Our third collab, our bond is sealed. See his wonderful soundcloudpage.

https://soundcloud.com/killasoundboy/no-way-out?si=7bfd161f1f114c64bdff16cf0c85e602&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics No way out

Sometimes your life is a horrorgame, scary and jumpy 
You want to escape but there’s no way out
Are you caught in a complex web of romance, power and corruption
You want to escape but there’s no way out
Your life is a trap

No way out (KillaSoundBoy music- Saskia vocals/lyrics and magical flute)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The night I met Inoxx & The Toxx, the city was drowning in its own reflections.

I was chasing what the department called the “Epic Journey case”: people who didn’t jump, didn’t run, didn’t die — they just stepped out of their lives after looping the same anonymous track on repeat. No body, no note. Just headphones on a pillow and a playlist full of ghosts.

Every scene looked the same. A laptop still warm. A browser paused on the same profile. One track spinning in the history, over and over: instrumental, trip-hop, strings, radio static and a heartbeat that wasn’t quite human. The last victim had renamed it “Nocturne: A Night of Wonders,” like they thought it was a private joke.

The trail pulled me uphill to a mansion that shouldn’t have had lights on at 2 a.m. Inside, the air tasted like old secrets. A grand piano waited by the fireplace. On the lid: three glasses, one half-empty, like someone had drunk their courage and left.

They were already there.

A punk with a green mohawk sat at the piano, leather jacket, Union Jack on the sleeve, fingers resting on the keys. By the window, a woman in a red dress watched the city. Her blue hair caught the glow from outside. Between them stood a tall figure in a velvet suit with an old computer monitor for a head, screen humming softly.

“Rough night, detective?” the monitor crackled. “Doesn’t look much like a Summer in Paris to me. Sit.”

I didn’t remember telling them I was a detective. I sat anyway.

The punk started to play. Slow, smoky chords. The kind of music that makes good decisions feel optional. It curled around my thoughts and dug up things I’d tried to bury. Regrets. Almosts. The people I hadn’t saved.

“That’s the one from the file,” I said. My voice sounded further away than it should have.

“In one version,” the woman murmured. “Out there they give it new names. Someone called it The Bright Side of the Moon once. Someone else named it after a person they should have let go. Some write Beware of the Quiet Girl in the title and pretend it’s not about themselves.”

She finally looked at me. Her eyes were too calm, like someone who’d seen every ending and stopped being surprised by any of them.

“The music doesn’t take them,” she said. “We don’t take them. They come here on their own. We just… give their feelings somewhere to live.”

In the corner, a tape machine turned, big reels spinning in a lazy circle. The labels were handwritten: track titles, dates, initials. I recognized some from the case files. One bartender had told me, “That song, it’s like it knows what you almost did.”

Then I saw it. My own initials. Same careful handwriting. Same date as tonight.

On the monitor, the image shifted. I watched myself open the front door, step into the room, drip on the carpet. Same coat. Same tired eyes. Same bad feeling dragging behind me like a second shadow. Behind that, another version of me. And another. Each one slightly different. A word changed here, a hesitation shaved off there. A dozen takes of the same scene.

“If you’re here,” the screen said, voice dropping into the mix, “it means you pressed play again.”

Time folded in my ears. I tried to stand, but the chords held me in place. I understood, suddenly, why no one left a note. You don’t write a goodbye letter to a song. You just hit play one more time and let it do the talking.

“That’s the real Epic Journey,” the punk said quietly, not looking at me. “Not running away. Finally letting the soundtrack match what’s inside your head.”

Moonlight slid across the room, erasing the corners. For a second, the salon didn’t feel like a place at all, more like the inside of a track: loops, echoes, reverb, tiny details you only hear on the tenth listen.

“That’s how it works here,” the woman in red said. “Nobody goes missing, detective.”

She leaned back into the shadows as the tape clicked and locked into place.

“They just stay in the song.”

