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To get better contact me at jacketlafuller@gmail.com rapper slight singer YouTuber beat maker skits reaction react actor 
https://youtu.be/YfYsUjMFY_I
Check out DeathkiSS on #SoundCloud
https://soundcloud.app.goo.gl/YEinA
Hey! You gotta download this app Rap Fame https://share.rapfame.app/E9qksuIv0kb real quick. There's some really cool stuff on here. My profile is @deathkiss 
https://vm.tiktok.com/ZM8Qct8Tn/
https://youtube.com/channel/UCnxtHhw5qnpIEjnW77oxOuQ
Check out DeathkiSS on #SoundCloud
https://soundcloud.app.goo.gl/Y2FAy
https://unitedmasters.com/m/617c9d6f6ac7de6d0d688ac0


“ I Am So Far Off Someone Please Save Me “  OUT NOW  !
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BLU FLAME
BluFlame was born in Bartow, Florida, located between Tampa and Orlando, and just
south of Lakeland, Florida. The city was named in honor of FRANCIS S. BARTOW, the
first brigade commander of the Confederate Army to die in combat, during the
American Civil War. It is also the birthplace of Hall of Fame linebacker and two-time
Super Bowl Champion, RAY LEWIS. But his journey would begin, twenty miles
northward, in the City of Winter Haven, Florida.
“I grew up in the neighborhood called ABBY LANE. Back then, ABBY LANE
was the streets. My cousin and I witnessed out first murder. A lady got her
head blown off by her husband. I remember me and my cousin running,
until the asthma kicked in.
We seen the police everyday, if not every night. It was crazy fights
everyday. Throw ‘em up, bust ‘em up…is what we called it. But it was a
grind all day, every day.”
His mother, a young black teen, worked for Taco Bell. And his father, worked for
Scottie’s - but Flame didn’t know what his father’s actual occupation was.
“It was a tough life. But we got along. My parents had me really young,
so it was like them raising themselves, and raising me at the same time.”
The conditions of his neighborhood, forced Flame to mature faster than most children
his age. It created an youthful desire to protect and provide for his family.
“I had to help take of my lil brother and sisters when I was 7. So I hustled
and sold candy...anything to keep the family alive. I said I would never want
this life for my kids…so at at young age, I was always a young man.”
Flame attended three different middle schools: Westwood, Jewett Academy and
Denison. He was removed from Westwood, because of fighting; and he was removed
from Jewett Academy, because of bad grades. He found his new educational home at
Denison, where he began to take interest in music.
“My first song I did was with like four or five of my cousins, when we was
doing a mixtape called Young Cuzos. It was Tezzy, Mike, Lando and TD.
The song was about basically basketball and bitches. But the one cousin
that actually got me into Hip-Hop was Roc.”
When Flame entered High School, his interest in music began to rise, but the
“elements” in the school curbed his ambition, slightly.
“Life was wild in High School. I sold candy...they called me Kandi mann,
“KM” for short. I made like, $500 a day off candy. I played basketball, and
everything. I ran Bloomingdale High School, back in ‘03 thru ‘06. I had a
few good teachers and students. Don't even get me started...my Baby tried
to fight my X. I got caught smashing in the Auditorium...lol...next question.”
Flame began to take his Art more seriously, when people began to tell him, his music
should be on the radio. They insisted, he shouldn’t let his talent go to waste. His style
and lyrics were outstanding, and were much better than the other rappers in the area.
“I would say in the beginning of 2017, I really started putting my money
towards my goals in my craft. Young Cuzos what's the name of the first
group I was in. It was my cousins’ TINES , MIKE and FRITZ. They were a big
help in the beginning.”
“My style is outstanding superb with my flow and my delivery is going to
finish them all. Sometimes my lyrics are tongue twisters. I don’t think...I
know people are going to love my music. I go for random people’s
feedback...not just my friends.”
“To be honest, when I you was growing up, I watched Wayne from Squad
up to the Carter. The first Carter, really motivated me to push harder than
anyone. Then, when I seen him perform at the last damn show, I was like,
wow...that man right there has my energy, my electricity going through
everybody's body. When I hit the stage, I want that feeling of everybody
chanting my song.”
.


LMAO

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based in Honolulu,HI. raised in San Jose, Ca.

commonrare.music@gmail.com

Free Palestine, eat the rich, and fuck A.I.
Alternative Goth/Post-Punk/Noise/Industrial Grunge type thing. Hope you enjoy what I've made so far, and thank you for listening, as well as for any kind of support 🖤 Feel free to use/sample.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”