Multi-platinum selling producer, composer, musician, and DJ, Matt Lange challenges categorization; equipped with an instinctual ear for creating music and an insatiable drive to explore the aural spectrum.

Lange’s career began working alongside multi-instrumentalist and producer Brian Transeau (BT), co-producing the album "These Hopeful Machines," earning him a Grammy Award-nomination in 2011. Matt then went on to co-write and produce Glenn Morrison’s "Goodbye (feat. Islove)" which was nominated as Dance Recording of the Year at the 2015 Juno Awards and later hit double platinum. Most recently, Lange was a producer on the Thirty Seconds To Mars album "AMERICA," which debuted #2 on the Billboard Top 200 chart.

An adept music composer, and sound designer, Lange has created and licensed works for the blockbuster films Ready Player One, Blade Runner 2049, Deadpool 2, The Fast & Furious 8, and Transformers: The Last Knight along with video game franchises Counter-Strike Global Offensive, Tom Clancy's Rainbow Six Siege, and DOTA II.

As an artist, Matt Lange has released records with some of the most influential electronic dance music labels in the industry such as Anjunabeats, mau5trap, and Armada and has performed across esteemed venues and festivals like Output, Sound Nightclub, Ministry of Sound, TomorrowWorld, EDC, and SXSW. Unburdened by genre and trends, the signature of Lange’s work is the relentless devotion to pushing music into the future.

Matt is also the host of Tap Tempo, a podcast which features insightful interviews with peers and collaborators ranging from A-list composers to DJs and includes artists from all backgrounds.

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UNIVERSAL FIGHTER

New Single “Move To America” Out Now On Epitaph Records https://nascaraloe.ffm.to/movetoamerica

inquiries:
nascaraloe@gmail.com

Ho99o9 (horror) - An unauthorized biography
The first spores of Ho99o9 were identified by the CDC’s infectious disease unit
in the outsourced offices of purgatory that are peppered all throughout New
Jersey in places like Linden, Elizabeth and Newark.
There was only legend until cultures were collected. Once told as a cautionary
tale of two neighborhood kids, their story mutated into a reflection on the
horrors of the society that produced them. What happened between those
early days in the neighborhood and the present day is often debated.
theOGM (Jean) & Yeti Bones (Eaddy) are certainly a product of their early
environment. There weren’t any fields or even much grass for a kid to play on.
Gardens were made of concrete and a reality sustained only by dreams of
places where the train tracks went.
Eaddy’s Pops brought Motown and the militancy of the armed forces into
Eaddy’s sometimes rigid and uncompromising basic training for life. Pops was
hard because hard makes leaders in the human chain of command. And Jean
was always there in the street level offices of Chris Christie’s “small
government” purgatory in the defunded, decommissioned and deconstructed
district of Linden New Jersey. Jean knew when Trump’s future fuc boi and
every other neo-con said “small government” what they really meant was
“Fuck you nigg…”
Style was lacking but what Jean’s Pops was packing into his ear speakers stayed
embedded in Jean’s mind - The sounds of Haitian Kompa sung by Sweet Micky
(Michael Martely). The bizarre behavior and non-conformist styles of a Haitian
icon caught Jean’s eyes and ears back then and once again now with Micky
recently rising to become president of Haiti. Thieves and liars giving way to an
influential artist elected to rebuild a crumbling nation? Noted.
Jean and Eaddy kept lampin in overlapping circles of connected streets,
bordering cities and shuffled between under funded public schools. The sounds
on Hot 97 filled blank tapes with Bone Thugs, Busta, Onyx, Lil Jon and Missy
Elliott. Mental hard-drive uploads with flow served to drive them to finally
jump on that train to see what else was out there and what they found
changed them irrevocably.
Eaddy began branching out, bringing hardcore like Bad Brains back home with
him. The pair didn’t know it at the time but the resulting amalgamation they
brought back was the Deathkult. They were armed only with a pawn shop
sampler and the power to influence.
Born to lose in Jersey, reborn in NYC and subsequently reimagined 999.
Rewired to spread a promise for the next emancipation from time. The gospel,
the vibration, hardcore punk, rage and rhyme - theOGM and Yeti Bones emerge
transformed into weapons of mass expression and the spectacle known today
only as Ho99o9 (horror).
Then just like that, Ho99o9 vanished from the east coast, allegedly recruited
into a beat laboratory in Los Angeles. They baptized in blood and emerged
wrapped in a sound that had not yet been heard.
A congregation gathered in a scene of like-minded mutants and L.A. quickly
became the HQ of Ho99o9. More minions manifest with Horror spores started
spreading all throughout North America and the European Union - a pandemic
of fools gettin' woke as the fringe becomes the majority and we recall the
prophecy of Sweet Micky.
And Today - a new nation rises to smash the guise of the god-head. A deity-less
religion of our collective humanity, neither divine, nor wicked, led only by the
march of the Deathkult and delivered by its soldiers - theOGM and Yeti Bones in
their United States of Horror*.

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