this is bloody brilliant, how about an album of like minded material?

The point where utterances serve no purpose, yet lips continue to move. Words sputtering ineffectual pantomimes of human inadequacy.

I'm a Native American Two Spirit (Transgender) & also a long time fan. Saw you worked with Terre Thaemlitz recently, great fan of her work as well. Hope some day we get to collaborate as well

Duvet (but it sounds like Oneheart - Snowfall)

Duvet (Ambient)

🟢 Spotify

Duvet - Ambient

Listen to the full version here
-> https://soundcloud.com/soulsome-healing/20241025-528hz-solar-plex

528Hz Solar Plexus (Short Version)

Award-winning sci-fi writer Geoff Ryman's was commissioned to write a new story for the BBC, investigating the portrayal of gender in utopian science fiction, as part of BBC Radio 4's Utopia season.

I scored the new work and a separate documentary exploring the subject. This is an instrumental excerpt from the score as many people had expressed an interested in hearing it again.

No Point Talking

FRKWYS Vol. 13: Sunergy

Closed Circuit

Track taken from the new Hotel Neon album 'Context' forthcoming on Fluid Audio...

Mailing list:

www.fluidaudio.bigcartel.com/mailing-list

....

Album Credits:

Music written, recorded and produced by Hotel Neon 
www.hotelneonmusic.com

Additional textures and arrangement on "4:10 AM" by Takahiro Yorifuji
www.hakobunemusic.jp

Vocals on "6:59 AM" and "8:30 AM" by Lacey Tasselmyer.

Mixing and additional production by Matthew Kidd 
www.slowmeadow.com

Mastering by Taylor Deupree 
www.12kmastering.com

....

Tracklist:

1. 12:41 AM
2. 1:57 AM
3. 3:04 AM
4. 4:10 AM (ft. Hakobune)
5. 5:20 AM
6. 6:37 AM
7. 6:59 AM
8. 7:42 AM
9. 8:30 AM

....

Release Date: Feb / 2017

Context

Hotel Neon - 7:42 AM

https://faintmusic.bandcamp.com/album/restricting-knowledge

Data Domain is the collaborative project of Discknocked and Randoom.
Written and Produced by Guillermo Arroyo & Javier Martín
Mastered at Artefacts Mastering
Faint002 // FaintCD002
Faint / 2017

Data Domain - Repeated Allusions

Exclusive track by Rime Trails taken from the upcoming album 'Sacred Groves' released through Shimmering Moods Records.

"Music for springtime in eight parts. Recorded between April and September, 2016, using various instruments, synthesizers, and a microphone that is now retired. A big thanks goes out to the many birds who were kind enough to lend their voices throughout, wherever they might be now."

Release Date: 9/03/18

Available as a white Limited Edition CD, Professionally manufactured high quality CDr's, limited to 50 copies. Handmade artwork, each hand numbered.
White editions handmade wallets with envelopes, small and large sizes. Photo's, transparent bag...

Pre order: 

www.shimmeringmoodsrecords.bandcamp.com/album/sacred-groves

Sacred Groves

Pre-order

Rime Trails - Sanctum III

To all - Track 12 of the album Dett by Kevin Verwijmeren. 
Available via Bandcamp and other record stores. 
Pre-order 01/10/2018
Release    23/10/2018

Dett

To All

Thanks A Lot (Raffi Cover)

Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, Yair Elazar Glotman & Mats Erlandsson’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a 'displaced sound’ - combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.

In many ways, the idea of a longform music is unsuited to and out of phase with our times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon 'Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds - see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.

Aligned with these approaches, Glotman & Erlandsson’s work is suffused with a chromatic density and a tendency towards an edgy darkness that puts it closer to Hildur Guðnadóttir’s ‘Chernobyl’ score or Jóhannsson’s ‘The Miner’s Hymns’. It shares that same brassy, bass heavy weight and glowering, simmering sense of tension as well as a similar, sliding feeling of instability. Its authors cite the influence of  Renaissance vocal polyphony; Giacinto Scelsi’s ‘Pranam II’; György Ligeti’s 1967 piece ‘Lontano’ (heard on the soundtrack to Kubrick’s ‘The Shining’ and Scorcese’s ‘Shutter Island’); as well as American composer Ingram Marshall, and Iceland’s Valgier Sigurdsson. Gorgeously recorded, beautifully focused and measured throughout, ‘Emanate’ is a texturally rich, deep spectrum exploration that flows and unfolds almost seamlessly throughout its fifty-minute span to create an energy field which feels simultaneously static and yet continually shifting.

Emanate

pre-order

Yair Elazar Glotman & Mats Erlandsson - Procession

Maps and Diagrams - Kalia

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

No Point Talking

scanner

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Fergus McQueenie

encym III

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the widget farm artists

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