Clip of Terror Force by Agressor Bunx played on Noisia Radio Season 1 Episode 18. 

Gravity

Terror Force

Agressor Bunx - Terror Force (Noisia Radio Cut)

Follow @spacejourneyofficial
www.thespacejourney.com
www.facebook.com/SPACEJOURNEYOFFICIAL
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www.santokurecords.com
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Take a step on the Space Journey, as Logam's amazing Santoku Records presents the new EP from the Massachusetts based neurofunk producer. The Disassemble EP showcases Space Journey's tough, uncompromising style, and will fit right in on a label which has given the world music from names like Mayhem, Gridlok, Jade, Trei, Hooves and Logam himself.

And Santoku is only the latest landing point for Space Journey, after Close 2 Death, Mindtech, Future Funk and others, and is testament to the hard work that the artist has put in, moving from dancefloor d&b towards a more space-age, techstep-influenced sound.

Aeon is a perfect realisation of this - a slowly building tune which expands at the drop, firing lazers into the future with a combination of pulsating drums and eerie, echoing synths. The bass is bad, bad, bad, deep, dark and heavy. The track moves through, highlighting the single-minded approach that Space Journey takes, ramping back up at the end for a killer finish. Likewise the title cut, which explodes into life quickly, echoing the march of some supersonic race of robots. Here, the low end crunches into your speakers, burning a hole in your set before you even realise. Bounce and break along to the beats, you won't be disappointed as your mind and soul get Disassembled.

Jump on the Motorcycle for the third track, a rapid trip into the future which incorporates elements of electro along with the nasty sounding neurofunk. Plenty of pace and acceleration mark this one out, as it rides along on a highway of vicious synth stabs and understated beats. Closing things out is The Lost, a fitting culmination to the EP. Voyage through realms of artificial intelligence, with military beats, echoing basslines and a sharp, coruscating atmosphere. Space Journey is clearly a name to watch despite being relatively new, and the Disassemble EP is the start of something very big.

releases July 11, 2016 

Disassemble EP

Space Journey - Motorcycle (Clip)SAN015

Noisia features "Levithan" by Mean Teeth forthcoming off of the Levithan EP. Available October 17th.

Follow Mean Teeth
Soundcloud - https://soundcloud.com/meanteeth
Facebook - https://www.facebook.com/meanteethdnb

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Soundcloud - https://soundcloud.com/noisiaradio/noisia-radio-s02e40
Subscribe to Noisia Radio: www.noisia.nl/radio
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Two talents, one from Lithuania and the other from Estonia. Together Marius and Mark make a formidable team. Recently emerging from the European underground scene, they tie together the darkest aspects that arena has to offer. And this brand new release epitomizes not just the work which Logam's prominent label has to offer, but also what Marius Kirjutaja and Mark Bogdanovas are about to bring to the world of drum & bass.

Going under the pseudonym Mean Teeth, they expose another level of destruction to your speakers and with the help of tastemaker Trilo they're about to prove unstoppable. With only four previous releases under their belt, once before on US torch holder Santoku as well as Bad Taste and Plasma, it's time to fully indulge in the sound they've established from their very first output.

Featuring a nastily foreboding intro, ‘Hatch' leaves you freefalling through revving bass and crushing snare. Its bassline zips and tears through the composition with every layer gradually bolstering the mix. You're made acutely aware that these guys mean business and they're not about to go easy on you. It's the type of techy, no holds barred drum & bass which has made the genre so overpowering in recent months.

Like a science fiction movie, ‘Leviathan' focuses primarily on atmospherics throughout your introduction. Before long, you become enamoured by the crunchiness of its bass riddims, with each pad adding another stepping stone within its configuration. It's lumbering, whilst still swift in the way it throttles your aural senses and you'll find yourself unable to untangle yourself from its grasp.

Already showing themselves to be of a high caliber with their previous two tracks, ‘Escape Pod' follows the same pattern, fluctuating quickly between frequencies and elevating bass notes. Crushing snare adds another sphere, once again returning to those carefully spaced out rifts which are slowly becoming their signatures.

Then lastly, comes ‘Gun Squad'. Featuring Trilo, who's already established himself amongst his competitors, they combine to create an unfathomable force. Trilo brings the pain, demonstrating why he's so revered whilst he merges his production style with Mean Teeth to exorcise a demon of musical proportions. Together, they round up an EP that'll launch their reputation, as well as bring Santoku even further onto the forefront.

Levithan EP

Mean Teeth - Leviathan (Noisia Radio Cut) Available October 17th

Soundcloud - @meanteeth
Facebook - www.facebook.com/meanteethdnb

Two talents, one from Lithuania and the other from Estonia. Together Marius and Mark make a formidable team. Recently emerging from the European underground scene, they tie together the darkest aspects that arena has to offer. And this brand new release epitomizes not just the work which Logam's prominent label has to offer, but also what Marius Kirjutaja and Mark Bogdanovas are about to bring to the world of drum & bass.

Going under the pseudonym Mean Teeth, they expose another level of destruction to your speakers and with the help of tastemaker Trilo they're about to prove unstoppable. With only four previous releases under their belt, once before on US torch holder Santoku as well as Bad Taste and Plasma, it's time to fully indulge in the sound they've established from their very first output.

Featuring a nastily foreboding intro, ‘Hatch' leaves you freefalling through revving bass and crushing snare. Its bassline zips and tears through the composition with every layer gradually bolstering the mix. You're made acutely aware that these guys mean business and they're not about to go easy on you. It's the type of techy, no holds barred drum & bass which has made the genre so overpowering in recent months.

Like a science fiction movie, ‘Leviathan' focuses primarily on atmospherics throughout your introduction. Before long, you become enamoured by the crunchiness of its bass riddims, with each pad adding another stepping stone within its configuration. It's lumbering, whilst still swift in the way it throttles your aural senses and you'll find yourself unable to untangle yourself from its grasp.

