Will you be getting more sizes in the Blotnik shirts?

Bandcamp:
https://cliffdalton.bandcamp.com/album/ocean-elevator-ep

Spotify:
https://open.spotify.com/album/0GegXse1npjNCybWvn1ZtJ?si=EmB9vXMWTpmgnYC5_qIzdQ

Arcane Magic

TL Premiere #987 (2022.07.16) : Liðvarð - Amenacid [Tensor Norm]

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For this 185th Premiere of 2022, we have a track by the Norwegian DJ/Producer Liðvarð aka DJVLR titled ‘Amenacid’ from the forthcoming VA EP "Almost Everywhere" on a new label based in Valencia (Spain) : Tensor Norm.

Tensor Norm is an spanish label founded by Mario Ortega (Wavelet) and Eduardo Jiménez (Sigma_ALgebra) whose objective is to edit electronic dance music that is situated in the fuzzy boundaries of the electro, IDM and techno genres among others. The search for new sounds, dark atmospheres and breaks are its sign of identity.

The EP will be available from September 30, 2022 on 12" Limited Edition Vinyl (300 copies) + Digital through all major digital music stores and streaming platforms.

▶︎ Pre-order : https://tensornorm.bandcamp.com/album/almost-everywhere

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Release Info :

Various - Almost Everywhere [Tensor Norm // NORM002]

Tensor Norm is back. In this ocassion, we visit differents locations of the world geography to bring you an EP full of electro, breaks, acid and IDM.

Side A goes into the coordinates of dark electro in different ways. "Cell Reprogramming" by Clone Theory (one of its members is Heuristic Audio) is a spatial track with smooth percussion, a heavy, oscillating bassline and minimal melodic design. On "Automorphism", Sigma_ALgebra resorts to smooth percussion and a drone-like oscillating bassline to generate a floating feel, over which choppy, lightning-like melodic profiles occur. Finally, north american LectrO cOd-E, speeds up the tempo to expose the military round bass, synth twitches and vocoder transmissions of “Morphology”.

Side B is incided in borderline spaces with the incorporation of acid sounds as main elements. After an opening that programs the rhythmic structure and adds pad atmosphere, "Amenacid" by Liðvarð aka DJ VLR ratchets up the tension through a brief acid line modified steadily but subtly. The EP closes with "Phanaire Luses", a track with typical IDM resources with which, through the accumulation of bleep-like emissions, acid figures, sparks and amorphous sounds, Jaquarius builds a psychedelic track.

Soundsamples : bit.ly/3KImm3s

Tracklist :
1. A1. Clone Theory - Cell Reprogramming
2. A2. Sigma_ALgebra - Automorphism
3. A3. LectrO cOd_E - Morphology
4. B1. Liðvarð - Amenacid
5. B2. Jaquarius - Phanaire Luses

Artwork by demartes estudio
Mastered by Steve Voidloss at Black Monolith Studios (London) 

releases September 30, 2022

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Follow Liðvarð :
Facebook : www.facebook.com/DJVLR
SoundCloud : www.soundcloud.com/vlarz 
SoundCloud : www.soundcloud.com/VLR

Follow Tensor Norm :
Bandcamp : www.tensornorm.bandcamp.com
Facebook : www.facebook.com/tensornormrecords
Instagram : www.instagram.com/tensornorm
SoundCloud : www.soundcloud.com/user-373963620

Almost Everywhere

Amenacid

Pre-order

TL PREMIERE : Liðvarð - Amenacid [Tensor Norm]

Matti Turunen is probably best known for his work as Morphology (with Michael Diekmann) but here he goes it alone for a new EP on Cultivated Electronics vinyl-only series,  Cultivated Electronics Ltd.  

The Finnish electronic maestro, Turunen turns up the Electro-funk to the max with lush arrangements, dulcet melodies and gritty beats.

• www.cultivatedelectronics.bandcamp.com

@mturunen
@cultivated-electronics

Radau

PREMIERE : Matti Turunen - Xhante [CELTD011]

The smell of the first drops of rain on a hot summers day...

This is a Soundcloud exclusive promo track. It is unreleased.

First Drops Of Rain [Unreleased]

Urban Connections XVIX

Free download here:  https://urbanconnectionsnetlabel.bandcamp.com/album/urban-connections-xix

EKATA - Traversing Light

This premiere is a previous guest DJ on @DarkScienceElectro. This 22-year old Ukrainian producer goes by the name of @Theory-Of-Noise and is ready to show you what he can do in the studio with his debut Electro release on @BlindAllies

Focused on the exploration of the future sound of Electro, This China-based DJ/producer is actively playing clubs around the area and is the co-creator of the @Mynah-shanghai podcast and VOLTA events. He pumps out his scientific broken beats using only Ableton and this EP is a great example of how to use a digital audio workstation to create great music. The song selected to premiere by @DarkScienceElectro is the title track of the digital release and features 808 beats, a sustained bass line, staccato arpeggios and an eerie pad that washes over the track's 6 minute duration. This EP will drop on February 15th.

