POOR（ぷあ〜）

Lyrics 
What have I learned what do I know 
Chasing time only to become 
Beneath your head my arm goes numb 
Beneath your head the pressure is warm 
What have I learned what do I know 
Still got to stretch and be someone
Beneath your head my arm goes numb 
Beneath your head 

Haunt here haunt now
Haunt now precious nothings
Haunt here haunt now 
Haunt here precious nothings 

City’s changing fast
Baby I feel slow
Hunger and pride monetised 
Can't see the sky it used to hold 
Baby I’m tired of packing, moving around 
Keep my head up when peace is a fight
Around your waist my arm goes tight 

Haunt here haunt now
Haunt now precious nothings
Haunt here haunt now 
Haunt here precious nothings 

City’s changing fast 
Baby I feel slow 
Can’t see the sky it used to hold 
I came unbraced 
Body aches in the race
And always someone to cash in on the process 

Haunt here haunt now
Haunt now precious nothings
Haunt here haunt now 
Haunt here precious nothings

-
Music and lyrics by Scarlett O’Hanna 
Vocals, synths, drum & add percussion: Scarlett O'Hanna
Production: Scarlett O’Hanna and Pieterjan Coppejans
Engineering and mixing: Pieterjan Coppejans 
Mastering: Matt Colton 
Recorded at home and Robot Studio Ghent 
2023

Precious Nothings

Thought I was dying hanging there only half awake 
Tending to ghosts longer than it seemed 
Never knew ease as a given thing 
Thought I was losing when I wanted more 
These are unloving times to live but 
At the end of fear is a door 

The scenery shifts the act is unchanged 
But the scale does not feel the same
 I want to touch the ground, learn again 
How to move through unafraid 
In the dark through the flames 
Walk like I used to walk when
We knew less and we dared more  

There’s no lie in the pulse of your skin 
It’s been much and not enough 
There’s no lie, this life is for living 
Stand while you stand 
Love when you love 
Stand while you stand
Love when love 

Tried places and got tried in return 
Made space in my heart to unlearn 
I want to touch the ground, see it clear 
We came with senses so we can feel 

These are raving times to be alive
 There’s a breath we’re meant to find 
In the dark
 Through the flames 
So close to the surface 

There’s no lie in the pulse of your skin 
It’s been much and not enough 
There’s no lie, this life is for living 
Stand while you stand 
Love when you love

Music & Lyrics by Scarlett O'Hanna
Produced by Pieterjan Coppejans and Scarlett O'Hanna
Engineering & mixing: Pieterjan Coppejans, Robot Studio 
Mastering: Matt Colton, Metropolis Studio
Recorded at home and Robot Studio

Vocals, keys, midi drums & add percussions: Scarlett O'Hanna
Synths: Scarlett O'Hanna, Pieterjan Coppejans 
Image: Aigli Drakou

Download

Unafraid

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To Martha
La Mer is made up of two independent movements: La mer bleue, and La mer profonde.
The hum of the bees treated electronically creates the waves of the sea. A string quartet, also treated, reminds the light on the surface and the liquid fluency. La Mer expresses the joy and the purity of the water and proposes a listening in two levels. The first one is an imaginary perception of the sea. Serene or stormy: the sun sparkles on the water, the colours-frequencies become blurred during the descent, the darkness of the profound… The second is a symbolic perception: the deep of the sea is the cemetery for the shipwrecks and the image of the fecundity, the passage to Hades and the road to new discoveries.

La mer [The Sea] was realized in 1996 at the Métamorphoses d’Orphée studio in Ohain (Belgium) and premiered in June 1997 in Mons (Belgium). It was awarded an Honorable mention at the 1st Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2000) and was finalist at 27th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2000).

