Follow my main SC @t-mass

This is an alternate account for mixes, mashups, whatever. :)

AN INTRODUCTION TO WHOLESOME RIDDIM
IYKYK out now: http://sanholo.lnk.to/IYKYK

✨ tiktok ➠ @sanholobeats
✨ my label ➠ @bitbird
✨ bitbird radio ➠ @bitbirdradio
✨ merch ➠ http://bit.ly/shop-bitbird
✨ tour dates ➠ http://sanholo.com/shows
✨ get updates ➠ https://sanholo.com/#signup

✨ mgmt: sanholo@jet-mgmt.com
✨ booking: agary@teamwass.com and sgoodgold@teamwass.com
✨ UK/EU booking: simon@primarytalent.com and paul@primarytalent.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

I love music🎵
https://sikdope.komi.io

Management: Jacob.m.gitt@gmail.com

Bookings: robb@supermodifiedagency.com, sam@supermodifiedagency.com

Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

lostkingspromo@gmail.com

WME:
Kyle Bandler
KJB@WMEAgency.com

Samm is following