Clips here: https://soundcloud.com/blindallies/im-afraid-we-are-trapped-here

Buy here: https://blindallies.bandcamp.com/album/im-afraid-we-are-trapped-here

Additional resources:
https://www.facebook.com/blindallies/
https://www.facebook.com/theoryofnoissse/

Im Afraid We Are Trapped Here

Buy Here

PREMIERE: Theory Of Noise - I'm Afraid We Are Trapped Here (Blind Allies)

Tome 2 of Conflux EP / AC Records!!
B1. 'Stratoforms' previously released on Mechatronica Digital

AC Records

Conflux 2 Ep previews [AC Records]

Bandcamp

Night Vision

Ekman is no stranger to Shipwrec. With three EPs and an album, the dutchman’s brand of fire and brimstone has seared a serious impression on the Nijmegen imprint. The fourth 12” comes with a marked difference. That burning smouldering intensity that has characterised the acid soaked electro and stained techno of past records is present, however it is now sheathed. Beats are still sharp edged, as in “Verdraaide Logica”, yet keys have softened and taken on an introspection. “Kronkel” is cast in a similar mould. From a fearsome kick blooms an incredibly layered and thoughtful track where melodies bob and weave while rhythms rail. Even amidst the sinister sidling synthlines of “Anker Punten”, with its piercing and punishing percussion, there are understated pads to mellow. The glass and steel of “Vast” ends the EP. Angular lines permeate the piece, reflection and refractions arc and bend in this science fiction finale. Depth mixed devilment from start to finish.  

Release date vinyl: 20th of April 2020
Release date digital: 25th of May 2020

Cat# Ship066
Written & produced by Ekman
Artwork by Ekman
Distributed by Clone Distribution
© Shipwrec 2020
All rights reserved

Ekman - Kronkel - Ship066

Update: Buy a Blot Tshirt for 8$ and get the LP Download for free, Wav.format or any flavor you want. Vinyl and CD's as well. Buy the vinyl for 8$ and get the Digital for free as well. Limited!! Support the underground and great Indy artist. 

http://blotnikbrothers.bandcamp.com/album/mizuage

The Blotnik Brothers

This Swedish trio are blazing a path into the future with oldskool, nuskool, floor burning electro-breaks tunes. Sounding out all the way from Malmo, Sweden
get ready for some of the most well produced , new and  interesting electro to come around for a long time.  The Blotnik Brothers make it look easy, think Chemical Brothers producing straight up electro , with tracks such as "Ergo" licensed by the likes of Dave Clark for his World Tour 2 LP.  What makes the Blotniks so special is their sound, its theirs to own and the invivible skill at which they present it to the listener.  They occupy a dark and at times warm , optomistic sonic wunderland full of fantasy and mystique, story tellers by their own right. After their firs two ep's on Satamile we are proud to present their first LP "Mizuage"a masterpiece of rythmic , tonal  variation that makes its mark on the world.  Allready "Mizuage" is charting nu 15 in the National College Radio charts for rpm (electronica). Surrounded by major labels this is a astonishing accomplishment.  
    The Blotnik Brothers are three friends that started recording and working together several years ago in Malmo, Sweden, Martin, Roberto, and Patrick. Each one has specific task in production. Roberto is really the head technician, Patrick writes and does the vocals while Martin helps with production and gives informative esthetic insight. All three are very creative with their talenst focused in different areas but converging together to produce the Blotnik Brothers.  Its quite rare to find three artist 


Outburn Magazine Review:
Evil Break-Dance music: The Blotnik Brothers "Mizuage", is the kind of album you'd expect to hear blasting out of a Decepticon Night Club on the planet of Cybertron, assuming such a place even existed in the first place. This trio of  Swedes (who incidently, arent actually brothers at all) make dark, hard hitting electro that sounds like it came from another planet, the kind of planet either inhabited by intelligent robots or aliens who grew up listening to intercepted transmissions of Kraftwerk, Africa Bambata, and 90's EBM. Blending old school hip-hop,  neo-electro, acid breaks, and modern EBM, the Blotnik Brothers have created a dark and dirty album that bumps and booms with menacing bass stabs,  funky breaks, and evil robot vocals. There is very little filler to be found on this 11 track outing, and electro Dj's can pretty much pick and choose what they want to play from this release since about every cut is a surefire floor filler. Even EBM dj's might come across a few gems as well, like the menacing "Dont Worry You Won't Dissolve", which sound like it could have come off the latest Headscan release. Its no surprise that New Yorks Satamile Records picked up on this trio, since the label seems to have the market cornered on outstanding electro at the moment. 

The Hacker – “Like Masheen Song”
Tayo (The End/Kiss 100) – “Uranium Angels is wicked”
DJ Hyper – “Love it”
Ade Fenton (Advanced/Atomic Jam) – “Uranium Angels is my favourite track.  Greta snare drum!”
Xander (Romp) – “A quality slab of beastly electobass business!”
Freddy Fresh – “Ergo is excellent”
Dan Moore (Superconductor) – “Awesome stuff from a great label.  Will definitely play it out, especially Elapse Current Loop” (Will Chart)
Crosstown Rebels – “Blotnik is cool”
Mat Carter (Checkpoint Charlie) – “A cracking release”


Bandcamp! T-shirts too

"Love Song" by the Blotnik Brothers for Satamile Records.

This @DarkScienceElectro premiere comes from a new @avoidantrecords release featuring Versalife (@conforce)

Continuing its journey into the unknown, Avoidant Records makes a return with a bold new compilation that features a huge roster of artists from the past, present & future of Electro. From the minds of the legendary Soma Records camp in Glasgow, Avoidant has been a beacon for the emergence of new talent from its home country and abroad, whilst remaining true to the output of previous generations. This commanding compendium of Electro packs in a whopping 17 tracks of mesmerizing, cutting-edge futuristic music.

Buy: https://avoidantrecords.bandcamp.com/releases

Defend Your Planet

PREMIERE: Versalife - SH09 (Avoidant)

Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


"Love Song" by the Blotnik Brothers for Satamile Records.

satamile

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