Already showing themselves to be of a high caliber with their previous two tracks, ‘Escape Pod' follows the same pattern, fluctuating quickly between frequencies and elevating bass notes. Crushing snare adds another sphere, once again returning to those carefully spaced out rifts which are slowly becoming their signatures.

Then lastly, comes ‘Gun Squad'. Featuring Trilo, who's already established himself amongst his competitors, they combine to create an unfathomable force. Trilo brings the pain, demonstrating why he's so revered whilst he merges his production style with Mean Teeth to exorcise a demon of musical proportions. Together, they round up an EP that'll launch their reputation, as well as bring Santoku even further onto the forefront.

Leviathan EP

Mean Teeth - Escape Pod (SAN017)

Track List

1) Mean Teeth - Hatch (Santoku)
2) Noisia - Incessant (Vision)
3) Mean Teeth - Leviathan (Santoku)
4) Teddy Killerz - Quasar (RAM)
5) Mean Teeth - Escape Pod (Santoku)
6) Teddy Killerz & June Miller - Outer Space (RAM)
7.) Mean Teeth & Trilo - Gun Squad (Santoku)

Leviathan EP Beatport Promo Mini Mix (Mixed by Logam)

Well the cats out of the bag! https://soundcloud.com/iamhajimari - Analgesic (https://soundcloud.com/zerot Remix) is forthcoming right here on Santoku Records! Stay tuned for more info!

Faithful EP

Analgesic (Zero T Remix)

Hajimari - Analgesic (Zero T Remix) Noisia Radio Cut [Out Now]

Follow Mean Teeth
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Santoku are well known for bringing the most upfront talent for their various artist compilation LPs and this next release from the imprint will be no different. Featuring eight producers who frequent the label, including Space Journey, Mean Teeth, dLo, VLTRN, Hijack MC, Sniper FX, Equivalent, Hajimari and Dimensional Dryft, the titled ‘Atarashi Chi' LP brings these exciting newcomers into the mix. Aptly named ‘New Blood' in Japanese, ‘Atarashi Chi' stays true to Santoku's roots, pedestalling the underground, technical sounds which make the genre so revered across electronic music. Santoku are well known for their support of fresh music and this forthcoming release will further solidify that fact. 

Introducing the LP is Space Journey with ‘Remote', moving out on a sonic, sample filled composition and distorted bass rattling in between its segments. Then comes dLo with ‘Crazy', rolling forward on clattering drums and percussion that underpins the mix and adds to its weighty impact. The renowned newcomers Mean Teeth are next, with the climatic, string-lead ‘Shards', crashing into life and dragging you directly into its cascading drops. VLTRN then throw their belting slammer ‘Apocalypse' at your aural senses, featuring the grimy vocals of Hijak MC. 

Space Journey returns for ‘Iron Armour', a track that alludes to its heaviness in its title. dLo too offers up another fresh cut, with ‘Automated Soul' taking you through different heights with its flying beat patterns and carefully layered synths. Presenting ‘Let's Go' is Sniper FX, a standout record from an artist who's slowly been pushing their sound recently into every corner of the scene. Then Equivalent follows with ‘You', a subterranean, nastily aggressive tech number that features the melody of female vocal crescendos. Hajimari brings out a totally different vibe with ‘Analgesic' utilising note arpeggios to form a liquid roller that juxtaposes against its spikes of LFO. 

And lastly, Dimensional Dryft finishes the LP with ‘Wednesday Night'. Acting as the perfect way to bring together an album which proves how imperative Santoku is for the underbelly of drum & bass, the imprint and artists have shown just how lucrative the burgeoning drum & bass scene really is. And they're platforming the best of it.

Atarashi Chi LP

Shards

Mean Teeth - Shards (Out Now!)

Follow Space Journey
Soundcloud - https://soundcloud.com/spacejourneyofficial 
Facebook - https://www.facebook.com/SPACEJOURNEYOFFICIAL/
Twitter - https://twitter.com/diodednb
Instagram - https://www.instagram.com/spacejourneyofficial/

Santoku are well known for bringing the most upfront talent for their various artist compilation LPs and this next release from the imprint will be no different. Featuring eight producers who frequent the label, including Space Journey, Mean Teeth, dLo, VLTRN, Hijack MC, Sniper FX, Equivalent, Hajimari and Dimensional Dryft, the titled ‘Atarashi Chi' LP brings these exciting newcomers into the mix. Aptly named ‘New Blood' in Japanese, ‘Atarashi Chi' stays true to Santoku's roots, pedestalling the underground, technical sounds which make the genre so revered across electronic music. Santoku are well known for their support of fresh music and this forthcoming release will further solidify that fact.

Introducing the LP is Space Journey with ‘Remote', moving out on a sonic, sample filled composition and distorted bass rattling in between its segments. Then comes dLo with ‘Crazy', rolling forward on clattering drums and percussion that underpins the mix and adds to its weighty impact. The renowned newcomers Mean Teeth are next, with the climatic, string-lead ‘Shards', crashing into life and dragging you directly into its cascading drops. VLTRN then throw their belting slammer ‘Apocalypse' at your aural senses, featuring the grimy vocals of Hijak MC.

Space Journey returns for ‘Iron Armour', a track that alludes to its heaviness in its title. dLo too offers up another fresh cut, with ‘Automated Soul' taking you through different heights with its flying beat patterns and carefully layered synths. Presenting ‘Let's Go' is Sniper FX, a standout record from an artist who's slowly been pushing their sound recently into every corner of the scene. Then Equivalent follows with ‘You', a subterranean, nastily aggressive tech number that features the melody of female vocal crescendos. Hajimari brings out a totally different vibe with ‘Analgesic' utilising note arpeggios to form a liquid roller that juxtaposes against its spikes of LFO.

And lastly, Dimensional Dryft finishes the LP with ‘Wednesday Night'. Acting as the perfect way to bring together an album which proves how imperative Santoku is for the underbelly of drum & bass, the imprint and artists have shown just how lucrative the burgeoning drum & bass scene really is. And they're platforming the best of it.

