Incredible release. Touching lyrics. Completely moving.

Love this, Samora! Gil Scott Heron smiling down on you. Looking forward to helping to elevate and accelerate this brilliant work.

My Life

My Life (feat. James Coleman)

Get On The Otherside

Make Me Believe (Instrumental) [feat. Cold Diamond & Mink]

Taken from the debut 'Shangri La' EP. Recorded and produced at Pendulum, 2014.

JAMES TILLMAN - AND THEN

Music & Cover Art By M.Fasol / Submit Your Request : ⇒ fp.inquiries@gmail.com

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2 / ★ Funky Type Beats by M.Fasol (Playlist) :
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3 / ★ Slow Jam Type Beats by M.Fasol (Playlist)
https://www.youtube.com/watch?v=OVyIV6TYgAI&list=PL6bUpgEE5cCyPd7QUmndijeb-0nmKbT_z

4 / ★ Old School Rap Beats by M.Fasol (Playlist) :
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5 / ★ New School Type Beats by M.Fasol (Playlist) :
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☞"Faces"
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☞"Floesy"
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Lease it

NEO SOUL Instrumental - "MAKE A MOVE" -  Misty Oldland Type Beat by M.Fasol

Track #4 from my protest album/EP entitled, The Mourning After, in tribute to the fallen men, women, and children of color who were murdered by a racist regime of evil police officers who never deserved to wear the badge, let alone handle a gun. It is not happenstance, not "fearing for their life", and certainly not justice when the vast majority of the murderers in blue are let off with little to no punishment at all.

I had to release my rage into the healing power of music, and it was this remake of Duke Pearson & Donald Byrd's "Cristo Redentor" that I felt was an appropriate song of mourning to express my deep sadness and anger at the systemic racism that was designed to bring about what few are calling (but is accurately) a genocide.

Anyway, I enlisted the talents of Jill Scott/Bootsy Collin tour trumpeter, Farnell Newton (@fnbeatsgalore), to cover Donald's iconic solo, but in his style and voicing, to express this sadness and melancholy through music. Yes, it comes out smooth and lounge jazzy, but it begins with a gunshot just to let you know that this is anything but relaxed and chill...more so a soulful way of saying goodbye while also preparing for the fight ahead for freedom, justice, and equality amongst ALL people...but if Black Lives Don't Matter in that equation...then ALL LIVES TRULY DON'T!

"Black Requiem (Cristo Redentor)" - feat Farnell Newton

Momentum,Pt. 2 - first single from the album The Transformations Suite

by Samora Pinderhughes | visit www.transformationssuite.com for more info

ALBUM OUT OCTOBER 12

Lyrics:

These questions must be asked:
Why are there millions of poor people in America?
Who owns the banks?
Who owns the prisons, and who are its occupants?
Why do some have billions, while most struggle to survive?

We can’t sit idly by while some profit off of the pain of others.
While gates both visible and invisible separate the wealthy from the hungry... When the consequences of these barriers result in everything from flooded homes to broken dreams.
When death is a cost we have grown accustomed to bearing,   
we cannot compromise in our pursuit of justice.
We cannot retreat in the face of inequity,
We cannot ignore the patterns of brutality,
We will NOT be silenced!

The depression is coming in heavy.
I can feel it from all corners, shape-shifting around me. Betrayal lays like a heavy fog in the air I breathe.
I know I’m a target... but I must keep moving.

On this blistering August day, we stand face to face with our beloved country, as we have done so many times before,
and demand:
You’re very fabric must be changed! (America) YOU MUST BE BORN AGAIN!
And as our final hour draws ever, ever closer, it seems to me in my sanctified imagination, that we cry...
that we cry...
Now! Now! Now! Now! Now! Now, Now, Now, Now, NOW!!!!!!!!!!!!!!!!!

- - - - - - - - - - - - - - - -

The Transformations Suite combines music, theatre, and poetry to examine the radical history of resistance within the communities of the African Diaspora. Continuing in the tradition of artists such as Bob Marley, Duke Ellington, Marvin Gaye, Billie Holiday and Tupac Shakur, the suite paints a musical picture of the current state of social inequality and injustice in the United States and beyond.

