Name: Cenotaphium by sascia pellegrini
Duration: 3 min 13 s
Description: A new work for solo natural voice, live processing, and post-processing editing

Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, May 5, 2025

Banned Rehearsal 1125 250505

Sweeping Broken Pot Parts 180318

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, July 22, 2013

Banned Rehearsal 841 130722

Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, May 5, 2008

Banned Rehearsal 738 080505

my arrangement of the titular tune as found in an 1846 shape note song book

98 Colchester 250518 [250518]

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, May 19, 2025

Banned Rehearsal 1126 250519

an arrangement of the titular tune as found in an 1846 shape note song book

99 Marlow 250525 [250525]

Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, June 16, 2003

Banned Rehearsal 651 030616

Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, August 19, 2013

Banned Rehearsal 842 130819

arrangement of the titular tune as found in an 1846 shape note song book. To celebrate this my 100th such arrangement I took care to have it consist of exactly 100 notes.

100 Bedford 250601 [250601]

A new work for solo natural voice, live processing, and post-processing editing

Cenotaphium

If you like my work consider to support my The Repository Project on Bandcamp; or buy me a coffee: https://ko-fi.com/sasciapellegrini
Sascia Pellegrini was born a piano player, grew into a pianist/composer and is now maturing as a
percussionist and performer/composer.
He researches improvised and written music with a special interest in the perception of the act of
performance and the deeper implications of musical thinking. He often leads workshops on these
themes in universities and music schools for composers, instrumentalists and performers.
In his musical research, Sascia combines compositions for, among others, live electronics,
visuals and percussion. He has written music for various ensembles and has developed
choreography and visual works often in collaboration with dancers and other media artists.
As a percussionist/composer he has performed extensively in Italy, France, Germany, China,
Japan, Hong Kong and in his place of residence, Singapore. He has performed in Concert Halls, Theaters,
Art Galleries and Art Spaces, primarily as soloist and composer.
He was trained in percussion and composition at the Italian Conservatory “Puccini” of La Spezia
and he joined percussion, composition and conducting classes at IRCAM in Paris. In the course
of these studies he has met, learned from and shared ideas with a variety of stimulating
composers and performers.

Cenotaphium

sascia pellegrini

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