Recorded on an old computer in a friend's apartment. All the instruments are from a toy keyboard and a friend's borrowed synth.

Immaculate Deception

Sally Dige (pronounced “Dee-Ah”) is a Danish-Canadian independent solo artist based in Berlin, Germany, who writes, records, produces and arranges her own music; in addition to creating and managing all aspects of her visual work. She has released two albums, a handful of singles, and has featured in numerous collaborations. 

Sally Dige began her solo project in Vancouver, Canada in 2012, after being invited to write and record musical accompaniment for her friend’s poetry project. Within a few short hours in the studio, Dige already had the backbone to her songs “Immaculate Deception” and “Doppelgänger”. A sudden change of circumstances in the studio led her friend to convince Dige to finish those songs and release them for her own solo project.

In 2013, Dige relocated to Berlin in order to focus on music and the creative arts. Over the years, her sound has changed organically from italo disco-inspired electro, to post-punk, to ethereal new romantic. Her current sound combines elements of folk, new wave and art-rock. Her recent endeavour towards acoustic instruments was the need for change from her last album, “Holding On” (2017), which was entirely programmed and recorded on one synthesiser that she hauled back and forth between Denmark and Berlin on a bus. “The natural form of self-rebellion was to pick up instruments that didn't need electricity to function, and play with strings and the hands again,” says Dige.

About me: happy music producer and idiot knobber, death metal bassist, very stressed Software Project Manager, absolutely convinced Vegan: compassionate for poor Aminals used for foods and dress. 
I like music, all music, and all around music. I hear from techno to classic, from jazz to deep metal. In youth I was an angry and agressive punk rocker bassman but meantime I heared also many reggae, electronic and hip hop music. At the end of nineties years I fall into techno, drum & bass music and rave music: so I decided to play the electronic dance music. 

I prefer analog synth of which are vintage and modern. In principle I try not to use the computer and all the cool devices are could be connected to it.
To clarify for me the basic configuration Should Be nostalgic and all dressed Roland TB303, TR808, Juno 106 or SH101.
But hidden dream of having a moog theremin Etherwave, a Doepfer A System, or the series vintage Korg MS-10, 20 etc. ...

Instruments list: Quasimidi Sirius, EMU XK-6, Yamaha DX7 browny fully modded, Access Virus A, Korg Monotribe, Korg MS2000R, 2 x Casio VL1 tone (one ready for circuit bend modify), Yamaha FB01, 2 x Roland MC303, x0xb0x fully modded Atomic Mod 1,  2 x BOSS DR202, Yamaha RX11, 2 x Mutable Instrument Shruthi, Sammich SID,  Korg padKontrol, Roland MC-50 MkII, Speak&Spell (ready for circuit bend modify), EMU esi2000 fully upload, Boss Bass Synthetizer pedal, Fostex DMT-8 multitrack, Akai GD4000 reel to reel, and naturally Mac, yamaha mixer KRK monitor and Koss Headphone, Arturia Minibrute, Korg volca series, Stylophone, Akai Tomcat, Akai Rhytm Wolf, Novation Moredernova.

Dreamlist: Arturia Matrixbrute, Arturia Microfreak, Korg Electribe MKII series, Korg MS-20, Acidlab M1AM1, jomox resonator, Atomosynth, Behringer TD3, TR8, TR6, Model D.

We dance in a fog of love and darkness @mosskissing
A beautiful thing is never perfect @clara-margarita-ntahoel
Thesis, antithesis, aposynthesis. P.G. @Henkel

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