I love it man! non stop action without a flaw, wonderful vibe

What a ride, Sanshu! As always, fantastic groove and killer guitar work! Love it 😎🔥

Image by Stablecog AI:

When I came up with my stage name for SoundCloud,
I imagined an old organ grinder with his monkey and money cup,
cranking away on a street corner of an old cobblestone village.
But these days, the street corner was even older, as was the man himself,
along with his old synthesizer. The monkey is long gone, in case you were wondering.

Actually, I was quite surprised when the image that appeared got my glasses and my beard right, and even my blue shirt along with a pocket (where I keep my pocket protecter full of pens and pencils). Heck, it could almost have been my photo.

Ye Olde Synthgrinder

YOUTUBE VIDEO ART
https://youtu.be/aAex9NHwqXg
https://chrisjunos.bandcamp.com/album/greek-drama

ABANDONED

D-Vague Recollection

Cast of Characters:

Cgmaness – @cgmaness – Chris – acoustic guitar, composition, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by following this link. https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?si=L0PZPN1FThy8C7mRVZMu6A
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say...

Better Not Say (Eclectic Collective by CGManess, with Nyla K)

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

visitations.....for relations.....with a people.....from their past.

explorations.....confirmations.....of the beings.....from their past'

reconnection.....close inspection.....a resurrection......of their past.

they are here, to see our culture.   they are us, in the future.

they are here , to see our culture    they are us, in the future.

They are us in the future.

'keep everything'

note: I recently found this old journal and this riff was played live on my phone upon my front porch during a rain storm this evening. This particular entry was from June 18, 2014.

I was stagnant at work this evening and ventured outside to catch some air and to stretch my legs. The air was thick and stuck to my skin, leaving a glassy resemblance, caught by mine eye, while vainly glimpsing at my reflection in the moonlit window of a fellow employee's sedan. With literally hours until my next deadline, I opted to put some kilometers behind me, and make my way, by foot, towards the local University. 
While venturing through the streets inhibited by, both, students, and families, I found myself drawn to a well kempt bungalow, lit dimly by lamplight, with the sound of classical piano fluttering imperfectly through the screened windows, out into the quiet, darkened street.
Stopping dead in my tracks, I stood, admiringly, for what seemed like several moments, staring dumbfoundedly at the house, only picturing, within my head, the scenes that may be taking place within.
Something about the modesty of practiced, yet, un-perfected art struck me as beautiful and elegant. Perhaps it is because it is something I, myself, can relate to in my endeavors, whether it be sport, music, painting, writing, or anything else I've indulged in within my life.
Nonetheless, something about this moment inspired something within me, and, as I pulled myself away from the scene and continued my evening walk, my inner dialogue began dancing frivolously in my brain. So often these thoughts want to be blurted out by voice, finger picked on guitar, or bled out of a pen, but my anxiety, and utter refusal to let loose my inner creativity, my personal experiences, my soul, has previously crushed my desire to even remotely achieve some sort of self-satisfaction. 
Although words have been written, melodies have been played, and songs have been sung, from now on, there will be no filter. Journals will be kept, rather than torn out and thrown away, edited or deleted. Keep Everything. Every thought. Though, initially, they seem irrelevant, irrational, erratic...anything...they still are the soil from which an idea may grow from, flourish, even. So, even now as I carry on aimlessly, rambling, carrying on...I must say thank you to the pianist for airing my embers with their beautifully imperfect notes.

keep everything

@TexMex-Shaman and I are back in action once again with another heavier industrial track. This one is particularly uptempo, probably our fastest song yet. Stephen's guitarwork is next level on here! And he's got an especially cool part toward the end featuring the ebow.

Perceptual Window - A Texas Tea Production

Recording sessions from 03/05/2025 - 16/06/2025
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony,
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

Across the river

Lumbertubs

O-Parabellum

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

D-Vague Recollection

Sanshu Seiso [Experimental Artist]

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𝙎𝙥𝙖𝙧𝙠𝙮 𝘽𝙤𝙣𝙚𝙝𝙚𝙖𝙙

Hega

pedro duarte

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