Buy: http://mannequinrecords.bigcartel.com/product/mnq-071-police-des-moeurs-ceux-qui-restent-lp

MNQ 071 Police Des Moeurs - Ceux Qui Restent LP / 2xLP

*** First 250 copies will be released as a double LP edition, with the add of the ‘Punk Tape’ LP, previously released on cassette by Runstate. The second LP contains covers of Chron Gen, Reagan Youth, The Headcoatees, Trotskids, Antisect, Anti-Cimex, Rudimentari Peni and Ludwig Von 88. ***

Montréal synth punk quartet Police Des Moeurs returns on Mannequin Records with a brand new full length  entitled “Ceux Qui Restent”, the most dynamic and incendiary record of the group’s career, following the highly-acclaimed self-titled release from 2013.

While the first effort was mostly about how we're all separate from each others, the second one is all about to getting over it and trying to fight it. As vocalist and synth player Francis Dugas explains: “most of the new LP is about links, love and caring (in PDM style, obviously). The title is «Ceux qui restent», which means «Those who stay» or something like that. Ceux qui vivent la tempête jusqu'au bout.”

Still raw, but more direct and minimal than first LP, two tracks feature Pete from Dekoder on bass guitar.

Tracklist

A1 Première neige 
A2 Le coeur de cette ville bat pour nous 
A3 Ce pays est un sacrifice 
A4 Le moi inachevé
A5 Les larmes et la pleur 
A6 Un voyage 
B1 Ce qui sent la mort, je l’oublie dans ton coeur
B2 Je te vois 
B3 Les années
B4 Profondeurs émouvantes
B5 L’inquiétante étrangeté
B6 Ceux qui restent 

Mastering by Rude 66.

Graphic design by Alessandro Adriani.

Police des moeurs - Première Neige

Extended teaser from the Black Pond EP "Chasms". Order vinyl here: https://www.discogs.com/de/Black-Pond-Chasms/release/8476079

DIgital release here: https://black-pond.bandcamp.com/album/chasms

A Devoted, electronic cover version of V.U.'s classic song about love not given lightly. Original composer: LouReed.  This cover version of Black Pond is only available on vinyl (Chasms EP), not on Bandcamp.

Venus(from "Chasms" EP)

ear rape sorry

Here is a re-upload due to popular demand

Valentine

This is my new song with Keren Batok, she's a special and talented person in this world!!! 

"Parallel Locations" ▲

Was I caught in your dreams ?
Did you find me there -
behind your door ,
behind your back ,
behind your mirror ?

Am I an object you observe?
Could you see me ? 
Could you ?

Was I caught in your dreams ?
Did you find me there -
being you ,
being me ,
being someone more ,
someone true ?

Am I an object you observe ?
Could you see me ?
Could you ?
Was I caught in your dreams ?
Did you find me there -
talking , crying , laughing ,
trying -
to find you !
Catch me !
This time ,
lie down and
catch me .﻿

Stockhaussen & Keren Batok — "Parallel Locations" ▲

DARK DAY - no, nothing, never

Factions

Mannequin - Astro

Port Isabel

Recorded on an old computer in a friend's apartment. All the instruments are from a toy keyboard and a friend's borrowed synth.

Immaculate Deception

Song taken from last album 'Nocturnal'
vinyl & digital available here:
https://shadshadows.bandcamp.com/album/nocturnal

Nocturnal

"Sulker EP" by Dancing Plague. Released via Dead Age Records.
www.dancingplaguemusic.bandcamp.com
www.deadagemusic.bandcamp.com

Dark Age

Sally Dige (pronounced “Dee-Ah”) is a Danish-Canadian independent solo artist based in Berlin, Germany, who writes, records, produces and arranges her own music; in addition to creating and managing all aspects of her visual work. She has released two albums, a handful of singles, and has featured in numerous collaborations. 

Sally Dige began her solo project in Vancouver, Canada in 2012, after being invited to write and record musical accompaniment for her friend’s poetry project. Within a few short hours in the studio, Dige already had the backbone to her songs “Immaculate Deception” and “Doppelgänger”. A sudden change of circumstances in the studio led her friend to convince Dige to finish those songs and release them for her own solo project.

In 2013, Dige relocated to Berlin in order to focus on music and the creative arts. Over the years, her sound has changed organically from italo disco-inspired electro, to post-punk, to ethereal new romantic. Her current sound combines elements of folk, new wave and art-rock. Her recent endeavour towards acoustic instruments was the need for change from her last album, “Holding On” (2017), which was entirely programmed and recorded on one synthesiser that she hauled back and forth between Denmark and Berlin on a bus. “The natural form of self-rebellion was to pick up instruments that didn't need electricity to function, and play with strings and the hands again,” says Dige.