Iron Armor

Space Journey - Iron Armor (Out Now!)

Follow Sniper FX
Soundcloud - https://soundcloud.com/sniper-fx

Santoku are well known for bringing the most upfront talent for their various artist compilation LPs and this next release from the imprint will be no different. Featuring eight producers who frequent the label, including Space Journey, Mean Teeth, dLo, VLTRN, Hijack MC, Sniper FX, Equivalent, Hajimari and Dimensional Dryft, the titled ‘Atarashi Chi' LP brings these exciting newcomers into the mix. Aptly named ‘New Blood' in Japanese, ‘Atarashi Chi' stays true to Santoku's roots, pedestalling the underground, technical sounds which make the genre so revered across electronic music. Santoku are well known for their support of fresh music and this forthcoming release will further solidify that fact.

Introducing the LP is Space Journey with ‘Remote', moving out on a sonic, sample filled composition and distorted bass rattling in between its segments. Then comes dLo with ‘Crazy', rolling forward on clattering drums and percussion that underpins the mix and adds to its weighty impact. The renowned newcomers Mean Teeth are next, with the climatic, string-lead ‘Shards', crashing into life and dragging you directly into its cascading drops. VLTRN then throw their belting slammer ‘Apocalypse' at your aural senses, featuring the grimy vocals of Hijak MC.

Space Journey returns for ‘Iron Armour', a track that alludes to its heaviness in its title. dLo too offers up another fresh cut, with ‘Automated Soul' taking you through different heights with its flying beat patterns and carefully layered synths. Presenting ‘Let's Go' is Sniper FX, a standout record from an artist who's slowly been pushing their sound recently into every corner of the scene. Then Equivalent follows with ‘You', a subterranean, nastily aggressive tech number that features the melody of female vocal crescendos. Hajimari brings out a totally different vibe with ‘Analgesic' utilising note arpeggios to form a liquid roller that juxtaposes against its spikes of LFO.

And lastly, Dimensional Dryft finishes the LP with ‘Wednesday Night'. Acting as the perfect way to bring together an album which proves how imperative Santoku is for the underbelly of drum & bass, the imprint and artists have shown just how lucrative the burgeoning drum & bass scene really is. And they're platforming the best of it.

Let's Go

Sniper FX - Let's Go (Out Now!)

Today is the day! We are finally announcing the winner of the Mayhem & Logam Remix Competition. We were going to announce last week but had discovered that quite a few submissions were accidentally deleted by our email host and wanted to give a little bit more time to allow everyone to re submit if necessary. Unfortunately we did not get all of the deleted submissions back but we listened to all of the ones that we had and made our decision. 

Congratulations to Myselor! Out of all the submissions we listened to we felt this one was the most uniformed and well executed. A stripped down funky roller that offers something new but still maintains the original vibe. Myselor's remix will be forthcoming along with an official remix by ..... you'll see when it drops ;) Myselor will also be recieving a free pair of high quality ear plugs from Ear Peace! Big up man! 

We also wanted to give a shout out to Steve G, Drumliar, and Fakt for their submissions. Each one brought something different to the table but all of them were equally unique. 

We really appreciate everyone taking the time to participate and hope that you enjoyed having a go at Orion! At this time you are now free to upload and share your remixes. Big up everyone! Thanks again! 

 -Logam-

Jutsu LP

Buy / Stream

Mayhem & Logam - Orion (Myselor Remix)

▶ Out exclusively on Beatport July 27th and all other portals August 10th.

▶ Follow Des McMahon:
- Facebook: www.facebook.com/desmcmahon
- Soundcloud: @desmcmahon
- Twitter: www.twitter.com/desmcmahon

Download / Stream

Des McMahon - Dopamine [Bassrush Premiere]

▶ Out exclusively on Beatport July 27th and all other portals August 10th.

▶ Follow Des McMahon:
- Facebook: www.facebook.com/desmcmahon
- Soundcloud: @desmcmahon
- Twitter: www.twitter.com/desmcmahon

▶ Follow Logam:
- Facebook: www.facebook.com/Logamdnb/
- SoundCloud: https://soundcloud.com/logam
- Twitter: https://twitter.com/Logamdnb

Des McMahon - Delirium feat. Logam [YourEDM Premiere]

Des McMahon - The Hawk

For five years, Santoku has remained a pinnacle within the world of US drum & bass. They’ve delivered various packages of fresh sonic transatlantic, helping to push the genre on not just American soil, but also across the full global market. And this year marks their 5th anniversary, with three releases to celebrate half a decade committed to giving platforms to both newcomers and more refined talent throughout the 174bpm sound spectrum.

Their next LP will be the first stepping stone towards this five-year commemoration, with its namesake hinting at the full albums content. ‘Jutsu’ continues the theme of Santoku, translated from Japanese into ‘technique’ – alluding to the fact that the entire album is comprised of remixes. Included on the LP are previously released tracks which have become a definitive part of the Santoku discography, as well as four brand new reworks from the likes of Gridlok, Myselor, A-Cray and Logam.

Gridlok needs little introduction, and neither does his groove-ridden retake on Mayhem and label head Logam’s ‘All I Do’. It sets a standard for the rest to follow, including the cutting percussion of Amoss’ remix of Mayhem & Logam’s ‘Centuria’ and the punching bass of A-Cray’s ‘Leviathan’ switch up. The mesmerising tribalism of Quadrant & Iris brought into Logam’s ‘Hypnotic’ acts as a release stand out, alongside Nickbee tackling Mayhem & Logam’s ‘Infinity’ with his longstanding, high quality production engineering. Then comes Eatbrain head honcho Jade’s remix of Logam & Mayhem’s ‘Ourboros’, paying homage to its forbearer but also implementing the chaotic atmospherics and crushing mechanics which makes Jade so infamous. Emerging icon Des McMahon’s track ‘The Hawk’ is given a treatment by Mean Teeth, adding another biting dimension to the original. Logam also adds his twist on McMahon’s style, bringing ‘Delirium’ into unfamiliar territories. And finally, Zero T has his minimalistic yet meticulously fashioned features brought into Hajimari’s ‘Analgesic’ and Myselor delivers Mayhem & Logam’s ‘Orion’ through his lens.

