Been toying around with this simple way of preparing the guitar. It's basically  emulating the principle of a Koto and I've already done this a couple of times I think. However I want to get more familiar with this technique to hopefully employ this in some more serious stuff than just a couple of improvisations. 

Structurally this is nothing extraordinary - just a simple loop I started when looking for a sound on the Bluguitar Amp1 to go with the technique. 

I've got the (spring) reverb on the amp on and it's running on the boosted vintage channel with low to moderate gain. However the Master is turned up to 7-ish so which might have been a bit too much, but I do love how well you can control the gain with the volume knobs on the guitar that way. Also it makes the jsm-10 sound super dynamic. 

Signal chain: Ibanez JSM-10 - Bluguitar Amp1 (with Boss DD-20 in the fx-loop for looping) with some more spaceous reverb in ableton live (convolution reverb pro) into the blubox on the silver 1x10 setting directly into the mixer.

In case you've enjoyed this, you might also like my other original music on 

https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV 

and https://saschamuhr.bandcamp.com

Improvisation_12: Waltzy looped improvisation on the prepared Ibanez JSM-10 into the Bluguitar Amp1

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Hip hop...period...……….collab just send it to bloomoon12@gmail.com..all is welcomed

DAW helps my disability.
https://yasuhitoharada.bandcamp.com/

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

heyyy

I make EVERY kind of music. The albums I've posted are:

Deluded:
Mixtape with all kinds of songwriting, rap, lofi. Recorded over the course of – maybe – four years. Jumping all over the shop.

Worldy:
Acoustic singer songwriter type tunes. I made this over the course of a year, my plan was to write and record a song a day – so I should have had 365 songs, but I ended up with 17. Yep. They are all recorded in one take, with some subtle overdubs.

Constant Nonsense:
Mixtape of really old stuff, some of my earliest efforts that – I think – still hold up. It's mostly indie, lofi, some beats and synthy experiments.

Little Raps:
I made the beats and I rapped the raps too. 

UFOs:
Some songs that I made over the course of a week, more indie, some experimentals and beats.

electronic creations, mutations, machinations

Welcome to the load-bearing wall of sound.

Music: No boundaries / Knows no boundaries. I don’t look anything like my profile photograph; I'm actually slightly shorter and a figment of my own delusions.

I’m also known as the wild man of transcendental meditation.

Bury your head in the sand and scream towards hell that you are on your way. All evil imprisons itself.

Minimal/contemporary improvising, playing piano and sax, electronics. Combining acoustic and electronic approaches. Working with poetry, theatre, soundtracks.

Improvisation_12: Waltzy looped improvisation on the prepared Ibanez JSM-10 into the Bluguitar Amp1

Sascha Muhr