Recorded Live 22.07.20 at Trade Sky, Buenos Aires, Argentina

Miller Genuine Draft pres. Tomás Brignolo @ Trade Sky, Buenos Aires

ENGLISH BELOW
Necesitaba desconectarme de todo, desenchufarme por unos cuantos días; y qué bien me hizo. Hoy me desperté con ganas de tocar por primera vez en 2022; quería ver qué música salía de mí hoy, ver por dónde vienen mis sonidos al principio de este año.
Esta es la primera improvisación del 2022. El set está repleto, lleno mal, de errores y pifiadas pero las canciones son tan hermosas que no me importa. Quería hacer de la primera tocada del año un momento especial y guardarlo para después compararlo con la última tocada del año, con el último momento como este que me tome para cerrar este ciclo temporal de 12 meses, sea lo que eso signifique, y ver cuánto, ojalá, he mejorado y cómo habrán cambiado o se habrán mantenido mi energía y mis sonidos. Esto también es parte del proceso creativo. Tal vez este sea algo así como mi diario musical.
Mientras grababa esto, fumé un par de pitadas de una tuca de ayer, prendí un palo santo, tomé agua, canté y subí varias veces el volumen del master. No me esforcé por mezclar muy bien, solamente quería flashar un rato. El “set” empieza tranki, se pica un poquito y termina medio tranqui, como me gusta a mí. Esta soy hoy, hola. Así salió la improvisación hoy. Así me suena este momento, tranqui y con fuerza. Tranki un poco melancólico. Aislamiento por covid día 8, en Concepción del Uruguay, Entre Ríos, Argentina, a las 15:00hs, con 43° C y una inminente lluvia reparadora.

I needed to be disconnected from everything, unplug myself for a couple of days; and how good it was on me. For the first time in 2022, today I woke up feeling like playing, to see which kind of music came out of me today, to see which are my sounds at the beginning of this year.
This is the first improvisation of 2022. The set is full, completely, of errors and mistakes but the songs are so beautiful I don’t care. I wanted to make the first time I play in the year a special moment and save it to then compare it with the last time I will play in this year, with the last moment like this I will take to close this time cycle of 12 months, whatever that means, and see, I wish, how much I’ve improved and how my energy and my sounds have changed or sustained. This is also part of the creative process. Maybe this will be something like my music journal. 
As I recorded this, I smoked a couple of puffs from a roach I had from yesterday, I burned Palo Santo, I drank water, I sang and turned up the volume of the master a couple of times. I did not make an effort to make a good mix, I just wanted to trip for a while. The “set” begins kind of chill, then it goes up a little bit and then it ends smoothly, as I like it. This is I, hi. This is today’s improvisation. This is how this moment sounds to me, chill and powerful. Lockdown for covid day 8th, in Concepción del Uruguay, Entre Ríos, Argentina, at 3:00 PM, with 43° C and an upcoming healing rain.

Improv #1 - Lo-fi House

Warmup de la sesión cannábica en Klug Gebräu, 20.04.23

04-20LiveKlugGebräu

Find out more at www.mobyporcelainbook.com. 
Buy now: http://moby.la/porcelainSo  

A CD of music featured in 'Porcelain' is available to pre-order now: http://moby.la/musicfromporcelainSo  

From one of the most interesting and iconic musicians of our time, a piercingly tender, funny, and harrowing account of the path from suburban poverty and alienation to a life of beauty, squalor, and unlikely success out of the NYC club scene of the late '80s and '90s.

There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene. This was the New York of Palladium; of Mars, Limelight, and Twilo; of unchecked, drug-fueled hedonism in pumping clubs where dance music was still largely underground, popular chiefly among working-class African Americans and Latinos. And then there was Moby—not just a poor, skinny white kid from Connecticut, but a devout Christian, a vegan, and a teetotaler. He would learn what it was to be spat on, to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City: the age of AIDS and crack but also of a defiantly festive cultural underworld. Not without drama, he found his way. But success was not uncomplicated; it led to wretched, if in hindsight sometimes hilarious, excess and proved all too fleeting. And so by the end of the decade, Moby contemplated an end in his career and elsewhere in his life, and put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would in fact be the beginning of an astonishing new phase: the multimillion-selling Play.
 
At once bighearted and remorseless in its excavation of a lost world, Porcelain is both a chronicle of a city and a time and a deeply intimate exploration of finding one’s place during the most gloriously anxious period in life, when you’re on your own, betting on yourself, but have no idea how the story ends, and so you live with the honest dread that you’re one false step from being thrown out on your face. Moby’s voice resonates with honesty, wit, and, above all, an unshakable passion for his music that steered him through some very rough seas.
 
Porcelain is about making it, losing it, loving it, and hating it. It’s about finding your people, your place, thinking you've lost them both, and then, somehow, when you think it’s over, from a place of well-earned despair, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians’ memoirs that capture not just a scene but an age, and something timeless about the human condition. Push play. 

Porcelain by Moby, narrated by the author

So soulful: https://soulful-techno.com

For radio stations which want to broadcast the mix, please send a mail to soulfultechno@artist-one.com for the download link.

01.	Robag Wruhme - Anton I
02. 	Viken Arman - On A Blue Road
03.	Dayne S - Blind
04.	James Slavan - Is Everything Cool
05.	Max Ruby - Diesel House
06. 	&ME - Cape Coast
07.	Quiver - Call
08.	Alex Kennon - Last Call (Karmon Remix)
09.	Martin Buttrich, Mathew Jonson - Synchronicity
10.	Gabriel Ananda - Love Attack
11.	Tone Depth - Layers
12.	Roman Flügel - 9 Years (DJ Koze Remix)
13.	AfE - Offshore

Gabriel Ananda Presents Soulful Techno 48

Selecto música con conciencia y perspectiva de género.
I select music with consciousness and gender perspective.

Improv #1 - Lo-fi House

Sabri Selekta

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