording: with pitch change, without pitch change and paulstretch. I also made a reversed version of the original recording.
I loaded all recordings in Nysthi's Quad Simpler in VCV Rack. The original recording goes through a delay for a nice stereo rhythm. The three 30 times slowed down versions are combined to make a comfy bed for the basses and melodies to lie in. They are triggered every now and then bij the EOC-trigger of the 10 times slowed down version. The 50 times slowed down version makes for a really deep bass, but it also provides, through an envelope follower, CV for the pitch of a sawtooth that is filtered and the cut-off frequency is controlled by the reverse recording (also through an envelope follower). This is triggered by the EOC-trigger of the original recording, to get some nice synchronicity.
After pondering the relevant questions of how to start and how to stop, I came up with this.

More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet

Ice cubes

Ice Cubes (disquiet0471)

Original Track - https://youtu.be/n63QwqhZ45Y
MOSNAR DET - Remixing, Drum Programming

Building 135 - When Nature Takes Over

ryouell