"An urgent and powerful record by one of this generation's most captivating composers. A must have record for anyone interested in progress. Musically or otherwise.." 
-Christian Scott

"An absolutely gorgeous piece of music. A huge undertaking; a nuanced, delicate, and powerful perspective on heavy and important topics."
-Anna Deavere Smith

art must reflect life.
#tsuitemoments #continuethestruggle

- - - - 

Personnel:

Samora Pinderhughes - piano, composer, creator
Jeremie Harris - spoken word
Jehbreal Muhammad Jackson - vocals
Elena Pinderhughes - flute
Riley Mulherkar - trumpet
Lucas Pino - tenor saxophone
Tony Lustig - baritone saxophone
Clovis Nicolas - bass
Jimmy Macbride - drums

Momentum, Pt. 2 - from the album The Transformations Suite

No Doubt

We Major

Composed by Myele Manzanza.
Arranged by Callum Allardice

Myele Manzanza - drums
Ross McHenry - bass
Matthew Sheens - piano
Django Rowe - guitar
Ben Harrison - trumpet
Jake Baxendale - alto saxophone
Jason McMahon - tenor saxophone
James Macaulay- trombone

“For Itaru’s Phone Booth, I was listening to a podcast about a man in a small Japanese town called Itaru, who had installed an old English style phone booth on his property as a place he could go and “talk” to deceased loved ones. The town was almost totally ruined by the tsunami & earthquakes that rocked Japan in 2011, and over time the phone booth became a place where people could go to talk to their dead loved ones. Kids told their deceased parents about how they made the soccer team, or they had been diligent with their homework, and at other times adults struggled to communicate complicated feelings to their husbands or wives that were taken away.”

“The story made me reflect on the value of life, what I wished I could’ve said to people who’ve passed away and things that I struggle to bring up with people who are still here. The phone booth was a beautiful poetic image to tie those ideas together.”

Itaru's Phone Booth

www.duvaltimothy.co.uk
@duvaltimothy
"DUKOBANTI" 2012

05 - I Do It - DUKOBANTI

Pre Order - https://rubyrushton.bandcamp.com/album/sun-khosi

Ruby Rushton are back, unveiling a fresh limited 7" single for the South
London based 22a imprint. The Tenderlonious led quartet continue to hit new heights, recalling the spirit of their debut 2015 album ‘Two For Joy’, with two brand new, afro-tinged, jazz fusion gems.

‘Sun Khosi’ is a tribute to Tender’s father who spent many years in Nepal working as a Gurkha Officer. The name is taken from one of the most famous rivers in Nepal, which runs through the Himalayas. It translates to “River of Gold” and is an appropriate title for this uplifting, feel-good summertime tune. It’s also Tender’s first composition and recording to feature him playing the alto flute, which has a deeper, more mellow tone compared to the usual concert flute that he plays.

The b-side ‘Chrysalis’ composed by keys and synth bass maestro Aidan Shepherd, is inspired by the playing of pianist and British jazz legend John Taylor, who had something of an obsession with music in 3/4 time. ‘Chrysalis’ breaks into two distinct parts; kicking off with with Ruby Ruston’s signature tight, snappy melodies and driving groove, then reversing back into the bands carefree ‘Two for Joy’ sound of 2015, when the bass is given a rare chance to come to the forefront by joining the flute and trumpet melody. Herbie Hancock’s classic track ‘Butterfly’ has become a staple in the bands set, so the snappy melodies and driving groove of ‘Chrysalis’ represent the restless energy of the butterfly about to emerge from it's chrysalis.

These two new track’s are taken from the bands forthcoming album, their fifth in 5 years, due for release in November on 22a. Stay tuned x

Ruby Rushton - Sun Khosi

Red Eyes was written, recorded and produced by Ophelia's Eden. Featuring Don Benjamin on the saxophone and mastered by Glume.


This single was created during the first year of the Covid-19 pandemic (2020). The UK had spent the majority of the year under lockdown and social restrictions for means of containing the virus. This single was originally written as a reflection of this. However, the meaning in the lyrics was later modified when Ciara decided to integrate her love for sci-fi and mystery into her 'Ophelia's Eden' music project. The 'Red Eyes' music video reveals a supernatural element, but much of the storyline is left to the imagination and to be continually weaved through upcoming projects.

Red Eyes

Samora Pinderhughes is a composer/pianist/vocalist known for large multidisciplinary projects and for using music to examine sociopolitical issues. 
Samora is the first ever 2018 Arts for Justice + Soros Justice Fellow.
Mentored by Anna Deavere Smith, Samora created The Transformations Suite, recognized by Apple Music as a Top 10 album of the year. 
A graduate of the Juilliard School, Samora has collaborated with artists including Herbie Hancock, Glenn Ligon, Sara Bareilles, and Lalah Hathaway. A Sundance Composers Lab fellow, Samora has written music for the HBO film The Tale, the Netflix film Burning Sands and more. He collaborates frequently with Common, and is the lead vocalist on the new album August Greene.

Momentum, Pt. 2 - from the album The Transformations Suite

Samora Pinderhughes

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