=Noble sound status!!!...It's very exhilarating from the roof top breathing in the top notes--and one can really appreciate the bass foot work to get there, too! ;)  Awesome!!!

i genuinely dont get how u make such bops

Great harmony, very sensitive! Hughs from Mexico

Great song. Nice compositional arrangement. Love the synths and that main piano melody. As well as the overall sound, really. It's very epic and cinematic.

Really nice song. Lovely interpretation. I really like the ebbs and tides in your orchestration as the lushness moves with the song's emotion. The choral movement adds terrific passion at the end. Thanks for giving me something to believe in today.

absolutely amazing track! ❤️ love it!

kinda reminds me of OneRepublics Apologize, great work and nice piano and strings!!! Very inspirational. Just needs vocals!

This one has a nice subtle pumping effect I like, beautiful arrangement and changes

Hi! I hope you are very well, this time I present my second original track of the Rock genre. If you liked it, support me with a like. Thank you very much for listening to me. Greetings!

Listen now:

👉🏼https://open.spotify.com/track/0cdnbD12QnXXrioPaMJHMy?si=FeewUE-XTSKxEkj10Sw5DQ

Link Social Networks:

👉 https://linktr.ee/Itzco11

#krautrock #kosmischemusik

Imagination

Imagination (Itzco Original Track)

KENDO NAGASAKi

Lofi, Vol. 1 is the April 2021 release from 888 Producer. It's out on all streaming platforms and features chill beats that really match the cover art. It also has one feature too.

Leaves

Taming Of The Poltergeist

Anaruz

Anaruz (Hope) - 2018

first time, and did it in one take, not too bad, had to use youtube sample

I Need You (Best Beatles cover) Raw

Search On

Rest Up

Crimson Earth for Symphonic Band and Solo Violin
Duration: ca. 14'
Publisher: Bill Holab Music. http://www.billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&zenid=3699359cefb6e31676ed8d068a02c3c4&keyword=crimson+earth
View Score: https://issuu.com/robertpaterson/docs/crimson_earth-fs-color_cover-bound
For More Information: https://robertpaterson.com/crimson-earth 

PROGRAM NOTES
In Crimson Earth, my primary concerns are the exploration of exotic sonorities and textures, the spatial placement of instrumental groups and the process of moving musicians throughout the hall to create interesting textural juxtapositions.

Although no specific programmatic associations are intended in Crimson Earth, two specific references were influential: Pieter Bruegel the Elder’s gruesomely detailed painting The Triumph of Death (c. 1562), and the following short verse I came across in a book of quotations from the Old Testament (Job, Proverbs, 24):

"He swalloweth the ground with fierceness and rage: neither believeth he that it is the sound of the trumpet. He saith among the trumpets, Ha, ha; and he smelleth the battle afar off, the thunder of the captains, and the shouting."

When I was a child, my father introduced me to Breugel’s work and to the work of other imaginative painters from the 15th and 16th centuries, such as Hieronymus Bosch. I think what originally inspired me the most about this particular work by Breugel was how something so morbid and seemingly prophetic could have been painted hundreds of years ago, before some of the worst wars occurred in the history of the world. Of course, I could not help but think to myself, what would a battle as horrifying as the one in Bruegel’s painting sound like?

Perhaps more importantly, what sounds do we associate with battles? The sounds that came to my mind for this piece were drums, trumpets, sirens and explosions, all represented in this highly programmatic work. The combination of winds, brass and percussion seemed to be the perfect vehicle to capture the horrific sounds and gut-turning feelings one might experience during a battle. The only other sounds I needed were instrumental voices meant to represent the sounds of both ignorance and innocence. The sound of a solo violin and a solo flute seemed most appropriate, and these instruments end up framing the entire work.

In this work, I attempt to depict a battle in three connected scenes: armies emerging from far away, an ensuing destructive, chaotic battle and the armies’ final departure. Three marching ?battalions? of military drum and trumpet duos represent the armies. These duos gradually convene toward the stage; the stage represents a battlefield. Once there, a battle begins in which a mostly non-pitched percussion section is highlighted through the use of battle-like sounds. As previously mentioned, two "solos" frame the three middle sections: one on a violin and the other as a duo with flute and violin. (The option of playing the violin part on an oboe is given in the score.) The whole work is essentially in a loose arch form.

The title, Crimson Earth, refers to the bloody color of the earth after battle and the power and heroism people often associate with the color red. However, although many cultures have glorified wars and battles, this is not my goal in this work. Crimson Earth represents the profound sadness that wars ultimately cause, but this work also tries to represent hope.

Part I

• (Violin Solo)
• Melting Chimes of Starlight
• Remembrance of Long Ago Idyllic Youth
• Mini Trumpet Bats, Descending
• Rising Darkness
• Brief Sky Opening, Cry for Absolution

Part II

• Calm before the Storm: Glimpses of Despair
• Three Battalions approach from Afar
• War Sirens
• Battle
• Swells of Sadness
• Three Battalions Retreat
• Ashen Rainbows

Part III

• Memorial to the Sacrificial Dead
• Deserts of Ruin
• Breaths of The Everlasting Rising Phoenix
• Peace Wish

Crimson Earth (for Symphonic Band)

Robin Loxley and Oliver Jackson´s original track from their album Glory Pop arranged by Alejandro Gonzalez M.  ( Sabine Alexander).

Something To Believe In

I taught myself guitar with the Beatles and Elvis music books when I was 16 but when it came to the piano many years later, after learning the basic major/minor chord shapes, I just began trying to busk/write songs to practice (I haven't improved much btw!!!!) and this song stemmed from that time trying to join chords together. The idea about "closing the door and never coming home" reminded me of the Beatles 'She's Leaving Home' and I just went with it: Imagining contrasts of George Michael or Morrissey singing the 'big' chorus I could hear in my head in their own unique ways. It's another story song and is about no one in particular. I don't expect this song to be an 'in-context' hit on Soundcloud but it is a personal favourite of mine.

Charles Hardin

Nobody Else

For the refreshment of the soul and the glory of God........My name is Alejandro González M. Born November 28   1970.  I am a  Self taught composer  from Xalapa, Veracruz, México,  and my   orquestra project   "Sabine Alexander".   
Welcome to a journey of the most uplifting sad music. 







sabinealexander64@gmail.com

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https://www.facebook.com/sabinealexander.gm                                                           https://show4me.com/sabine-alexander.               https://distrokid.com/sellouts

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Something To Believe In

Sabine Alexander

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