Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

Sich jeglichen Schubladisierungen vehement zu entwinden, versuchen sich die jugen Steyrer Iborian an weniger psychedelisch, mehr elektronisch beinflusstem, analog produziertem Liedgut. Geprägt von einem eigenständigen Sound, der sich allen Anscheins nach selbstständig weiterentwickelt, orientiert sich Iborian gleichermaßen an musikalischer Vergangenheit und Zukunft, um im hier und jetzt sich selbst jene Musik zu kreieren, die die Welt den Steyrern bislang verwehrt hat. 

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Velojet can be categorized as indietronic or psychedelic 60s pop. 
Their music moves in a cosmos of sounds and ideas and draws from all forms of pop music of the last 50 years. 

Velojet have been around since 2005 and released several albums which gained them 
Austrian Music Award Nominations and appereances at international festivals such as Eurosonic, Reeperbahn Festival or The Great Escape. 
After three rocking albums and years of relentless touring, Velojet took a break and now forge a new direction.

Velojet travelled around the world in their 60s van to find new inspiration. 
In 2012, they went to the finnish island of Aland for three weeks to write, 
rehearse and record "Panorama" under the direction of Swedish producer 
Existensminimum (Moneybrother, Antennas). 

Somehow it felt like being reborn: 
The result of Velojet´s own magical mystery tour is their new album "PANORAMA". 
Velojet moved away from the "indie-pop" sound of the 00s to and switched to more 
psychedelic sound; finding themselves in the middle of experimental soundscapes while 
keeping their incredible talent for writing great, hooky songs.

"PANORAMA" was released in October 2013 and got great press, 
the single "Cold Hands" went to #1 on the prestigious and significant Radio FM4 Charts. 
Next up is an international tour (incl. Germany, Switzerland, Belgium, UK) 
including showcase festival Glimps Ghent and Tallinn Music Week. 

René Mühlberger /vocals, guit / Marlene Lacherstofer / bass, vocals
Michael Flatz / drums / Elisabeth Neuhold /keyboards, vocals

BOOKING:

A: reinhold.seyfriedsberger@inkmusic.at
GER: torsten@amadis.net
CH: nik@breathinghole.ch

La Défense, originally created as the solo project of Austrian Singer/Songwriter Dominik Pandelidis, was formed in 2009. Shortly after the release of the debut album “Playing Chess” in Autumn 2010 further Musicians joined the project. From that point on “La Défense” no longer existed as a solo project but as a collection of creative young people.

Within the setting of a band their sound consistently kept growing. After 60 gigs from vienna to stuttgart and airplay on several local radio stations as well as on GoTV, Austrias No.1 TV channel for music, the band can count on the support of a constantly growing fan base. The video for the first single “Far Away” even topped GoTVs voting charts.

Atmospheric yet conscious, rooted yet innovative, La Défense released their 2nd record “Words You’ll Never Say,” based on traditional songwriting and progressive arrangements.

General Inquiries:
blondagemail@gmail.com

Squalloscope is Anna Kohlweis, who exists as an interdisciplinary artist based primarily in Vienna. Anna Kohlweis has been releasing records since 2006 - first as Paper Bird, and since 2012 as Squalloscope. She is also one half of the band Twin Tooth and one half of songwriting duo Squalloscope & Andy the Doorbum. This soundcloud account is a place to store mostly oddities - one-off tracks recorded with others, sound pieces for exhibitions, covers, radio sessions, and remixes. Find the regular stuff elsewhere.

Saym (official) is following