Folk Metal band from Fregona, Veneto, Italy.

"Kanseil is a Folk Metal project begun in late 2010 in Fregona, Veneto, Italy. It's named after the ancient name of Cansiglio, its home-place's mountains that are often told about in its songs. The band looks for an own style, that assembles early medieval melodies and traditional folk sounds from all over Europe, with death and black metal riffs, along with acoustic assembles in an ancient-fashioned atmosphere. 
The band in realized the self-produced demo “Tzimbar Bint” in 2013, than it started playing on many stages at local events all over Italy and Europe sharing the stage with a lot of other underground and international metal bands. In 2014 the band join the roster of Nemeton Records.
In May 2015 Kanseil will release their first full-length “Doin Earde”!"

https://nemetonrecords.bandcamp.com/album/kanseil-doin-earde


Soon in english too...

        Nace en Montevideo bajo el signo de Tauro y comienza su carrera como cantante a la edad de 7 años. Luego de formar parte de diversos coros y grupos vocales, comienza su carrera de dirección en junio de 2000, fundando el octeto masculino “Vox Homini”. Fue director estable de la “Asociación Coral Rosario”, (Rosario, Colonia) del 2004 al 2007, interpretando con ella numerosas obras a capella y la recreación del Gloria de Vivaldi, para solistas, coro y orquesta, en dos oportunidades (2006 y 2007). En el año 2006 fundó el Ensemble Arcadia, dedicado a la interpretación del repertorio barroco, y a la investigación y difusión de la música de los siglos XX y XXI. 

	Todos sus estudios de solfeo, armonía, análisis, composición, dirección coral y orquestal, historia de la música y organología, fueron como autodidacta, hasta que en marzo de 2006 inicia sus estudios formales de Composición, con Osvaldo Budón, y de Dirección Coral, con Sara Herrera, en la Escuela Universitaria de Música.

        En su trayectoria como cantante y director ha recibido invaluables enseñanzas de Carmen Pi Zetune, Cristina García Banegas, Dana Nicola y Marcela Redaelli.

	Como coralista ha participado de la obtención de varios premios y menciones con diversos coros en Uruguay, Argentina y España; como compositor ha obtenido una Mención Especial del jurado, en el Iº Concurso de Composición “Coro de la Escuela Universitaria de Música”, por su obra para coro mixto a capella “Tiempo y Abismo”, sobre texto de Esther de Cáceres y dos de sus obras, “Si Hubiera Tiempo” y “Aquel Concepto del Mañana”, fueron ganadoras de la Mención del jurado en las Bienales de composición coral de ACORDELUR.

        Ha cantado en los coros uruguayos de mayor proyección a nivel nacional e internacional, ellos son el “Ensemble Vocal e Instrumental De Profundis”, que dirige la Mtra. Cristina García Banegas y el “Coro de la Universidad de la República”, a cargo del Mtro. Francisco Simaldoni. En 2006 y 2007 formó parte del “Proyecto Aves_Errantes”, iniciativa independiente que busca la difusión de la música contemporánea, coordinado por el compositor y docente argentino Mtro. Osvaldo Budón.

        Ha abarcado un amplísimo repertorio a capella que va desde obras del S XIV a la música contemporánea, donde ha participado de varias primeras audiciones para el Uruguay y estrenos de compositores como Alcides Lanza y Osvaldo Budón (Argentina), Leo Maslíah, Vladimir Guicheff, Juan Martín López y Leonardo Secco (Uruguay).

	Como compositor, tiene obras estrenadas en Uruguay (“Poema XX”, “La Biblioteca de Edouard Ingolf”, “O Welt, ich muß dich lassen”, el ciclo “Three Songs for a Young Widow”, etc.), Colombia (“Introitus”), Alemania (“Für Sabine”) y Argentina (“Lullaby for a Girlfriend´s Corpse”).

	Ha participado en conciertos en todos los departamentos del Uruguay, y en varios encuentros, festivales y certámenes en Uruguay, Argentina, Brasil, Bolivia, España y Grecia.

	Entre 1998 y 2005 y desde 2013 a la actualidad es cantante del Ensemble Vocal e Instrumental De Profundis. Desde 2006 es director artístico del Ensemble Arcadia y director del Coro Arcadia desde 2012.

NOISE   MISTICNOISE industrial sperimetazione                           altro
OLYSTIC NOISE.
scimanesimo urbano post industriale
.PSICHIATRIC music .
VOCE .
poesia post nucleare


Liis Jürgens (Viira) (b. April 7, 1983) is a composer, harpist, improviser and experimental animation maker. Her compositions are characterized by figurative thinking and translating the visual into music.
● In 2009 she graduated with a MA in harp performance, under Eda Peäske, from the Estonian Academy of Theatre and Music. At same, she furthered her training in composition with Helena Tulve and studied electroacoustic music with Margo Kõlar.
● She has studied improvisation with Taavi Kerikmäe and Anto Pett; she performs improvised music on a regular basis. 
● She has composed works for symphony orchestra, choir, big and small ensembles, vocalists and solo instruments. In addition to Estonia, Liis Viira’s works have been performed in Latvia, Lithuania, Finland, Sweden, Russia, Denmark, Italy, USA and Austria. 
● She has performed her compositions herself on harp and piano.
● At present Liis Viira is a freelance composer and harpist. She is a member of unique sounding ensemble Una Corda (three plucked string instruments: harp, kannel and harpsichord) and participates in many other solo and chamber music projects. 
● Her orchestra experience includes playing principal and second harp with Estonian National Symphony Orchestra (2007-2017), and principal harp with Tallinn Chamber Orchestra, Baltic Sea Youth Philharmonic, Kymi Sinfonietta and Estonian Festival Orchestra. 
● Viira studied 2012–2015 at Estonian Academy of Arts animation department and since autumn 2017 she is studying composition (with Helena Tulve and Toivo Tulev) in practice based PhD at Estonian Academy of Music and Theatre to go further with her interest of developing musical and visual compositions simultaneously.

Pranav Ranjit (they/them) is a composer of new music currently based in Reykjavik, Iceland, with prior studies in the United States, Estonia and Finland. Ranjit’s works explore themes of space and texture, incorporating sounds from the natural world, influences from the Carnatic music of southern India and Lithuanian folk music, and the contrasting extremes of fullness and silence.

&nbsp;Anthony  DI  Stefano is a composer and sound designer from NewYork.



Estonian artist Monknash performs as both a live artist and a DJ having established her sound on alternative stages from home scene to Berlin, Brussels, Amsterdam (ADE), Istanbul, and more recently in Detroit (USA). Her debut track Skalapendra was released on the Scottish label Still Distant Records as part of the compilation VA Dark to Black. While primarily performing techno live, Monknash also appears in diverse contexts reflecting a fearless approach to sound ranging from ambient to punk.

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