X (Part 1)

"Completely shielded from physical sensations, the medium was guided by a hypnotic command into the future."

Two old friends. A sound from a forgotten future. TGÆ is an independent electronic duo, formed in West Germany in the 1980s. For over 20 years, they’ve met once a year at the legendary “Musikladen-Studio” – a place filled with vintage synthesizers, dusty guitars, and humming computers where time seems to fold in on itself. In improvised sessions, raw, intuitive song sketches emerge. Then the production process begins: Selected material is reassembled without losing the original feel. Recordings from the sessions are re-edited, sorted, and integrated into the songs to preserve as much of the “session feeling” as possible. Musically, TGÆ moves between electronica, lo-fi pop, post-punk, and experimental soundscapes.

TGÆ’s stories revolve around love, hate, space philosophies, and the longing for universal happiness. Their bittersweet tracks blend deep emotion, a love of all things extraterrestrial, and often explore the search for something lost—a past or paradise that may never have truly existed. A powerful, mysterious, feminine ‘weak force’ with gender-ironic energy flows through their sound, balancing tensions and conflict wherever they arise.

In their world, artificial intelligences meet broken hearts, cyborgs evoke childhood memories, and stardust cigarette light tells stories of humanity in transition. Each track is part of a multi-voiced narrative about life in a posthuman world, where the search for meaning, connection, and renewal remains palpable. This creates a retro-futuristic sound universe now, for the first time, stepping into the public eye.

🔊 For fans of: Depeche Mode, Kraftwerk, Chromatics, Röyksopp
📀 First official EP release: SIGNAL – now unearthed after two decades in the shadows.
These Girls are electric. Just landed!

https://www.facebook.com/pages/Sonic-Deadhorse 

http://www.myspace.com/sonicdeadhorse

This is a one-man band, but which also can be played around by joining many people. Because of being fascinated with “Sonic Youth,” because of having been hooked by “Guns N' Roses,” and the most main reason is because of “Sonic Death Monkey”—the band formed by Barry, the lippy clerk of a record shop in my favorite novel “High Fidelity,” I grudgingly pay a tribute to the inexistent band by having the name Sonic Deadhorse.” 
 
It’s the music for lonely urban women and men, the youths captivated by literature and art, dumb rockers, and the crazy raversIt’s the music embracing indulgency of 70s’, melancholy of 80s’, nihilism of 90s’, and isolation of the new century. It is post rock whimpers affecting 
sorrow violent electro, which is a smart-ass with poor. 

As everything faded away with the booming bass drum of TR808, those belonging to love and ignorance of youth seemed to vanish and be gone with Truffaut’s films. After these indescribable sentiments being extracted, I finally decided to play this band sincerely.

Have a long term cooperative relations with  Burma director Midi Z,and Variety said that  Midi Z's last film Poor Folk “ Have the excellent score by Sonic Deadhorse includes some terrific combinations of electronics and acoustic guitar.” 

Now Sonic Deadhorse is a  solo audio/visual controllerism artist  since 2011

Oh! What a beautiful city!
Oh! What a beautiful city!
Oh! What a beautiful city!
Twelve gates to the city
Hallelu!

Andi Schnellmann
Manuel Troller
David Meier

X (Part 1)

Schnellertollermeier