Together they encapsulate the five years Santoku has spent dedicating to their artist’s craftsmanship. And it’s a monumental release, one which sets them up to reach a decade of releases – especially whilst dropping music of this calibre.

Centuria (Amoss Remix)

Mayhem & Logam - Centuria  (Amoss Remix)

The Hawk (Mean Teeth Remix)

Des McMahon - The Hawk (Mean Teeth Remix)

Follow Mean Teeth
Soundcloud - @meanteeth
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Logam’s Atlanta-based Santoku Records return for their thirteenth release which includes a remix and an original track. On SAN013, you’ll find the Gridlok remix of Mayhem & Logam’s “All I Do”, and “Transfixed” by newcomers Mean Teeth. 

Gridlok is a name that is widely known around the drum & bass universe, with a long and established career at the controls. Over the course of the last ten-plus years, he has contributed hits like ‘Moodswings, Bottomfeeder, and Standing Room Only. Here, he goes in on All I Do, taking this Mayhem & Logam head nodder and giving it the classic Gridlok feel. 

The remix draws you immediately into another world, atmospheric synths and sharp electronics fill the screen, before a rolling, bubbling beat drops down from the sky. From the beginning, Gridlok has added in his signature sound and this particular remix ticks all the boxes of a ‘banger’ with thumping beats and a nasty and determined bassline. Touches of melody fill the tune out, giving the track a nice contrasting sound and feel. 

The duo Mean Teeth hail from Estonia, who are building a name with their dark, industrial vibes and innate sense of rhythm. Here, on Transfixed, they bring their entire a-game. Punchy drums...  more

released March 28, 2016

All I Do (Gridlok Remix)

Mean Teeth - Transfixed

Roger Coker was a legend in the Atlanta Drum & Bass scene. A Pioneer of the genre during the 90's and continued to amaze us on the decks up until 2017. We made this song together 4 years ago and I felt it was necessary to embed his influence on the Atlanta scene by making this track a part of our 5 Year Anniversary LP.  Roger was an amazing person. He was great friend to many, a gentle soul, and he will be severely missed! We love you and miss you brother! Rest in Peace my friend! <3 - Logam

Standing for five years of innovation, the ‘Go Nen’ LP from Santoku represents half a decade spent by its label head crafting its most innovative releases. And alongside another game changing compilation, Logam has offered up fourteen brand new records which will signify why they’ve become such a revered icon within drum & bass, from the UK to the US. The LP also stands as a defining moment within the label’s evolution, drawing from their roster o a hugely diverse list of artists to present the whole colour wheel which has enabled Santoku to garner such a widely acclaimed reputation.

Whether it’s the neuro-infused cuts of Mean Teeth, or the impenetrable production standard of Mayhem and figurehead Logam, their next ‘Go Nen’ sampler highlights a host of musicality which is displayed throughout. The best way for an album of this calibre to open is with the first collaboration between Logam & Mayhem ‘Centuria’, but it moves forward across a twisted skeleton. Amoss takes on ‘Centuria’ and brings it into a darker realm, nodding to the previous releases which have held Santoku in such high regard. Also featuring on the LP are brand new selections from the likes of Uttersounds, who offers up the pounding riddim ‘Size Up’. Sequential’s ‘Mass Transfer’ alludes to the contemporary digital era drum & bass has found itself developing in whilst Symplex & Camel jump on board for the understated yet melodic ‘Twilight’. Celebrated American newcomer ‘Des McMahon also makes an appearance with a switch up of ‘Dopamine’, presenting a carefully packaged VIP and Kodin adds his tearaway track ‘Valetudinarian’. Todd Buchler, Pish Posh & HammerZz add their sonic delivery ‘Fuego’, which plays to its namesake with hard-hitting drum patterns and crafted hooks. Then for the last exclusive, you’re introduced to Logam & Roger’s ‘Emrys’, the perfect manifestation of what Logam inherited with Santoku’s legacy.

This LP will sit pride of place within the label’s history and they continue to push the boundaries with every release. The ‘Go Nen’ compilation clearly shows that, creating a dynamic and versatile track listing which will further define the imprint’s worth within a colossal dance music market.

Go Nen LP (Exclusives)

Emrys

Logam & Roger - Emrys (FREE DL) [In Loving Memory of Roger Coker]

Follow Symplex
https://soundcloud.com/symplexrecs
https://www.facebook.com/symplex.cz/

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https://soundcloud.com/cameldj
https://www.facebook.com/camelofficial

Follow Santoku Records
@santoku-records
www.santokurecords.com
www.facebook.com/santoku.records
twitter.com/SANTOKURECORDS

Standing for five years of innovation, the ‘Go Nen’ LP from Santoku represents half a decade spent by its label head crafting its most innovative releases. And alongside another game changing compilation, Logam has offered up fourteen brand new records which will signify why they’ve become such a revered icon within drum & bass, from the UK to the US. The LP also stands as a defining moment within the label’s evolution, drawing from their roster o a hugely diverse list of artists to present the whole colour wheel which has enabled Santoku to garner such a widely acclaimed reputation.

