Borrowed my old man's Fender PM-3 to possible do some more stuff with a steel-string acoustic (since I never really got around getting one myself). Been working on two arrangements lately (Olivia Rodrigos 'drivers licene' and another Sven Helbig piece). I did this short improvisational piece while diddling around with a slide. 

Granted I went way too heavy on the reverb with one of the tracks, I thought the textures/soundscapes themselves turned out quite nice. 

Let me know what you think !

Also: I've got my first soundtrack on Bandcamp, so if you want a free download of cool sci-fi sounds head on over to the following link. You can also check out the last three original albums I've done. 

https://saschamuhr.bandcamp.com/album/cheese-louise-original-soundtrack

Also if you'd like to hear more original stuff you might want to check out Spotify and Souncloud:
https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV?si=7oZ3N-ljRam026I0y55ONA

www.soundcloud.com/sascha-muhr

Improvisation_19: Ambient/experimental textures on the Fender PM-3

floating in the night sky

Ambrosia V2

First try to make a complete Tune on  IPhone only. Thanks for listening 😘

SideWalk

ATTENTION GRAB RIGHT AWAY! 
My latest release is coming out on Sept. 4th of 2020 on Bandcamp and Spotify. Pre-order has started on Bandcamp and the download also will include three bonus tracks and some additional goodies: 
https://saschamuhr.bandcamp.com/album/fuive-part-2

I'd be overjoyed to see some of you drop by there !
ATTENTION GRAB END

The video at hand is once again a bit of an exploration into searching souds on my new pedal board configuration and trying out some heavier/heftier sounds. 

All the distorted guitars are either the Vigier Excalibur Shawn Lane signature or my Fender Pine Telecaster with '63 gray bottoms in the bridge into the beautiful noise's "When The Sun Explodes" into the BLuguitar Amp1's clean channel. First time I've tried utilizing the different IR speaker models on the BLugutiar Blubox and I'm particularly happy with how the Tele-Sound on the "Stack 1980" turned out. Gnarly sounds right there.

In case you've enjoyed this, you might also like my other original music on 

https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV 

https://www.soundcloud.com/sascha-muhr and https://saschamuhr.bandcamp.com

Improvisation_14: Ambience with fretless bass

Marco Lucchi : piano, organ and fx
Fernando Pessoa : words and eyes
Pete Swinton : treatments, fx + mixing
https://soundcloud.com/marcolucchi/piano-patterns-no-6?fbclid=IwAR21nZbl8oi4Qpz3M_n0DLvDp4BAaPNjLjibTTKGZR3oCoV3837X8LhxZzc

Marco Lucchi, Fernando Pessoa, Pete Swinton - Piano Patterns No. 6

Bruno Gussoni: shakuhachi -
Cover art by Krystyna Dudzinska

i n t e r s e c t i o n  1

I think I am lost

Many of the used sounds were recorded on playgrounds in Brandon, Cambridge, Heidelberg, London and Zagreb.
Download here:
https://camembertelectrique.bandcamp.com/track/play-ground
...and here you can see a little video:
https://www.youtube.com/watch?v=HfE7svw5f_c

Play Ground

stormy petrel

"There are things one can only achieve by a deliberate leap in the opposite direction" (F Kafka)

Improvisation_14: Ambience with fretless bass

Sascha Muhr