D'avoir mis son âme dans tes mains
Tu l'as froissé comme un chagrin
Et d'avoir condamné vos différences
Nous ne marcherons plus ensemble
Sa vie ne bat plus que d'une aile
Dansent les flammes, les bras se lèvent
Là où il va il fait un froid mortel
Si l'homme ne change de ciel pourtant, j'ai rêvé
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
À quoi bon abattre des murs
Pour y dresser des sépultures
À force d'ignorer la tolérance
Nous ne marcherons plus ensemble
Les anges sont las de nous veiller
Nous laissent comme un monde avorté
Suspendu pour l'éternité
Le monde comme une pendule qui s'est arrêtée
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
J'avais rêvé du mot aimer

Rêver (Cover Mylène Farmer)

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

.....   KillaSoundBoy   ..... 

aka KSB aka Natty Rebel aka "TheSoundArchitekt"  

   -Composer/Beatmaker/Selecta/Producer-

   -ELECTRO DUB SYSTEM // FUTURE DUB 
    JUNGLE DUB // FUNKY DUB // REGGAE MUSIC-

  Reggae // Trippy // Fusion / / Triphop // Electronic // Jungle // Hip-Hop // Future Trap // Dark & Drill

CONSCIOUS MUSIC / UNDERGROUND / MUSIC AGAINST BABYLON // MUSIC 4 MINORITY

  -No A.I. Music-

...I would follow everyone who follows me but I can't as we are  restricted to 2000 followers ... sorry if I don't follow you back....

....But, don't hesitate to send me your tracks in a private message, I will listen to them and repost them with pleasure and follow you in this way....Bless Up ...

Before work for KRT Production (2021-2024)

Now ,a new Label ... KSB-PROJECT ...(Independent Label)
     ..... Live & Studio Project.....

My passion is Dub & Reggae music (reggae and dub represent 40 to 50% of my musical production, the rest is dedicated to other styles) ,but I like & I make also others & different styles of music likes Jungle ,D&B ,Trap ,Ska ,Hip Hop ,Electro ,Acid ,Afrobeat ,Jazz Fusion , Funk ,Darkwave , Trip-Hop ,Drill ,Techno Dub ,Electro Funk 

...I build my tracks, like a story to tell..., I don't really create according to my inspiration, it is continually present, but rather to the emotion of the moment... that's perhaps why I create music of very different styles, my wish is to be able to make you travel or make you tripping or make you grooving through my productions...

Ex Member of BBAM (2022-09/2024)

-Creator & Manager of KSB-PROJECT 
       -(Live , Studio & SoundSystem)-

-Music Events Organizer
       -(KSB-PROJECT & Ziksport Asbl)-

Open for collabs in differents styles ...

Contact me by e-mail....
  - killasoundboyNR@hotmail.com
  - raulcripps@hotmail.com

    ..... Peace ,Love & Unity  ❤️💛💚.....

MY NEW LP SAD WINTER SOON !

¡Follow me and I follow you back, Like and Mutual Reply!

Shyntwirl | Alternative / Atmosphere / Ambient / R&B / DJ / Techno / EDM
Mixtape / Sample / IDM / Electronic /  Music Produccer / Programmer / Electropop / Synth / Deep / Piano / Nature Sounds / Lullaby / Chill / Funky / Relax / Artpop / Descontructed Club / World / Reggaeton / Orchestra / Classic / Noise / Glitch / Hyperpop / Groove / Speechful / Melancholic / Film / Soundtrack / Background / Disco / Artpop / Underground / Ethereal / Break Core / Techno / Darkwave / Glo-Fi / Wave / Hopecore / Spiritcore.

Composer & Produccer

Goal: 1K

I'm just an Alien in he room composing music and learning.

*[Experimental Alien Boy]*
My music is a way of experimenting and playing with elements.

Birth: 15/07/2008 / 17 Years Old
[Sound engineer, independent producer and sound editor.]

[ • Open Now Collaborations • ]
(spam or bots blocking)
https://linktr.ee/luis.del.carpio89

Musical Influences:
Doja Cat, Björk, Arca, Grimes, Erick Serra, SOPHIE, Charli XCX, Megan Thee Stallion, Cardi B, Chlöe X Halle, Beyoncé, Lustmord, Doon Kanda, Melanie Martinez, Yma Sumac, Sega Bodega, The Sugar Cubes, FKA Twigs, SZA, Doechii, Aurora, Eartheater, Aphex Twin, Imogen Heap, i_o, Ayesha Erotica ,Dorian Electra, Shygirl, LEYA, Sabrina Claudio, Oliver Coates, Thom Yorke, Poppy, Sevdaliza, ROSALÍA, Imade Suputra, Anna Varney & More.

• [My favorite phrase is]: 
Divisions Are Between Beliefs and Religious Formations Established by the Patriarchy  - Shyntwirl.

(Notice: This is my only official SOUNCLOUD account, I am not interested in buying bots or advertising promotions so save yourself the blockage).

- All comments and likes are made by me, no one else comments or responds by my. -

(Notice: If you are interested in working with me on a musical project, send me a message with your ideas).

- Music -
Programs I recommend.
BandLab, FL Studio, GarageBand

- Picture Editor -
Programs I recommend
InShot, CapCut, Photoshop, Peachy

- Creation Devices - 
Laptop, Phone, Keyboard, Synthesizers, Horns


Soundwave music. See also my link.

Links:
My site with sound cloud releases: https://falc.one


Let me just ask your attention and support for Xcelia. Here's her track: 'Adore'!
https://soundcloud.com/xceliaaa/adore?si=f0904eb1b5c04b06be6d3bee684ed6ae&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

⚡️ 583.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

Its been an effort to deliver the lyrics into various punk/ rock genres such as funk rock, psychedelic rock, dark rock, acoustic rock and post punk -garage- indie-rock genres.  Appreciation to all members and guests of Infinite Universes who provided their Stigma to the Music. 

Infinite Universes Post Punk formation:
Petros - Drums
Tolis - Bass
Bill Barek - Guitar
Christos - Vocals / Lyrics

Lyrics by Infinite Universes (Ragias Christos, Bill Barek)


Anny Zangana - Composition of 'Truth'
Babagau - Keys on Sad Recreation

Funk Rock I.U. 

Babis - Bass 
Bill Barek - Guitar
Zisis - Drums
Christos - Vocals (Lyrics)

Many thanks to all  friends who participated in the first dark psychedelic rock effort for Know your Tear.

Manos - Drums
Sakis - Bass
Bill Barek - Lead Guitar
Ntanos - Rythm Guitar
Christos - Vocals (Lyrics)

I hope you all enjoy these uploads! Some of those songs have the lyrics on description. Feel free to read them. I will appreciate this!

If you feel like reading more of our Lyrics you can visit also our Infinite Universes Facebook link.

I have to declare that it has been an amazing journey so far thanks to your belief and great support to our creations!

Keep on Rocking - Keep on Creating!
Christos Ragias

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

Rêver (Cover Mylène Farmer)

Saskiagoethals