Whether it’s the neuro-infused cuts of Mean Teeth, or the impenetrable production standard of Mayhem and figurehead Logam, their next ‘Go Nen’ sampler highlights a host of musicality which is displayed throughout. The best way for an album of this calibre to open is with the first collaboration between Logam & Mayhem ‘Centuria’, but it moves forward across a twisted skeleton. Amoss takes on ‘Centuria’ and brings it into a darker realm, nodding to the previous releases which have held Santoku in such high regard. Also featuring on the LP are brand new selections from the likes of Uttersounds, who offers up the pounding riddim ‘Size Up’. Sequential’s ‘Mass Transfer’ alludes to the contemporary digital era drum & bass has found itself developing in whilst Symplex & Camel jump on board for the understated yet melodic ‘Twilight’. Celebrated American newcomer ‘Des McMahon also makes an appearance with a switch up of ‘Dopamine’, presenting a carefully packaged VIP and Kodin adds his tearaway track ‘Valetudinarian’. Todd Buchler, Pish Posh & HammerZz add their sonic delivery ‘Fuego’, which plays to its namesake with hard-hitting drum patterns and crafted hooks. Then for the last exclusive, you’re introduced to Logam & Roger’s ‘Emrys’, the perfect manifestation of what Logam inherited with Santoku’s legacy.

This LP will sit pride of place within the label’s history and they continue to push the boundaries with every release. The ‘Go Nen’ compilation clearly shows that, creating a dynamic and versatile track listing which will further define the imprint’s worth within a colossal dance music market.

Go Nen LP

Twilight

Symplex & Camel - Twilight

Follow Sequential
https://soundcloud.com/sequentialdnb
https://www.facebook.com/SequentialDNB/

Follow Santoku Records
@santoku-records
www.santokurecords.com
www.facebook.com/santoku.records
twitter.com/SANTOKURECORDS

Standing for five years of innovation, the ‘Go Nen’ LP from Santoku represents half a decade spent by its label head crafting its most innovative releases. And alongside another game changing compilation, Logam has offered up fourteen brand new records which will signify why they’ve become such a revered icon within drum & bass, from the UK to the US. The LP also stands as a defining moment within the label’s evolution, drawing from their roster o a hugely diverse list of artists to present the whole colour wheel which has enabled Santoku to garner such a widely acclaimed reputation.

Whether it’s the neuro-infused cuts of Mean Teeth, or the impenetrable production standard of Mayhem and figurehead Logam, their next ‘Go Nen’ sampler highlights a host of musicality which is displayed throughout. The best way for an album of this calibre to open is with the first collaboration between Logam & Mayhem ‘Centuria’, but it moves forward across a twisted skeleton. Amoss takes on ‘Centuria’ and brings it into a darker realm, nodding to the previous releases which have held Santoku in such high regard. Also featuring on the LP are brand new selections from the likes of Uttersounds, who offers up the pounding riddim ‘Size Up’. Sequential’s ‘Mass Transfer’ alludes to the contemporary digital era drum & bass has found itself developing in whilst Symplex & Camel jump on board for the understated yet melodic ‘Twilight’. Celebrated American newcomer ‘Des McMahon also makes an appearance with a switch up of ‘Dopamine’, presenting a carefully packaged VIP and Kodin adds his tearaway track ‘Valetudinarian’. Todd Buchler, Pish Posh & HammerZz add their sonic delivery ‘Fuego’, which plays to its namesake with hard-hitting drum patterns and crafted hooks. Then for the last exclusive, you’re introduced to Logam & Roger’s ‘Emrys’, the perfect manifestation of what Logam inherited with Santoku’s legacy.

This LP will sit pride of place within the label’s history and they continue to push the boundaries with every release. The ‘Go Nen’ compilation clearly shows that, creating a dynamic and versatile track listing which will further define the imprint’s worth within a colossal dance music market.

Mass Transfer

Sequential - Mass Transfer

Follow Dead Zodiac
Soundcloud: @deadzodiac
Facebook: www.facebook.com/deadzodiac/
Twitter: twitter.com/deadzodiacdnb
Instagram: www.instagram.com/deadzodiacdnb/

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Soundcloud: @profanednb
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Twitter: twitter.com/ProfaneDNB
Instagram: www.instagram.com/RossProfane/

With the success of their collaborative project VLTRN, Dead Zodiac and Profane have decided to put their individual efforts into solo careers but that doesn't mean their unbreakable relationship will take a backseat. Their forthcoming 'Entrapment' EP on Santoku Records is a perfect example of this, bringing the artists together for a set of brand new records which already raises the bar for their changing directions. Hailing from Australia, they've brought a variety of different influences into their music, which can be seen throughout the EP's every offering. They also feature Russian drum & bass stalwart Tobax, who brings the countries almost impossibly high production standards into his remix of 'Apocalypse', a collaboration Dead Zodiac and Profane previously created as VLTRN. He adds a welcome twist alongside MC Hijak's grimy vocals, with the track having rose to notoriety as part of Santoku's 'Atarashi Chi' LP.

Already being established and respected DJs within their own right, the energy demonstrated across every track comes as no surprise. The award-winning pair bring the heat for opening track 'Entrapment'. With sweeping atmospherics and jutting percussion, it begins to weave a trap before you're fully submerged within it's heaving bassline, which flips and dips between every crumbling break.

'Time Chase' follows similar chaotic patterns, with a freefalling drop that moves you straight into the chaos. The track is fast paced, exploding head first into steadily grating drum layers and quickly flipping beats. Coming next is 'Demon', which cleverly lends itself to its name through an ethereal introduction which suddenly explodes on impact, kicking harder and harder on top of its moodily driving bassline. The Tobax remix then contorts the structure of 'Apocalypse' and gives it the blood which surges through all of Tobax's intimidating, heavyweight cuts, presenting the final explosion given a platform by the EP.

As a package, it exemplifies the darker side of Santoku's formula, highlighting their stellar discography which has a high-level of engineering and features the type of music which causes absolute dancefloor devastation. And this is what makes the imprint so revered from Europe to the US. It encompasses a full spectrum of sound, bringing forward the very best of their scene's talent.