Premiere: June 1997, Concert, Mons (Belgium)
(electrocd.com)

Epoque de l'eau

La Mer Bleue

To Martha
La Mer is made up of two independent movements: La mer bleue, and La mer profonde.
The hum of the bees treated electronically creates the waves of the sea. A string quartet, also treated, reminds the light on the surface and the liquid fluency. La Mer expresses the joy and the purity of the water and proposes a listening in two levels. The first one is an imaginary perception of the sea. Serene or stormy: the sun sparkles on the water, the colours-frequencies become blurred during the descent, the darkness of the profound… The second is a symbolic perception: the deep of the sea is the cemetery for the shipwrecks and the image of the fecundity, the passage to Hades and the road to new discoveries.

La mer [The Sea] was realized in 1996 at the Métamorphoses d’Orphée studio in Ohain (Belgium) and premiered in June 1997 in Mons (Belgium). It was awarded an Honorable mention at the 1st Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2000) and was finalist at 27th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2000).

Premiere: June 1997, Concert, Mons (Belgium).
(electrocd.com)

La Mer Profonde

Au départ du texte de la pièce de théâtre "Où est Alice?" de la Compagnie Paulette Godart, un cycle d'atelier a été mis en place : les participantes y ont réfléchi ensemble le sens du travail et de l’absence de travail, la place du basculement, ...
Elles en ont tiré une création sonore, comme une sorte de premier état des lieux de ce qui habite celles qui se retrouvent chaque jour de part et d’autre du bureau d’aide à l’emploi.

Un projet mené par Voix De Femmes et la Compagnie Paulette Godart, en collaboration avec PhiloCité.

www.voixdefemmes.org

Brûler dedans / Brûler dehors (de part et d'autre de l'emploi) - Intro

Depuis votre intérieur, écoutez une conversation autour de la question de l'Emission, découvrez les influences, les sons, les instruments et entrer dans l’univers de l’artiste et chercheuse Myriam Pruvot.

Cette émission s’inspirera de la démarche de recherche de Myriam autour du chant, des archives et des corps émetteurs en résonance avec son projet Singing Archives.

Cette programmation est opérée par Aurélie Brousse – détentrice d’une Carte Blanche dans le cycle des Plateaux Phoniques 

En savoir plus : https://www.cwb.fr/agenda/emetre-de-myriam-pruvot-plateau-phonique-effraction

(c)Julie Calbert

Une proposition d’Aurélie Brousse et de Myriam Pruvot. 
Réalisation du podcast, mise en ondes et mixage : Myriam Pruvot.

Sons diffusés : 
1_extrait d’un Foudre Chant, Pieve di Teco, Italie 2020
2_extrait de At the Edge of Wilderness, Hildegard Westerkamp, 2000 
2_extrait d’un enregistrement de terrains de l’album Niebla, Chili 2013
3_deux extraits de Je parle toutes les langues, mais en arabe, Maroc 2018
5_un extrait live de la performance Engrammer, 2019
6_une archive d’un discours de Mohamed Ali, 1974
7_un extrait de When I was A Young Girl de Nina Simone, live at Montreux, 1976
8_un extrait live de la berceuse Slumber who brings children to sleep du projet Opéra modeste, 2020. 
 
Une production du Centre Wallonie Bruxelles et d' Entropie Production.

Merci à Myriam Pruvot pour son accueil, la mise à disposition de son intérieur, de son matériel technique et la mise en place d’un plateau radio in situ. Merci à Anna Raimondo pour sa pétillante participations et tous les auditeurs qui nous ont accompagné en live le mercredi 20 janvier de 19h30 à 20h30.


Si vous souhaitez découvrir les créations de Myriam Pruvot et suivre ses actualités : http://www.myriampruvot.com/

Effraction 3 : Une rencontre radiophonique avec Myriam Pruvot

Scarlett O’Hanna is the pop moniker for vocalist, songwriter and multi-instrumentalist Anna Muchin. She has released records Cheap Bling Bling (2009), Impostor (2011) and Romance Floats (2014). Her collaborations have included playing as a supporting act for Wilco and Cocorosie, keys and guitar for She Keeps Bees, creating and singing with Nate Kinsella (aka Birthmark), Peter Silberman (The Antlers) and Sam Genders (Diagrams). She has composed, performed, advised on sound and dramaturgy in the fields of choreography, radio and the cinema.

Unafraid

Scarlett O'Hanna

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