Born in Phoenix, Arizona, Adam Arlia is a DJ and producer whose downtempo and electronic beats have been inspired over time by a wide variety of the dance music scene. Stepping onto a dance floor with Adam spinning is a surefire leap into a hypnotizing and transformational realm where dark and sexy fuse together leaving all bodies on the floor at the mercy of his next track. 
 
With over two decades of experience, Adam has crafted a unique musical identity that mixes mind-expanding and soul-rejuvenating sounds which are heavily influenced by world renowned producers discovered in Germany, Switzerland, and France.
 
His eclectic style captivates audiences by offering an intimate and vibrationally inclusive experience. Adam's work is a testament to his passion for originality and through our shared gamma state that activates when we are in flow of doing what we love. He facilitates an opportunity for listeners to immerse themselves, without much thought due to distinctive sounds and frequencies that bring you closer to your harmonic resonance.
 
 And so, the journey begins – Let’s go! 
 



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If your feeling generous I would love your support.

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bookings.
contact me directly.
arliaadam008@gmail.com
❤️ is the thing that connects us beyond this life and the next.

Schugar grew up in an average midwestern town. In the late 80s and early 90s, he had some pretty cool and unusual musical influences. This lead to a healthy knowledge of computers, instruments and sound.

From 1997 to 2001, Schugar produced and performed music under many names including Fatal Erection(experimental click house), Finding NoWhere(Ambient Drones) and Matt Loathing(of Unconditional Loathing).

Unconditional Loathing was a constant experiment in sound and cultural/social manipulation with ever changing instrumentation, member roles, costumes, side projects, members, themes and presentation styles. Noise Opera, megaphones, puppet shows, percussion, homemade instruments, guitar pedals, computers, circuit bent kids toys, instruments of all kinds, Unconditional Loathing was a nightmare of sound that toured from Olympia, Washington to the depths of Ground Zero NYC 7 days after 9/11/2001. Shortly after the Phi-Phenom tour, which entailed 10 bands collectively performing in 50 minutes or less, Unconditional Loathing fell apart with its members dispersing themselves mostly across the West Coast.

Schugar created and destroyed every type of music at least once, dabbling in everything from noise and avante jazz, to ambient and intelligent, to house and techno. Schugar’s style has been a constant evolution of discovery and experimentation. Some call it disco or techno or whatever other socially acceptable term you can think of at the moment (nuretrodubhouseclickdeepdiscotech). Schugar’s sound varies from emotional to upbeat to dark and moody to happy and soulful.

In October 2001, Schugar moved to San Diego. There he produced 100's of art and music events, expanding his vision of artists collaborating and creating together. Schugar started such nights as Velvet Revolution, Filthy Sunday, Basic Tuesdays, Bleep Bloop, Dr. No's Fantasy and many more

Being an avid music collector since the early 80's and DJ since the early 90's, Schugar felt right at home joining the staff at local dance vinyl shop (calsound) in 2004. Calsound gave Schugar a further defined sound as his influences expanded every day becoming the Techno buyer and working along side House & Disco historian and long-time San Diego DJ legend Mark E Quark. 

In early 2009, Schugar created The Infusion Project, an artist collective that develops and empowers artists to be artists for a living. The Infusion Project has been a major source for collaboration and artistic evolution for Schugar. The Infusion Project is the next stage of Schugar’s vision of human beings seeing their creativity as a necessary part of life and seeing collaboration as their access to having that creativity be sustainable and useful to themselves and their community.

Since early 2010, Schugar has dedicated his time to expanding the vision of The Infusion Project through touring as a DJ/Promoter/Creative Director/Artist Coach, playing clubs, festivals and underground events as well as producing art and music events. 

Schugar Discography
“Planet Food” (Whiskey Pickle Records; 2013)
“Future Organic” (Degrees Ov Separation; 2013)
 
In 2013, Schugar started his own Digital Music Label, Degrees Ov Separation. D.O.S. focuses on machine music in the age of computers.

https://degreesovseparation.com
https://soundcloud.com/degreesovseparation
https://instagram.com/degreesovseparation

DEPTHSEATTLE 
@depthseattle
Co owner @peeraudio

Check out Artistic Records on #SoundCloud
https://soundcloud.app.goo.gl/StsRx

Album on:
https://audiomack.com/relic-lyon/album/its-a-vibe
I.G @relic_sa
Twitter @sa_relic
Facebook @Artiss'the'Relic
For bookings:
Email:thulaniluyenge67@gmail
WhatsApp on 0671628757

In a pinch, if forced to employ adjectives to describe the Mark E. Quark style, one would come up with words like “groovy, laid back and nasty” house music. But putting grammar aside, it’s reasonable to just say that Quark has internalized influences from DJ Harvey, Idjut Boys, Jeno, and Andrew Weatherall, mashed them up, and given life to a signature style and a creature which is totally unique. This creature is currently brought to life for public consumption  at Moonshake in San Diego.

Drew Blyther (Shadow Wulf, Jaw Dropping, Wulfpack, The Get Down, Burgers & Beats)

Booking Requests:
drewblythermusic@gmail.com

Drew Blyther, an artist in love with the effects of music on the human experience, captivates souls with his mix of all things House, Techno, and Disco. Drew has an excitement for music and community that is matched by few in Los Angeles. Dance floors are continually swept away by his endless appetite for quality track selections, along with a deep-seated passion for mixing. Blyther sets the atmosphere for his crowd's journey with chuggy grooves and an adaptive, yet commanding style. At home anywhere from Hollywood, to dusty deserts, to dark warehouse basements, Drew is not to be missed.

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