Entrapment EP

Apocalypse feat. Hijack MC

VLTRN - Apocalypse FT. Hijak MC (Tobax Remix)

Follow Dead Zodiac
Soundcloud: https://soundcloud.com/deadzodiac
Facebook: https://www.facebook.com/deadzodiac/
Twitter: https://twitter.com/deadzodiacdnb
Instagram: https://www.instagram.com/deadzodiacdnb/

Follow Profane
Soundcloud: https://soundcloud.com/profanednb
Facebook: https://www.facebook.com/ProfaneDNB
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Instagram: https://www.instagram.com/RossProfane/

With the success of their collaborative project VLTRN, Dead Zodiac and Profane have decided to put their individual efforts into solo careers but that doesn't mean their unbreakable relationship will take a backseat. Their forthcoming 'Entrapment' EP on Santoku Records is a perfect example of this, bringing the artists together for a set of brand new records which already raises the bar for their changing directions. Hailing from Australia, they've brought a variety of different influences into their music, which can be seen throughout the EP's every offering. They also feature Russian drum & bass stalwart Tobax, who brings the countries almost impossibly high production standards into his remix of 'Apocalypse', a collaboration Dead Zodiac and Profane previously created as VLTRN. He adds a welcome twist alongside MC Hijak's grimy vocals, with the track having rose to notoriety as part of Santoku's 'Atarashi Chi' LP.

Already being established and respected DJs within their own right, the energy demonstrated across every track comes as no surprise. The award-winning pair bring the heat for opening track 'Entrapment'. With sweeping atmospherics and jutting percussion, it begins to weave a trap before you're fully submerged within it's heaving bassline, which flips and dips between every crumbling break.

'Time Chase' follows similar chaotic patterns, with a freefalling drop that moves you straight into the chaos. The track is fast paced, exploding head first into steadily grating drum layers and quickly flipping beats. Coming next is 'Demon', which cleverly lends itself to its name through an ethereal introduction which suddenly explodes on impact, kicking harder and harder on top of its moodily driving bassline. The Tobax remix then contorts the structure of 'Apocalypse' and gives it the blood which surges through all of Tobax's intimidating, heavyweight cuts, presenting the final explosion given a platform by the EP.

As a package, it exemplifies the darker side of Santoku's formula, highlighting their stellar discography which has a high-level of engineering and features the type of music which causes absolute dancefloor devastation. And this is what makes the imprint so revered from Europe to the US. It encompasses a full spectrum of sound, bringing forward the very best of their scene's talent.

Entrapment

Dead Zodiac & Profane - Entrapment

Follow Instinkt
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Santoku has already dominated US waters with their take on drum & bass, setting a standard within the American scene which has also infiltrated its sounds across the Atlantic. For the label’s next release, Instinkt steps forward after becoming a renowned name on imprints such as Red Light, Kill Tomorrow, Methlab, Lifestyle, Delta 9 and more pivotal record labels which have helped to define the underground scene. The trio bring their individual skills sets together, from their hometowns in Germany and Denmark, to present a cross pollination of styles which highlights just how diverse the drum & bass genre has become since its inception. Humanon also jumps on board, with one member of Instinkt joining the Slovakian and Czech team in destroying dancefloors with their own hard lined offering on Santoku’s forthcoming ‘Not Human’ EP. With an added collaboration from Interzeptor, a brand new outfit from Vienna, it’s one of the imprint’s most versatile, European deliveries to date.

Title-track ‘Not Human’ rolls out first, bringing together Humanon and Instinkt for a cut throat exploration of both outfit’s production standards. Its snaking LFO and clashing drums bring you into its heart, showing how both sets of artists go in hard and without limitations. Instinkt comes through next with the infamous Lifesize MC, who once again offers up his growling vocals throughout the tearaway record ‘Fiend’. You’re then introduced to ‘Fiend (VIP)’, which exhumes a welcome twist on the already snapping original, moving you into deeper waters whilst also rerouting the mix and pushing you through segments of antiquated, neuro infused breakdowns.

Finally you’re drawn into ‘Squad’ from both Instinkt & Interzeptor. It continues the EP’s hard lined approach, punching quicker layer after layer before it totally envelops you in its chaotic ways. With clanking percussion and a rhythm which chops and changes between every steppy set of drums, it’s the only way to end an EP which doesn’t turn down the volume from beginning to end. And that’s what makes this addition to Santoku’s discography so memorable. It not only presents the darker side of its talented roster, but also its expansion into the drum & bass world’s every corner.

Not Human EP

Not Human

Instinkt & Humanon - Not Human

Follow Instinkt
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Santoku has already dominated US waters with their take on drum & bass, setting a standard within the American scene which has also infiltrated its sounds across the Atlantic. For the label’s next release, Instinkt steps forward after becoming a renowned name on imprints such as Red Light, Kill Tomorrow, Methlab, Lifestyle, Delta 9 and more pivotal record labels which have helped to define the underground scene. The trio bring their individual skills sets together, from their hometowns in Germany and Denmark, to present a cross pollination of styles which highlights just how diverse the drum & bass genre has become since its inception. Humanon also jumps on board, with one member of Instinkt joining the Slovakian and Czech team in destroying dancefloors with their own hard lined offering on Santoku’s forthcoming ‘Not Human’ EP. With an added collaboration from Interzeptor, a brand new outfit from Vienna, it’s one of the imprint’s most versatile, European deliveries to date.

Title-track ‘Not Human’ rolls out first, bringing together Humanon and Instinkt for a cut throat exploration of both outfit’s production standards. Its snaking LFO and clashing drums bring you into its heart, showing how both sets of artists go in hard and without limitations. Instinkt comes through next with the infamous Lifesize MC, who once again offers up his growling vocals throughout the tearaway record ‘Fiend’. You’re then introduced to ‘Fiend (VIP)’, which exhumes a welcome twist on the already snapping original, moving you into deeper waters whilst also rerouting the mix and pushing you through segments of antiquated, neuro infused breakdowns.

Finally you’re drawn into ‘Squad’ from both Instinkt & Interzeptor. It continues the EP’s hard lined approach, punching quicker layer after layer before it totally envelops you in its chaotic ways. With clanking percussion and a rhythm which chops and changes between every steppy set of drums, it’s the only way to end an EP which doesn’t turn down the volume from beginning to end. And that’s what makes this addition to Santoku’s discography so memorable. It not only presents the darker side of its talented roster, but also its expansion into the drum & bass world’s every corner.

