Wonderful arrangement! RIP Harold Budd. You will be missed.

How beautiful!A track from my favourite Budd-related album too,just perfect.Thank you!

Outstanding and Beautiful! wish you could do a rendention of Still Return,my fave of The Pearl. p.s: keep the good work!

Light

1077 Ballad

Shadows fracture into fleeting sparks, where echoes bloom in spaces unaltered by time. Fragments of silence bend against the rust and light, rising like broken lanterns through the mist of memory. In this silent passage, voices fade in the rain, but their essence endures: pure and inexhaustible, a reflection that stretches across infinite horizons.

Eternal Rain

Sound of Forest Vol 2

Sound of Forest Vol 2 Xriso

sparse, minimal, repetitive ... chords, field recordings, sequences...

One Summer

'Parallel' is the third ambient album by Warmth. 
A tribute to the minimalist ambient of the nineties. 

Written and Produced by Agustín Mena 
Mastering by Taylor Deupree 
Photography Alexander Kopatz 
www.go70north.com 
Archives45 // ArchivesCD26 
Archives / 2018

Parallel

Buy CD/Digital

Warmth - Parallel

As thrilled as I was to be invited to support American pianist Harold Budd in London in April 2018, for his first show there in 17 years, I was equally dispirited by the cancellation of the event suddenly last week.

In the absence of this live show then here's a version of a piece I intended to perform on the night itself as a little tribute to Budd, and for the audience. I hope you will enjoy it and imagine sitting in a Church in London, only the creaking of the wooden benches and occasional shoe shuffles and coughs as your only other sonic distraction.

It's a version of his tune Late October, originally heard on The Pearl (1984), in collaboration with Brian Eno and produced by Daniel Lanois.

For Harold

Late October

The 1st track in the Audio Diary Patreon series.

Recorded 20th April 2018.

You can get the MP3/FLAC/WAV of this track by donating via Patreon at www.patreon.com/3six

36 - The Illusion of Permanence

Halftribe​ - 'For The Summer, Or Forever' 
Label; Dronarivm 
Cat #.: DR-53
Format: CD (ltd. 200) / DL
Release date: May 18th, 2018

Laconic haze, ethereal curiosities, nostalgic glimpses and fictional illusions.

Northern Irish Halftribe’s (Ryan Bisset’s) third album and Russian imprint Dronarivm’s fifty-third catalogue entry arrives punctually to soundtrack the coming summer - or eternity, apparently, if you like. It is indeed suitably warm and familiar stuff, going straight for the bliss-out button with dreamy, droning pieces mixing airy synths and calm field recordings.

Buy CD / DL

HALFTRIBE - For The Summer, Or Forever

The 2nd track in the Audio Diary Patreon series. Get your handkerchief ready for this one, because there won't be a dry face in the house.

Recorded 27th April 2018.

You can get the MP3/FLAC/WAV of this track by donating via Patreon at https://www.patreon.com/3six

Audio Diary

36 - Ego Death

Week 4  is taken from Sounds of a New Father, the new album by Olan Mill.

After the recent album on Unknown Tone Records, Olan Mill returns to Shimmering Moods Records. There is no doubt that the birth of a child is the most incredible, wonderous, and, frankly, miraculous event to be a part of. It’s the climax of the most complex and awe-inspiring biological processes, the most radical change the human body can go through and the most utterly emotionally over-whelming event possible. No wonder everyone involved is knocked for six....“The music was recorded in the moments after baby Alma had gone to sleep. All tracks were recorded using electric guitar and effect pedals. There was no post production or revisions to the original recordings. I was very tired while thumbing out these drones.....” Alex Smalley aka Olan Mill. 

Music written and mastered by Alex Smalley 
Original paintings by Alma Kemya Smalley 

Release date: 16.11.2018
Format: CD/Cassette/Digital
Order: https://shimmeringmoodsrecords.bandcamp.com/album/sounds-of-a-new-father

Olan Mill - Week 4

Caught In The Wake Forever is the solo project of Scottish multi-instrumentalist & songwriter Fraser McGowan. 
Treading a path of quiet lo-fi, ambient, folk & modern classical music, Caught In The Wake Forever has had releases on a variety of highly regarded labels such as Archives, Dronarivm, Fluid Audio & Hibernate Recordings. 
From the delicate torch songs of 2011's debut album 'Against A Simple Wooden Cross' to the nocturnal drones of 2016's 'Under Blankets', each recording has dealt with matters of emotional strain and release. 
Caught In The Wake Forever's newest offering 'Waypoints' is the first full length album to step away from this formula. Whilst previous albums drew on deeply personal subject matter to guide the writing process, Waypoints navigates unknown territories using improvisation as its starting point. Recording began with two intense day-long sessions of modular synthesizer and acoustic piano. The resulting hours of improvised material were then gradually shaped over a 4-year period, McGowan relying on his musicianship and intuition to structure the compositions. 

These exploratory pieces retain the abstract textures and sketch-like arrangements from which they were sculpted, finding form with the contemplative melancholy and delicate melodic warmth that characterises Caught In The Wake Forever's music. Seven instrumental works that sound like distant radio signals interspersed with fragments of lonely lo-fi piano, broadcast from an unknown, isolated location. 

