Collaboration with House of Black Lanterns for the album 'You Were Telling me of Mountains' 

House of Black Lanterns & S Ruston - The Last Wave

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✞✞✞ WITCHHOUSE 4 EVER✞✞✞

Lyrics:
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You’ll never understand until you’ve been there.
Been down so much, that all you can manage to do now is sit there.
Thinking back at all the choices that you made to get there.
Pumping a fist to the sky telling god “it ain’t fair.”
But yo, we ain’t there.
How could it be with all this devastation and desperation surrounding me.
So put me in the ground ‘cause this life has just been pounded out of me,
The only reason I ain’t sleeping now ‘cause I got mouths to feed.
Why can’t I catch a break?
Why can’t I step away and wake up one morning and think that things wont be a mess today.
I gotta break the cycle somehow,
Sick of this pain, I'm sick of living this way.
Okay, I’m done now.
Not having fun now, there’s just so many reasons.
Feel as if my soul’s a broken puzzle and I’m missing pieces.
It’s real easy for you to judge them when you see them,
But you’ll never truly understand unless you’ve ever been there.
A place where hope was thin in the air.
If things are gonna get better tell me a ‘when’ and a ‘where’.
Sitting and staring in the mirror, nobody’s there,
That I know, feeling so alone and I’m scared that nobody cares.
My nights consist of so many prayers.
I once had so many dreams, I once was going somewhere.
Try and following steps before you start to compare,
Me to you and you don’t know me, now you think that that’s fair?
I never thought my path would lead me to the point I’m at now.
But before they get up, some people gotta fall down.
Some fall harder than others, they thought they had it all down.
Me, I take these experience and jot them all down.
But how do you cope when you think that hope is nowhere around?
How do you know where to go if you haven’t been found?
Yo, I’m saying it’s draining living this pain that I’m in.
You’re quick to judge me but you haven’t been the places I’ve been, c’mon.
You’ll never understand until you’ve been there.
Been down so much, that all you can manage to do now is sit there.
Thinking back at all the choices that you made to get there.
Pumping a fist to the sky telling god “it ain’t fair.”
But yo, we ain’t there.
How could it be with all this devastation and desperation surrounding me.
So put me in the ground ‘cause this life has just been pounded out of me,
The only reason I ain’t sleeping now ‘cause I got mouths to feed.
Why can’t I catch a break?
Why can’t I step away and wake up one morning and think that things wont be a mess today.
I gotta break the cycle somehow,
Sick of this pain, I'm sick of living this way.
Okay, I’m done now.
Not having fun now, there’s just so many reasons.
Feel as if my soul’s a broken puzzle and I’m missing pieces.
It’s real easy for you to judge them when you see them,
But you’ll never truly understand unless you’ve ever been there.

Bass Informed Techno // Rave as praxis, Non Binary as a practice //
Label: Vaggison Smooth //
FORMER resident of Lecken // Renate
Special Skills: DJ // Vocalist // Producer // Music composition for dance & performance //
Bookings: gemma@fold.london

House of Black Lanterns is the latest artistic guise of Dylan Richards (formerly known as King Cannibal when working on Ninja Tune and Zilla on Warp Records).

Championed by the likes of Mary Anne Hobbs, hand-picked by Björk to work on her recent ‘Biophilia’ project, selected by Liam Howlett to remix the Prodigy, invited to compile retrospectives of the Warp and Ninja Tune catalogues as Zilla and King Cannibal respectively and DJ Mag Best of British 'Best Mix CD' award nominee, Richards is no stranger to critical recognition when it comes to twisted, layered soundscapes.

House of Black Lanterns delivers a defined change in vision and style with the material already receiving widespread support. The debut album 'Kill The Lights' on Fabric's imprint 'Houndstooth' retains the earlier influence of DJ Krust’s sprawling drum & bass soundscapes, House of Black Lanterns sees Richards develop his sound to incorporate the dub-inflected techno textures of Rhythm & Sound whilst nodding to the catchy, yet bleak floorfillers of Trax, all inspired by the modern noir visual style of Michael Mann.

In between sets at both Berghain and Panorama Bar, The Roundhouse, Boileroom, Fabric and Melkweg, remixes have been traded with Breakage, Dave Clarke & Mr Jones's _Unsubscribe_ project, followed by a  EP on Hypercolour and a release for Doc Scott's 31 Records. His new conceptual album piece ‘You Were Telling Me of Mountains’ has just been released, backed up with a hefty run of more dancefloor orientated tracks across Creme's new Jericho One imprint, Darkroom Dubs and coming soon, EPM.