Thank you to all my supporters. Much love <3
-
Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
-
Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

Daniel creates commisioned illustrations, makes webcomics and other nonsens, but most of all music. 
Electronic and dance orientated, with hints of Lo-Fi, chill, lounge and triphop. DM when you're interested in doing a collaboration.

daanniejel is Daniel misspelled in Dutch

Try everything and surprise yourself 1 : D

Let me just ask your attention and support for Xcelia. Here's her track: 'Adore'!
https://soundcloud.com/xceliaaa/adore?si=f0904eb1b5c04b06be6d3bee684ed6ae&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Follow me on Spotify and I will follow back 

https://open.spotify.com/user/saldeano?si=5Ffl-Ik3Rsicg2wEzQ5-tg

Write play and produce, for fun, hope you have time for a listen and enjoy what I’ve put out there 😎
Looking forward to hearing everyone else too

Cheeky, sassy, kinky and playful songs exploring several styles and themes: grunge, bossa, pop..
I write the lyrics and poetry you can find here, unless mentionned otherwise. Sometimes, I compose music and play the piano. When I use AI for the music, I mention it in the tags.
I'm open for collabs with singers, poets, writers or composers looking for a lyricist.

Thank you for visiting my profile!
Any comments are appreciated.
If you want to share or repost my tracks, please do. 

I enjoy listening to music shared by others here, often through the FEED. The people I follow therefore partly influence what I listen to. Many thanks to those who share music I love discovering! Unfortunately, I can't continue following people who flood my FEED with a daily stream of music I don't want to hear.
------
On most recordings you hear me play and sing on my own, but I also work together with other people.

The Razor Jane link leads to a collaboration with my friend Meindert Jansma

Silicone Kids was a band I played guitar in, in the early 90's.  The Silcone Kids profile holds a lot of old tracks and also some tracks that were recorded during a reunion rehearsal in 2021.

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

Yan Grooger, artiste belge né en 1987, Créateur de sons électroniques depuis 1998.Signatures en 2015 de plusieurs singles sur des plateformes comme Beatport,Spotify, itunes...Sa discographie comprend des titres tels que Slow Motion, Human et Vis pour la musique, auto-production des albums L.P.E et easter eggs en 2025, On peut retrouver sa musique sur des services de streaming majeurs, ce qui témoigne de son activité en tant qu artiste indépendant. Il a également une chaîne YouTube où il partage ses créations.

Keep creating, this world needs music! 

infos:
grooger.yan@gmail.com

My new 🎹  🎺 piece is called..“Smokey Hornz”
                         

All music posted on this channel created & composed & played & arranged & produced in house by myself (Luke)

I’m a 🎶 writer / composer / musician / producer always creating & producing new Piano 🎹 arrangements / scores / themes / compositions / tracks from scratch ..
 
all my work is Original.. 
one of a kind …
played with old school instruments including my 100yr old upright piano & Yamaha keyboards 🎹 my old school skins 🥁 and trumpet 🎺 etc…
 
👉🏻NO Artificial Intelligence  aka A.i. 👈🏻

I don’t do Covers 
I’m to busy to Collaborate at this foreseeable time..

so stay tuned & check back weekly / monthly..

In between creating major  Piano & Symphonic music,
I like to wind down by creating quick “fun music” using “Found Sound “ & samples & loops & libraries along with a few bars from my piano / keyboard or synthesiz..
 (they are usually of a “ Trap “ genre) 

Use your headphones 🎧 to really experience my music layering to its fullest... 

Lastly..thank you for being a loyal fan supporting all my “experiments” and successes..

Luke 😊   Attention:👉🏻  Name change coming soon..
               from 👉🏻  Beats by Luke 
                    to 👉🏻  Luke H.  S c h ü ß m a n n

Recorded / mixed / Mastered by Luke 
a 🥶“Frosty - Nutz Production”🥶 🇨🇦 🇺🇸

No way out (KillaSoundBoy music- Saskia vocals/lyrics and magical flute)

Saskiagoethals