Listen live to 'Living Out Loud' on CBC Radio One to hear the new 50-minute documentary called "Arthur's Story."
It aired coast to coast on October 13th and 15th, 2013. You can listen to the full podcast here: http://podcast.cbc.ca/mp3/podcasts/livingoutloud_20131013_68756.mp3

After twelve years of living homeless on the streets of Vancouver, Arthur is trying hard to make a new life for himself in new supportive housing. But, in the quiet and security of his new room, his old lives keep rising up, demanding to be heard. As you'll hear in "Arthur's Story," a new Living Out Loud radio documentary produced by Suzanne Ahearne and Steve Wadhams, it's hard to just move on. It makes you realize you can't just peel off the past and throw it away like a bundle of old street clothes.
(Arthur prefers to use his first name to protect the privacy of his family).

Arthur-I never had one good dream since I moved in (clip)

The Beigeness

iTunes

Kae Tempest - 'The Beigeness'

Turn up the volume! This is the sound of a protein trapped and excited in a laser tweezer, its acoustic vibration measured by engineers at the University of Victoria. 

What you're hearing is literally the sound the protein's vibrations would make if it were vibrating at one billionth the frequency it actually does.   

Skyler Wheaton took the original data--in the gigahertz range and inaudible to humans--and scaled it down so you can hear it. 

Dr. Reuven Gordon calls the technique Extraordinary Acoustic Raman spectroscopy (EAR) and he thinks this way of examining proteins is about to change the pace of drug discovery for diseases from cystic fibrosis to cancer. 
Read more about it from UVic News. http://ow.ly/F31ea

Read Dr. Gordon's paper published this week in Nature Photonics: http://ow.ly/EWLEA


Listen to the "voice" of a protein

In 1992, CBC Radio decided to put on a Radio Festival to celebrate the 10th anniversary of the death of famed Canadian piano player and radio documentary maker Glenn Gould. Steve Wadhams was tasked with implementing the radio documentary portion and chose to follow Gould's lead in mixing musical technique with radio documentary form. To aid with this, he enlisted his office neighbour, radio sound effects tech Laurence Stevenson who demonstrated the possibilities of Pitch-to-MIDI. To further the musical side of the project, they made a call to Music Producer David Jaeger to suggest a suitable candidate to orchestrate their material. In an inspired moment, he proposed composer Christos Hatzis, an extremely talented composer and very congenial collaborator. To complete the team, they enlisted mixing engineer Rod Crocker, whose imaginative contributions furthered the project immensely.
From the cassette notes: The Idea of Canada is a new form of audio composition. Speech and music combine as equal partners, each enhancing the effect of the other. The words are the voices of Canadians, speaking from the heart about what Canada means to them. Some don't believe in Canada at all. Some believe passionately in this country. Some see it as a good idea that has somehow gone wrong. The music complements and comments on these thoughts and is often actually derived from them using the pitch, rhythm and timbre of the spoken word. All this is supplemented by an aural backdrop drawn from the sounds of the Canadian landscape. The Idea of Canada is a counterpoint of music and ideas inspired by the experimental radio documentaries produced in the 1960's and 70's by the Canadian pianist Glenn Gould. It was produced in 1992 using the latest computer technology - wizardry that Gould could only have dreamed of! For example, one particularly effective innovation is a technique which allows the spoken word to turn itself into music by triggering its own distinctive 'sound shadow', giving the speech a haunting and compelling quality. Sometimes the 'shadow' is a single sound (a cello, a saxophone, or a synthesized sound), sometimes a combination of sounds. One voice, asking the question "do you believe in Canada?" was given a shadow made up of drums, bass and electric guitar. Gould's vocal counterpoint, featured so strongly in his radio documentaries is greatly developed and extended in The Idea of Canada, thanks to computer sequencing and MIDI technology. By assigning phrases and words to notes on a keyboard, Christos Hatzis was able to compose elaborate polyphony; a clash of voices and viewpoints which is musically complex, but remarkably easy to follow and understand. The thoughts constantly re-appear in new forms and new contexts, giving them surprising twists and subtle shadings. The Idea of Canada was conceived by CBC producer Steve Wadhams as an attempt to express Canadians' competing beliefs about what this country is. It does not argue one side or another in the national debate, it simply tries to reflect it in a powerful and poignant way. As voice and music flow around each other easily and dramatically, there are moments of chaos and quietness, anger and hope. There is humour too, with a comic cameo appearance by Glenn Gould himself, springing forth from the archives to comment on a national unity hotline! 

Hatzis,Wadhams, Stevenson,Crocker-The Idea of Canada

Beloved retired CBC radio host Andy Barrie returns to tell the story of how he got his start in radio at summer camp.

Arthur-I never had one good dream since I moved in (clip)

sahearne

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