What’s the name of the original songs? Is it kurdish? Great work!

کار جالبی بود، کاش اسم کارهایی که توش پخش می کردید را می نوشتی، بخصوص داود عزیزی

MAKU
اگه امشب بدون تو بودم
بابا به اونم
Released Date Sep 2014
Setar- Mahmood Schricker
Bass, Keys- Reza Moghaddas
Percussion- Morgan Doctor
Produced by Mahmood Schricker and Reza Moghaddas 
Cover Design by Ahmadreza Schricker
Mix- Reza Moghaddas
Master- Silverbirch

MAKU

https://www.facebook.com/deejayelioni/posts/861582810572237

Ekova- Sabura  RMX by Elion 2015

TarantisT
Song: Breath
Album: House of Anthem
Words: Houshang Ebtehaj

iTunes: https://itun.es/us/rGYpr

Lyrics:
Have mercy, O breath
At the corner of this cage
Clamoring
From this exhausted heart

رحم کن ای نفس
که در این گوشه قفس
بانگی برآورم
ز دل خسته یک نفس

TarantisT - Nafas (Breath)

Inspired by Pari Zangeneh's version of Korashim by Varoujan.
credits
released July 1, 2016 
Produced by Mahmood Schricker and Reza Moghaddas 
Bass - Reza Moghaddas 
Percussion - Morgan Docotor 
Setar - Mahmood Schricker

Korashim

title: Into the Night
album: Into the Night
artist: Fared Shafinury

Into the Night

samples taken from:
Davud Azizi - Khan Amiri
Shevesh - Amiri

Artwork by Leila Mostofi (edited)
Mastered on Landr.com

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Saeed Aman - Random Mandom #3 (Khan Amiri)

I composed this track for portrait collection by "Ali Sabouki" in 2016

من ها

Rodrigo Gallardo - El Arancibia Ft.Nicola Cruz

Gravity = Love

Bios
Kennedy is the composer and curator of the Mad Composer Lab, a concept studio designed to explore the process of music composition. Kennedy’s musical vocabulary is eclectic, innovative and truly authentic. As a musician, Kennedy has performed with many professional ensembles playing bassoon and contrabassoon. Additionally, Kennedy performs on piano and an assortment of exotic instruments, including didjeridu and duduk and can be heard on various soundtrack recordings. Highly talented and expressive with the baton, he has served as conductor of the Monroe Symphony Youth Honors Orchestra, and has guested with a variety of groups from coast to coast. His background as an orchestral musician, conductor, and player of orchestral and exotic instruments offers Kennedy an unparalleled perspective in the workings and abilities of a wide range of ensembles in the marriage of sound, visuals, and emotion. This expansive and eclectic experience, united with his limitless imagination, allows him to offer in his music, an incredibly broad pallet of musical timbre and philosophies.
Vahid Kilani
I am Vahid Kilani. It should not be important to me or anybody else where and when I was born. But the inevitability of the date and location of my birth has influenced me a great deal, as it led to most of my childhood passing with a love and a passion for music. After finding out about the “Music Conservatory” very late in my youth, I rebelled at once and said a big no to all that was expected of me—education, job, college,… and I ran like a crazy lover to my old and apparently all-encompassing love, music. On this route, I embraced all of the difficulties with the help of kindness of my music masters (teachers and friends). I started in music with the violin, but after a year I left that and went to work as an assistant in the making of Iranian musical instruments. That is when I started playing the Tanbour. The obstacles were great, but my passion was even greater! Lack of government support for the arts and artists, especially for music, was clear to everyone, and so was the lack of communication and collaboration among artists in Iran. This left me inclined toward loneliness—fated to experience alone, practice alone, compose alone! I did not expect help from anyone. But, although a great deal happens and gets created out of loneliness, the result only expands its reach through communicating and sharing with others. As Edward Gibbon taught us, communication adds to wisdom and knowledge, but being alone is where gentility and creativity happen! I was practicing traditional Persian music, a music which despite all its beauty is tinged with prejudices and biases of “music people.” Although I really enjoyed that study, I did not limit myself to it. At the same time, I got a degree in making instruments as well as a membership in the Iran House of Music. However, I am not proud of this, as I believe the value of every person, artist or not, is in his or her output, not in degrees and credentials.
I am an ordinary person who is experiencing and learning. The eternal nature of humanity is in moving forward, as immovability leads to nothingness and extinction. As Houshang Ebtehaj says: Still water soon sinks into the earth/But the river rolling grows into a sea. Now, my first release in Tanbour playing has been created, of course with the help and support of you friends. I hope “Barzakh” will be an introduction to a full album of the same name, as well as an anecdote to geographic borders, to help us to reach together the apotheosis of art, which, to me, is creating another world and inviting others to that world to take a break from current human Barzakh (the temporary barrier between here and the hereafter) for some moments. In the end, I do not name myself anything and do not accept any label…except maybe a poet whose poems have achieved distance from words and are presenting themselves in other forms.

Play Music on the Porch 

Purgatory – Mad Composer Lab and Vahid Kilani (Portland meets Tehran)

This is a live edit I did for Ekova's Sabura, written and performed by my dear friend Arash Khalatbari.

Artwork by Leila Mostofi

Follow Arash Khalatbari here: https://www.facebook.com/pages/ARASH-KHALATBARI/130292631539

Follow me on Facebook here: https://www.facebook.com/saeedaman.music

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Ekova - Sabura (Saeed Aman Edit)

With Music, Life Makes Much More Sense.

Contact: saeedamanmusic@gmail.com
About: www.facebook.com/saeedaman.music/info

Saeed Aman - Random Mandom #3 (Khan Amiri)

Saeed Aman

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