I am a composer of electroacoustic music. A vast majority of my music is published at Empreintes DIGITALes. You can listen to clips of everything there. 


Bihe Wen was born in China in 1991. His works include instrumental, electroacoustic music, and collaboration work of audiovisual installation. He is interested in the relationship between traditional aesthetics and music language of sound composition.

In 2010 he began studying at Central Conservatory of Music, majoring in electroacoustic music at the Center for Electronic Music of China. While there he studied electroacoustic music with Prof. Xiaofu ZHANG and Prof. Peng GUAN. 

He was awarded First Prize in 2011Musicacoustica-Beijing competition, First Prize in Monaco International Electroacoustic Composition Competition CICEM 2014, Jury Special Mention in XXVIII Luigi Russolo Contest 2015, Leibniz’s Harmonies Prize and Finalist in MÉTAMORPHOSES 2016. His acousmatic work has been selected as the designated work to be performed and analyzed by the participants in Concours de Spatialisation 2012 in Brussels. 

His works have been performed at concerts and festivals in Beijing (MUSICACOUSTICA-BEIJING), Shanghai (Electronic Music Week 2015), Brussels (L’Espace du Son 2012, 2016), France (UN SON PAR LA Festival 2012), Vienna (ElectroAcousticProject), Stockholm (Sound and Music Computing Conference 2013), New York (2014 NYCEMF), Monaco (Monaco Electroacoustique 2015), Texas (41st International Computer Music Conference 2015), Switzerland (Swiss Contemporary Music Festival Forum Wallis 2016) and Italy (2016 Matera Intermedia Festival).

He is currently pursuing his Master’s degree in composition at the University of North Texas.

Diana Salazar (née Simpson) is a London-based sound artist and composer of electronic music. 

These are some examples of the music I composed for different theatre productions in Montréal between 1998 and 2008.

Dariusz Mazurowski is a Polish electroacoustic music composer, producer and performer born and currently residing in Gdansk. While the majority of his compositional activity has focused on electronic / acousmatic works, he has also composed instrumental music in conjunction with electronics (including music for various sound objects, both acoustic and electronic), audio installations, radiophonic collages and improvised electroacoustic music. During the 1990s he resided mainly in Prague and composed several electroacoustic works before returning to Gdansk in 2000.
	His works combine traditional analog instruments with the sonic potential of digital technology and computers, i.e., electronic / synthesized sounds with processed microphone recordings (concrete sounds) and samples. His compositional approach is dynamic in that it involves live electronics and live sound diffusion across multi-speaker systems. During solo concerts, he often combines fixed media with extracted “parts” that he then performs (sometimes improvises) on live electronic devices. Dariusz Mazurowski employs a complicated system of digital, analog, and sometimes even homemade sound generators in both fixed and improvised presentations of his music. He consistently challenges conventional approaches to making electroacoustic music by privileging the singularity of sounds over more traditional formal concerns. Mazurowski’s inventiveness and technological expertise has already earned him a respected place among Europe’s electroacoustic community. He has also designed and built numerous custom analog experimental instruments (including synthesizers) and has collected various, often strange, sound objects such as stones, pieces of wood, old mechanisms, etc., to use as acoustic source material for further transformations.
	Mazurowski is also active as a visual artist (graphics, drawings, photography and video) and as a journalist (publishing texts mainly devoted to contemporary music: history, perspectives, theory, technical aspects and studio technology in such journals as Estrada i Studio and Muzyka21). His professional activities include producing various electroacoustic music concerts and participation in and contribution to several scientific conferences and workshops.
	Mazurowski’s music has been broadcast by various radio stations all over the world, and he has performed at festivals and other events in Europe, North America, and Asia. His installations, visual works and graphics have been exhibited worldwide in numerous galleries. Recent performances / exhibitions include : Audio Art (Krakow 2012 / 2013 / 2014), MUSICACOUSTICA (Beijing 2012), Resonance (Krakow 2013), ohrenhoch der Geräuschladen (a sound gallery in Berlin, 2012 / 2014), Echofluxx14 (Prague 2014), LEMESG (Saint Petersburg 2014), Music for No Tape / ERARTA (Saint Petersburg 2014), ICMC / SMC (Athens 2014) and others. He is an active member of The Polish Society of Electroacoustic Music (PSeME), currently a member of the Executive Board of this organization. 
	Mazurowski's electroacoustic compositions have been published on numerous CD albums (Pseudaria / Divertimento, Back in Time, Fallacies DVD – to name a few, recent ones), including the newest one, Non Acoustic Symphony, released in the USA by Neuma Records (in April 2015).

Sam Ash, composer is following