Amazing in every way! Loved the whole journey

the laser-game-sound is cool in that piece.

Nebel lang - there was a break in

1. (situate)
2. no pavement
3. in the clouds

---

i walked from the airport,
which only looked like a couple of minutes on the maps,
but turned out to be an hour in heavy rain.
very cold, very miserable.
no pavement,
every car splashed me.

there was a break in the clouds for about thirty minutes when i arrived.

---

https://nebellang.bandcamp.com/album/there-was-a-break-in
released August 28, 2022

Photography by Paul Garcia

paul-garcia.co.uk
@songsofthesatellites

--

s̶i̶t̶u̶a̶t̶e̶)̶ ̶i̶s̶ ̶a̶ ̶s̶h̶o̶r̶t̶ ̶p̶i̶e̶c̶e̶ ̶t̶o̶ ̶h̶e̶l̶p̶ ̶t̶h̶e̶ ̶l̶i̶s̶t̶e̶n̶e̶r̶ ̶e̶s̶t̶a̶b̶l̶i̶s̶h̶ ̶t̶h̶e̶ ̶v̶o̶l̶u̶m̶e̶ ̶f̶o̶r̶ ̶t̶h̶e̶ ̶e̶n̶t̶i̶r̶e̶ ̶w̶o̶r̶k̶.̶

there was a break in

(situate)

Nebel Lang - there was a break in - (situate)

Originally made for Disquiet Junto Project 0563, but abandoned (in favor of https://soundcloud.com/winterer/melodic-walking-disquiet0563 )because of having too much "magic" but no "realism" at all. But for what it is I like the track very much. 

Cover track image made with an image from DALL·E, "oil painting of a drowned rusty synthesizer inside a flooded church with windmill on it".

Time Drowning Mechanism

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Performed by Ensemble intercontemporain conducted by François Lopez- Ferrer
Recorded live in Huddersfield on November 19th, 2022
Publishing: Maison ONA

Le lieu et la formule (2019 - rev. 2022) for large ensemble

Video;
youtu.be/IdVaF7w4_as

Genres;
#Electronic
#Pop

Made in #Ableton (2023)

Midnight Vibe

3Apr23

My naviarhaiku482 submission;
https://www.naviarrecords.com/2023/03/29/naviarhaiku482-dark-and-light/
:D

balanced vernal equinox [naviarhaiku482]

Im dunklen Tann

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

A recording under a big Fir in our backyard on a windy day with gale force wind. During the strongest gusts, the fir keeps a higher whining (or hissing) sound that is not commonly heared unless strong wind enough.

MKH8020 ab80 cm, SD702, 24 bit wav, nothing (except fade in and out) done in edit.

Listen with headphones, thanks!

A big Fir whining - 7/10/2023 - Makholma Finland

1週間DTM お題➁PLAYLIST : カフェで流れてほしい自作曲３選

カフェでの演奏をイメージしてシンプルな構成(スリーピース)で作りました
生活感満載のメロウなポップスです

#重音テト
#花隈千冬
#Korggadget
#１週間DTM

SynthesizerV 重音テト SynthesizerV 花隈千冬
ライト版を使用

ぐるぐる洗濯(GuruGuru Washing)

"white wide eyes" (2014) for 23 musicians (4 ensembles), electronics, projection
- Ensemblekollektiv Berlin (Ensemble Mosaik, Sonar Quartet, Ensemble Adapter, Ensemble Apparat)
- Manuel Nawri (conductor)
premiere January 22nd 2015, Festival Ultraschall Berlin, HAU2

live recording: dradio

"white wide eyes" 2014 - for 23 musicians, electronics, projection

Sarah Nemtsov - composer (*1980) - Germany, Berlin

"white wide eyes" 2014 - for 23 musicians, electronics, projection

Sarah Nemtsov

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