Nice title! The Crystal Beach where I reside was quite frozen over after that blizzard here in December. Cool track, as always, my friend. :)

Love these sounds and the beat.  Very nice

Incredible work, Sanshu! Your imagination is a +HOT SPOT, even in a dark sonic space & place! LOVE that synth!  Mega AWESOMENESS!  🥇💘🔥🔥🔥💯🎯

The Strange World of A.J. Kaufmann

Silver Ballet

LYRICS:

I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing

I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing

I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing
I did a bad thing, I did a bad thing

I think I did
As plain as day
I gotta find
A better way
It's not kosher
It's not okay
Throwing a life
Fully away
Actions define
What thoughts defy
Aiming for
A big blue sky
Looking up
Standing on ground
The mind is free
The body bound

Bad Thing

Josh started this one off on its psychotropic journey into inner space - let us take you there 🌑
Josh - composition, bass, slide guitar and keys
Ken - drums and acoustic guitar
Tez - production and electric guitar

A Separate Reality with Entheogenic Psychonaut  (Josh Clary) and K2 and the Three

overdrive

I've been trying to make Jazz music by electronic means for a while now. It's been pretty hard.

So much about the ethos of Jazz is dependent on the traditional notion of musicianship: a group of people in a room, trading improvised passages. So much of its tradition is shaped by virtuosos. The thing is, even though I play 'real' instruments, I don't play them well enough and also (and this might be strange to admit) I don't even like playing them that much. I started playing the saxophone when I was 15 and then went for 20 years without playing, I got back into it last year, but I don't really enjoy the process. So I sold it. Now I have a clarinet (because it's quieter, cheaper and sweeter), but I also got a wind synth.

Yeah, the wind synth is not the same, but it's close enough for what I want, it allows me to literally breath some emotion into what I play without it being loud or overly hard to intonate and I have a lot more fun this way. This track features me playing the wind synth.

But another part of Jazz is the collaboration. So I invited the amazing producer and guitarist @ubo-music to contribute some jazz guitar improvisation and that changed everything. It brought a totally new life to the piece.

Overall, the process was: write a very repetitive pattern for the keys and the bass, then use that to play the virtual sax. I sent that to ubo, who send back this guitar part. Based on his part, I then re-recorded a big chunk of the sax parts. After that, I went back and played the keys again to add flourishes and variations, same for the bass. For the drums, I used Superior Drummer and made a bit of a collage of midi parts (I love doing this, it's like sampling, but for midi.)

In the end, even though nobody played together, I hope it still feels organic and if it does, it's because we did collaborate and traded passages, only they didn't happen in realtime.

Honestly, it's strange calling it Jazz. I have so much respect for the roots and traditions of the genre, but it has also evolved so much since the early days in New Orleans that I think I'm entitled, just like everybody else, to bastardize it in whatever way I see fit.

Jazz III (feat. ubo)

Bachiami

SK   Bachiami  bimbo  ( Testo di Anam Hermit)

F-Frozen Crystal Beach

G-Queen of Andalusia

Seven Tides

May I First

https://ajkaufmann.bandcamp.com/album/the-zero-experience

"Grow"

You can not use any of this music without permission

Beneath the Ice

Heavily influenced by the book: New Life by Tom Crewe. My latest library pleasure! 

When it happened for the first time
spring of 1894
but I was just the latest crime
to come looking for your door

found a new society
wrote a book on Euclid's

now Catherine's wrapped in misery
the children all seem fine
the maid is in the parlour
cooking my demise

but I got no abnormalities
curse Wilde! his eccentricities

Henry why don't you call no more
Henry why don't you call no more
Henry why don't you call around 
here anymore

when it happened for the last time
winter of 1895
Struck up in the closet
forced out to live a lie


but I got no abnormality 
curse Wilde! his eccentricities

Henry why don't you call no more
Henry why don't you call no more
Henry why don't you call around 
here anymore

recorded at home on my 8 track, thanks for listening folks, always greatly appreciated.

Henry Why Don't You Call No More

SONNEZ LES MÂTINES
TOMBER DU PLUMARD
VITE FAIT LA TARTINE
DANS LE CAFÉ NOIR

ET EN AVANT LES MACHINES 
DANS LE MATIN BLAFARD
FILER À LA MINE 			    
VERS LE CHARBON NOIR 
NOIR

DESCENDRE À LA MINE
S’ENFONCER DANS LE NOIR
CHARGER LES BERLINES
MARNER JUSQU’AU SOIR

NOIR

QUAND L’HOMME TRAITE L’HOMME PIRE QU’UN ANIMAL
EN BAS LA VERMINE EN HAUT LE CAPITAL
ÇA GERME ÇA GERMINE ÇA FINIRA MAL
GERMINAL
LES MINEURS DÉPRIMENT LA COLÈRE VIRE AU NOIR
ET ÇA VA PÉTER UN PUTAIN DE PÉTARD
A LA PIOCHE À LA PELLE À LA BARAMINE
UN JOUR LA GALOCHE A MORT LA FAMINE
NOIR
MARRE
GERMINAL
GERMINAL

GUEULES NOIRES			
UN JOUR LA FAMINE…
GERMINAL GERMINAL

DU PAIN DU PAIN DU PAIN

GERMINAL (Lyrics)

Head To Toes/ Until/U/ all/say    No

Bassorama Slap Hop Time is composed by Glenn Ray Ryeridge 2019.
Vocal bits by Special Cecilia and various furry funkers.
Listening a lot to Marcus Miller i appriciate the fact that a bass guitar can be the main attraction and principal engine of a song
Ray.

Bassorama Slap Hop Time (Vocals by Special Cecilia and the Furry Funkers)

🌺Have fun! Bandcamp!
🐦‍🔥[FUNK ALL OF ME]
⚔️[Dual Katana] 
🪅[no ambient, no life]
🐸[Electronic Frog]
💞Thank you for your purchase!💞

F-Frozen Crystal Beach

Sanshu Seiso [Experimental Artist]

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