Fiend VIP

Instinkt - Fiend VIP feat. Lifesize MC

Follow Living Plastic
Soundcloud: @livingplastic
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Twitter: twitter.com/_sqlab

Eastern Europe has often been a staple part of dance music. And in particular, it’s a section of the drum & bass world which sees more of the darkly lit, technical vibes which are prevalent throughout this year’s festival circuit, despite the sweeping stages which may have in the past played more commercial sounds. Over the years, newcomer artists like Santoku’s Living Plastic are making their presence more widely felt, with the Poland-based producer becoming a part of the US label’s growing roster. Having already released on labels such as Technique and Viper, his forthcoming release on Santoku will further push him into the spotlight. However it’ll show a totally different side to his production character, moving away from the liquid underpinnings he explores throughout his back catalogue and instead goes down a deeper route. Minimal, yet still aggressive, this single is one out of two which will be coming from Living Plastic and Santoku over the coming months.

’Hypa’ and ‘Fiks’ do damage without over stating their intentions and with the help of Santoku, Living Plastic is looking to continue to explore his sound. ‘Hypa’ brings artist Straight into the fray for a rolling, underground record filled with stabs of sonic distortion and the layers of bass heavy chaos. Straight and Living Plastic make welcome collaborators as they push forward with the type of energy which flows without restraint through club speakers but also gradually builds as it becomes more and more over powering. It’s a track which gradually creeps up, before taking hold and not allowing you to break free from its grasps. On the reverse, ‘Fiks’ moves forward with the same precision, cutting deep with every segment as it gradually envelops you in its technicality. With its pitched vocal samples and melodies which sit beneath the mix, it presents a mixture of dark and light. This perfect balance of elements shows why there’s an excitement growing around Living Plastic. It’s why he’s sure to become an important part of the scene; first throughout the US market and then across the wider scope which labels like Santoku have at their disposal.

Parallel EP 01

Hypa

Living Plastic - Hypa feat. Straight

Follow Living Plastic
Soundcloud: https://soundcloud.com/livingplastic
Facebook: https://www.facebook.com/livingplastic
Twitter: https://twitter.com/_sqlab

Eastern Europe has often been a staple part of dance music. And in particular, it’s a section of the drum & bass world which sees more of the darkly lit, technical vibes which are prevalent throughout this year’s festival circuit, despite the sweeping stages which may have in the past played more commercial sounds. Over the years, newcomer artists like Santoku’s Living Plastic are making their presence more widely felt, with the Poland-based producer becoming a part of the US label’s growing roster. Having already released on labels such as Technique and Viper, his forthcoming release on Santoku will further push him into the spotlight. However it’ll show a totally different side to his production character, moving away from the liquid underpinnings he explores throughout his back catalogue and instead goes down a deeper route. Minimal, yet still aggressive, this single is one out of two which will be coming from Living Plastic and Santoku over the coming months.

’Hypa’ and ‘Fiks’ do damage without over stating their intentions and with the help of Santoku, Living Plastic is looking to continue to explore his sound. ‘Hypa’ brings artist Straight into the fray for a rolling, underground record filled with stabs of sonic distortion and the layers of bass heavy chaos. Straight and Living Plastic make welcome collaborators as they push forward with the type of energy which flows without restraint through club speakers but also gradually builds as it becomes more and more over powering. It’s a track which gradually creeps up, before taking hold and not allowing you to break free from its grasps. On the reverse, ‘Fiks’ moves forward with the same precision, cutting deep with every segment as it gradually envelops you in its technicality. With its pitched vocal samples and melodies which sit beneath the mix, it presents a mixture of dark and light. This perfect balance of elements shows why there’s an excitement growing around Living Plastic. It’s why he’s sure to become an important part of the scene; first throughout the US market and then across the wider scope which labels like Santoku have at their disposal.

Fiks

Living Plastic - Fiks

Follow Des McMahon
Soundcloud: @DesMcMahon
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Beatport: https://www.beatport.com/artist/des-mcmahon/96976

Desmond McMahon returns for the second time to a record label who have firmly solidified themselves within both the US and European drum & bass market, having already bridged the gap across the Atlantic. His next EP on Santoku is an expert follow on from the release which provided a pedestal for the young producer, one who’s paved his way through the scene’s biggest stages in the US, the type which tastemakers look to when they consider the underground success of dance music’s pivotal sub genre. The finely-honed sounds of Des have often brought out the freshest turns in DJ sets and mixing styles, providing an intricate look into the younger members of drum & bass and the talent which they’re currently bringing through the ranks.

The four-track package from Des is a look into the versatility of the upcoming producer - from ‘No Need to Speak’ through to ‘Ghost’, he grapples with his heavy layering and carefully laid out musicality in a way that demonstrates just how illustrious he is as an artist. This time he’s taken a more dance floor approach, opposed to the cut throat style of his ‘Delirium’ EP, whilst still pushing his signature throughout every meticulous segment he builds, one on top of the next.

‘No Need to Speak’ draws you straight into the fray with drums which administer swift punches and a bassline that crackles throughout the mix. Next up ‘Bad Habits’ is just as dynamic, creating a driving rhythm which is punctuated by the records swift hooks that jump out from you between the composition. Following on is ‘Bulletproof’ which nods to its namesake and it’s impenetrable in its make up. And finally you’re brought into the wavering movements of ‘Ghost’, the perfect end to his ‘No need to Speak’ EP and giving a final snapshot into his diversity as a producer.

Santoku highlight how they have an eye for picking up blossoming newcomers - and Des is leading the charge. Although a go-to from the beginning, Santoku are making themselves widely felt without the need to submit to a more commercial appeal.

