Cold Colors makes electronic music somewhere between coldwave and new wave. 

Releasing tracks on Lux Rec, Oraculo Records, Femur Records, Nocta Numerica, Waste Editions, Falco Invernale Records, Romance Moderne.

www.richardnorris.bandcamp.com
Richard Norris is a musician and producer based in London, currently working on a series of ambient/deep listening/experimental releases on the Group Mind label. He showcased this music at Nile Rodgers' Meltdown Festival on the Southbank, London, on August 7th supporting Kyle Dixon and Michael Stein, playing the music from Stranger Things.
His work includes co-producing the 1988 album 'Jack the Tab' one of the first UK acid house records, which resulted in an appearance on the cover of NME. A record deal with Warners as the Grid followed, with Soft Cell's Dave Ball. The Grid produced 10 hit singles and 3 albums, including the million selling 'Swamp Thing'.  Norris subsequently collaborated with a number of artists, including Joe Strummer and Robert Fripp. His work with Erol Alkan as Beyond The Wizards Sleeve resulted in many well regarded edits and remixes. The BTWS album 'The Soft Bounce' was a Rough Trade record of the year.
He has also produced albums and mixes as solo psych project The Time and Space Machine, remixing many artists including Warpaint, Tame Impala, Brian Eno, Noel Gallagher and Erasure. His Group Mind label has regular releases via Bandcamp, streaming and independent record shops, and a Bandcamp subscription service with regular vinyl, CD and download releases.
The Grid have recently signed to BMG and will be releasing new music and playing live dates in 2024. His memoir 'Strange Things Are Happening' is published by White Rabbit on 21st March 2024.

contact - rgtnorris@gmail.com

Graphiste freelance
Mon passe temps :
Faire du bruit :-)
Mes instruments :
Virus ti2 k - DX7 - Iaxe 393 - Logic Pro


www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

'Silver Eye: Deluxe Edition' out now: http://po.st/GFOcean
Includes the new version of 'Ocean', featuring Dave Gahan.

Connect with Goldfrapp:
Facebook: http://po.st/GFFacebook
Twitter: http://po.st/GFTwitter
Instagram: http://po.st/GFInstagram
YouTube: http://po.st/GFYouTube
Spotify: http://po.st/GFSpot

Sign up to the Goldfrapp mailing list for updates:
https://www.goldfrapp.com

audiopornographerslashdj

bookings: philretrospector@gmail.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

The Brown Album Expanded | Out Now
https://orbitalband.lnk.to/brownalbumSD

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