Words by Chris Gowers (2019) 

Written & recorded by Fraser McGowan 

Performed by Fraser McGowan 

Rogers Eungblut Upright Acoustic Piano, Yamaha C5 Classical Guitar,
Ibanez Blazer Series Electric Guitar, Korg MS2000, Roland SH101, 
Moog Slim Phatty, Akai S20 Sampler, Make Noise System Cartesian, 
Arturia MicroBrute, Arturia Analog Lab, Harmonium, Pearl Acoustic Drums, AM Radio & Digital Processing 

With 
Colin Morrison 
Ibanez GA5TCE-AM Classical Guitar & Boss RDD-10 Micro Rack Delay (A1 & B3) 

Darren Galloway 
Roland JU-06, Roland Aira TR-8 & Boss DE-200 Digital Rack Delay (B3) 

Yellow6 
Gretsch G6134 Black Penguin Electric Guitar, EHX Platform Compressor & Strymon Flint Reverb (B3) 

Produced by Fraser McGowan & Darren Galloway 
www.connectedbylandscapes.com 

Special thanks to Chris Gowers, Colin Morrison, Darren Galloway, Andrew ‘Woody’ Woods, 
Jon Attwood, Euan & Ali Millar-McMeeken & Agus Mena for making this record possible 

Mastered by Taylor Deupree 
www.12kmastering.com 
Photography by Alexander Kopatz 
www.go70north.com 
Archives58 // ArchivesCD39 
Archives / 2019

Buy Vinyl/CD/Dig

Caught In The Wake Forever - The Houses Here Have Changed Lately

Pre-order here:
http://felte.bandcamp.com/album/billow-observatory
http://boomkat.com/vinyl/601376-billow-observatory-billow-observatory

Buy Now

Billow Observatory - Slow Billows

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

Available here:
https://thesisproject.us/projects/thesis-17
&
https://thesisproject.bandcamp.com/album/thesis-17-ceeys-constant-presence

To be released on the conceptual collaborative-minded, boutique label Thesis, is the new joint project by the two neo-classical and contemporary ambient acts of CEEYS, and CONSTANT PRESENCE, the new outing between Peter Broderick [Erased Tapes, Type, Efterklang], and Daniel O’Sullivan [Grumbling Fur, Guapo]. Released during Q3AMBIENTFEST, a sterling three-day event of avant-garde, experimental pop and ambient-classical taking place in Potsdam, Germany during the first weekend of April, the limited edition 10inch EP, enriched with Zen ideology, comes replete with bespoke artwork, exclusive handmade packaging, and laser-etched designs.



CONSTANT PRESENCE, the new mesmerizing project by soundsmith Peter Broderick and multidimensional songwriter Daniel O'Sullivan, has been sporadically performing across the globe since coming together in 2019. This new, recorded body of music will see their release alongside the cello-piano brothers, Sebastian and Daniel Selke aka. CEEYS, who also happen to be the founding partners and curators behind Q3AMBIENTFEST. Looking to celebrate the notions of duology, unity and harmony, the EP features two ambient tracks that are enshrined in the teachings Shunryu Suzuki, a twentieth-century Soto Zen monk who gained popularity in the Western world for his teaching of Zen Buddhism outside of Japan. This nature of dualism becomes ever more pertinent when factoring in the 30th anniversary of the fall of the Berlin Wall, the bringing together of new and old worlds, and the pairing of Potsdam and Berlin. The East-West divide is something also very admissible to the works of the Selke brother’s, who imbue various elements of their East German upbringing within their recordings and philosophical approaches. Now celebrating its fourth year, Q3AMBIENTFEST is CEEYS’ labour of love, and it was a great honor, love and respect that they can now release something together with the multitalented and accomplished minds that are Broderick and O'Sullivan.



The Thesis Project, now on its 17th release, has set about on uniting two different artists together to create limited, custom designed bodies of music. Uniquely crafted and designed by Gregory Euclide, each 10” jacket for THESIS 17 consists of laser cut-etched designs portraying brutalist architecture and atomic structures glued on top of airbrushed designs that use the homemade Black Walnut Ink that Euclide made himself from the trees on his property, then letter pressed with the THESIS logo. Each record is hand numbered in an edition of 300, and will be made available on the second day Q3AMBIENTFEST, where it is also possible to get the record hand-signed by the artists. During the second day of the festival CONSTANT PRESENCE will share the stage with CEEYS, for a unique performance that juxtaposes the notion of duality and harmony yet further, in a show that will combine professionalism with liveliness, method with lightness of touch, and efficacy with flexibility.

THESIS 17

Nothing Special

@MattEmery chats to composer @DmitryEvgrafov about his new album 'Surrender', how he came to work with @FatCatRecords 130701 label, dream collaborations with Nigel Godrich, his modest studio setup, his app Endel which creates personalised sound environments to help you focus and relax, hiring a copyrighter to name 500 of his tracks and much more. 

Dmitrys 3rd album 'Surrender' is out now on 130701 available to listen to and purchase here: https://dmitry-evgrafov.bandcamp.com/album/surrender

The Contemplative Podcast

13 The Contemplative Podcast meets Dmitry Evgrafov

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

Late October

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