No Need to Speak EP

No Need to Speak

Des McMahon - No Need To Speak

Bulletproof

Des McMahon - Bulletproof

Ghost

Des McMahon - Ghost

Mean Teeth & Logam - "Vampire Hunter" is an original composition written around themes from Konami's Castlevania! The title is a play off of "Vampire Killer" the first stage music from the original Castlevania on NES. We put a lot of thought in to how to capture the feel of the Castlevania story line while also staying true to the funk of Drum & Bass and we hope you enjoy the results! Happy Halloween from Santoku Records!

Castlevania Requiem: Symphony of the Night and Rondo of Blood is available now at SRP £15.99 USD exclusively on PlayStation®Store at https://store.playstation.com/en-gb/product/EP0101-CUSA13590_00-CASTLEVANIAPO001 

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Season 2 of Castlevania is out now on Netflix! Watch it here: www.netflix.com/title/80095241

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Des McMahon - No Need To Speak EP is out now on Santoku Records.   
Buy/Stream: http://smarturl.it/DMNoNeed2Speak

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Vampire Hunter

Mean Teeth & Logam - Vampire Hunter (FREE DOWNLOAD)

Follow A-Cray: https://soundcloud.com/a-cray
Follow Mean Teeth: https://soundcloud.com/meanteeth

Santoku has taken pride of place amongst America’s roster of drum & bass labels, not only making their place within the US market, but also throughout Europe. They’ve released a host of artists who help bridge the gap between the US and UK scenes, which has enabled Santoku to remain in its place for these crossover acts. One such act is Mean Teeth, a duo who met through their shared love of drum & bass but who are split across Estonia and Lithuania. They have always focused on the dark, diverse and memorable tracks, heavily emphasized by their funk. This is something which can be heard throughout their ‘Leviathan’ EP, released through Santoku in 2016. It set the pair apart from many producers amongst their ranks and debuted a stellar package which pushed Mean Teeth into the agenda. 

Logam, Santoku’s label head and a veteran producer, has selected several artists to have their take on Mean Teeth’s creation. The ‘Leviathan Remixes’ features Nickbee, Vowel, Paradigitz, A-Cray and an exclusive rework of ‘Leviathan’ from Mean Teeth themselves. It covers the reach which Santoku have at their fingertips, something keenly demonstrated throughout their forthcoming reworks EP. 

NickBee’s version of ‘Leviathan’ has thumping bass rhythms and is domineering through its searing drums. Vowel comes next, taking ‘Leviathan’ through his own motions, alongside clashing percussive patches. Paradigitz, the nineteen-year-old beatsmith, has his turn on ‘Leviathan’ and it’s just as chaotic, yet through its own weighty pads. Then A-Cray delivers ‘Leviathan’ by twisting it into his own mold, one expertly defined through each jaunty segment. The remastered version of ‘Leviathan’ takes you down a path which is somehow even more immersive than the original and Mean Teeth makes an explosive appearance through putting ‘Leviathan’ against a more contemporary set up. New life is blown into the ‘Leviathan’ EP, almost three years on from its original inception. Mean Teeth are now at the apex of their game, with the ‘Leviathan EP’ providing the first step towards what would become the explosive career they have today. Santoku are here to remind you of their initial climb and how far they’ve come as producers.

Leviathan Remix EP

Leviathan (A-Cray Remix)

Mean Teeth - Leviathan (A-Cray Remix)

Follow Mean Teeth: @meanteeth

Santoku has taken pride of place amongst America’s roster of drum & bass labels, not only making their place within the US market, but also throughout Europe. They’ve released a host of artists who help bridge the gap between the US and UK scenes, which has enabled Santoku to remain in its place for these crossover acts. One such act is Mean Teeth, a duo who met through their shared love of drum & bass but who are split across Estonia and Lithuania. They have always focused on the dark, diverse and memorable tracks, heavily emphasized by their funk. This is something which can be heard throughout their ‘Leviathan’ EP, released through Santoku in 2016. It set the pair apart from many producers amongst their ranks and debuted a stellar package which pushed Mean Teeth into the agenda.

Logam, Santoku’s label head and a veteran producer, has selected several artists to have their take on Mean Teeth’s creation. The ‘Leviathan Remixes’ features Nickbee, Vowel, Paradigitz, A-Cray and an exclusive rework of ‘Leviathan’ from Mean Teeth themselves. It covers the reach which Santoku have at their fingertips, something keenly demonstrated throughout their forthcoming reworks EP.

NickBee’s version of ‘Leviathan’ has thumping bass rhythms and is domineering through its searing drums. Vowel comes next, taking ‘Leviathan’ through his own motions, alongside clashing percussive patches. Paradigitz, the nineteen-year-old beatsmith, has his turn on ‘Leviathan’ and it’s just as chaotic, yet through its own weighty pads. Then A-Cray delivers ‘Leviathan’ by twisting it into his own mold, one expertly defined through each jaunty segment. The remastered version of ‘Leviathan’ takes you down a path which is somehow even more immersive than the original and Mean Teeth makes an explosive appearance through putting ‘Leviathan’ against a more contemporary set up. New life is blown into the ‘Leviathan’ EP, almost three years on from its original inception. Mean Teeth are now at the apex of their game, with the ‘Leviathan EP’ providing the first step towards what would become the explosive career they have today. Santoku are here to remind you of their initial climb and how far they’ve come as producers.

Leviathan (Remastered)

Mean Teeth - Leviathan (Remastered)

ARTIST: SADE
TITLE: KING OF SORROW / LOGAM RMX
CAT: SANF001
GENRE: DRUM &amp; BASS
The first release on the Santoku Free label. Expect many many more all varying in style and mood.



SADE - King of Sorrow LOGAM Bootleg RMX Free Download!!!

Santoku Records is ran by Atlanta-based producer http://soundcloud.com/logam .The Japanese word santoku loosley translates to "three virtues" or "three uses". Musical styles representing the labels sound were originally in the form of Drum & Bass, Dubstep, and Other. Today we primarily focus on High Quality Drum & Bass. Please send all submissions to thomas@santokurecords.com

SANTOKU RECORDS

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