Classical

Fantasy for Piano, F-sharp minor
Like in the case of my previous ballade, the main theme is one of my oldest one, written on a guitar almost two decades ago, in a secluded house, when I took guitar lessons with my friends under a guise of a senior, eccentric professor who was probably semi-drunk every single lesson.
It came almost seamlessly and it never left my mind, and finally it found a satisfactory growth and expression in a piano composition.
Paul Anthony Romero made spontaneously numerous improvisations on it (He received it with a bunch of other musical themes), and a lot of those variations ended here as a homage to him, as this work is dedicated to him.
Initially the theme was planned as an initial statement in a nocturne I was writing, preceding the main theme, but after Paul's suggestion I separated the two distinct themes and decided it was best to let them grow separately.
The fact that I developed one of my oldest melodies with a superb composer and pianist, and a musical inspiration since high-school, makes me beyond blessed and happy.
The watercolour artwork, like in all other released compositions, is done by Vanja Kalemba.

Fantasy for Piano, F-sharp Minor

The 33

It has sad tones at the beginning and end but some happier bits in the middle, as I imagined Vincent sitting outside in the sun with his paints and easel.
This piece meanders a fair bit, taking new turns before developing each new thought, perhaps like a bipolar state of mind in the artist, but if you listen carefully there's a theme that repeats throughout the work. In Van Gogh-coda, the sequel to this piece, the score is well structured and "makes sense", perhaps reflecting Vincent's state of mind when he is well.

Van Gogh-Part 1

Purple Room (wardrobe) - Fleursonseaux
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Purple Room (wardrobe)

MOVEMENT 1 - EASE BACK
MOVEMENT 2 - CAREFUL NOW
MOVEMENT 3 - THE END IS NOT
MOVEMENT 4 - BIT FURTHER

NON WRITTEN SYMPHONY [ FULL CONCERT ]

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Music producer/musician in Bristol.  Still learning so feedback is greatly appreciated, good or bad. 
I won't get offended if you tear my track apart and tell me it stinks.  Just tell me why it stinks.
If anyone ripps my tracks from here and plays them, just let me know what reaction you got. I rather that than you play it in a set and I never know. 
 Brizzle Drum N Bass producer and musician, mostly guitar.  I'd like to be in a band,  I can play a mean lead guitar, sing a bit and rap.  I also play a little drums, keyboard and harmonica.  My Influences span from Blues and classical through to hip hop, electronic and metal.  I believe there is at least one genius in every genre.

The 33

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