Videos, live shows and all other info over at:
www.iambrolin.com

Electronic Music Channel – Est. 2015

⚡ Premieres • Mix Series • Free Downloads
🌍 Collaborating with artists & labels worldwide
📀 @melodictherapy

For requests: 
https://forms.gle/rrtt5DSKQHjFWvsw6

We're an independent cultural collective dedicated to sharing music without borders. 

Our mission is simple: to amplify electronic sounds and connect scenes across the globe.

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

London based deep house label run by Saison.

Deep House was born here.
Deep House lives here.
3 decades of House Music history...and counting.
Full Bio:

Cast your mind back to 1992. The world wide web had only just been invented, and mobile phones were for yuppies and drug dealers. The world we know today was just being born – and being born right at the same time, over in Chicago, was a little label called Large.

Large Music was the brainchild of Windy City resident Jeff Craven, who was worried that house music was in danger of being sidelined in its own birthplace, the international spotlight that had once shone on the pioneering Trax and DJ International imprints having moved on to New York labels such as Strictly Rhythm, Nervous and 8-Ball. “I thought a label with that kind of energy and underground profile could work in Chicago,” says Jeff.  So, pooling funds with a friend, he began finding talent and pressing records. Kerri Chandler's 'Raw Grooves EP' became the label's breakout release, and Large Music hasn't looked back since.

In fact, far from looking back, Large is a record label that's always been about looking forward. In the 90s, their catalogue featured the likes of DJ Sneak, Mateo & Matos and Dennis Ferrer when they were right at the start of their careers, not to mention providing a then-nascent UK garage scene with one of its most enduring anthems in the form of Roy Davis Jr's 'Gabriel'. In the 2000s, the Chicago-based label was quick to pick up on the deep and soulful house coming from the West Coast, releasing material from the likes of Halo, Jay-J, Rasoul, Miguel Migs and Julius Papp. And now as a new decade takes shape, we see Jeff embracing the techier deep house sound that's emerged out of Europe, with recent releases from the likes of Roland Nights, Evan Iff, James Dexter and Matthias Vogt.

Yet while fashions fluctuate and music mutates, one thing that hasn't changed is the Large A&R policy. It's simple: “My formula has always been to release music that I was really into and what I would play as a DJ,” says Jeff. “I'm still just as excited about house music as I was in 1992.” Which probably explains how Large has been able to stay relevant all these years – this is one veteran label that isn't content to endlessly rehash former glories, but who instead keep searching out new underground talent.

At the time of writing this, Large Music is 20 years old, with some 200 singles and 50 albums under their belt, and tracks licensed to over 400 compilations. Which means they've been putting out upfront house music on a weekly basis since before many of the people dancing to it in clubs this weekend were even born. They set out to ensure that house music didn't get sidelined in Chicago in the 90s. What they've actually achieved is to push house forward all over the world for two decades – and counting…

Texas native, based in México.

Email:  bermeja78@gmail.com

Bookings - 
Simon Morell | Worldwide
simon@thefinaagency.com

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Demo Submissions only via: https://www.labelradar.com/labels/getphysical/portal

A lot has happened in the last 20 years of dance music, but one constant has been Get Physical right at the sharp end of the scene. The label has become a globally recognised symbol of quality, renowned for its always varied and vital house output. Forming the backbone of the label's vast catalogue is the influential in-house DJ mix series, Body Language. It is a snapshot of exactly where the underground is at and has been assembled by tastemakers such as Azari & III, Catz ‘N Dogz, Dixon, DJ Hell, Francesco Tristano, Nôze and of course label-founders Booka Shade, DJ T., and M.A.N.D.Y..

Next to that there has been a constant stream of innovative, dance-floor ready singles, crossover club classics, seminal remixes and a number of standout artist albums. The label has always stayed true to its house roots, but with a rich array of influences taken from the worlds of disco, deep, tech and melodic house. Along the way, Get Physical´s core artists have been joined by red hot new talents including Alinka, Thandi Draai, PAUZA, Yulia Niko, Birds Of Mind, CIOZ and Monkey Safari. There have also been carefully considered forays into thriving house music scenes in Africa, Brazil, Cuba, Croatia and India: dedicated compilations and EPs have highlighted those region's most exciting new talents and given them a global platform. 

The name says it all: Get Physical tracks could hardly be more moving and corporeal. It was true in 2002, and it will be true in 2025 and beyond.

Owners of @nofussrecords
London based house duo Saison have, over the last few years, carved out a niche of their own. Named the best deep house artist of 2018 and 2019 by Traxource,  and one of the biggest selling deep house artist on Beatport, they have released on some of the most respected house labels in the world, including Defected, Toolroom, Large Music, Sonar Kollektiv, and Suara to name a few.  They’ve also remixed many titans of the scene including such musically diverse artists as Jack Back, Chez Damier, Dave Lee and Kevin Yost. With a unique sound that incorporates influences from their disparate backgrounds, Saison’s music is raw, heady and demonstrating house music at its very best. 

Saison’s sound is characterised by a timeless quality and firm focus on groove, deeply rooted in their formative years of music discovery. Warm chords, intricate drums and evocative soulful vocals are blended to masterful effect to create records that are easily accessible, but that also reward repeat listens due to the intricacy and sophistication of their production. For Saison, it’s about more than simply making you dance: it’s about evoking an emotion that stays with you long after the music has stopped.

Saison is following