Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Wednesday evening (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 10th November 2025: from Friday afternoon you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batchxxx

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. 

We also don’t accept short previews or SoundCloud Go tracks that can only be heard as 30 second previews, and tracks made private after submission, which cannot be included in playlists. You will be able to resubmit the track in future. Tracks (and remixes of tracks) that have been previously submitted, and tracks from banned artists will also be removed.

Christmas songs and the like are also not eligible for the Listening Post, although we will collect these into a playlist that will be published on 24 December.

Full Inbox: Batch 589

XI.13

Our moderators listened to every track we were sent this week and have picked their favourites for your listening pleasure this weekend:

Listening Post: Batch 589

Thanks to everyone who came by Fresh On The Net at the weekend to check out Listening Post 589 and tell us which tracks they liked best. Here, in alphabetical order, are our readers' top favourites. Our reviews are written by Fresh On The Net's John Michie- and you can read them at http://freshonthenet.co.uk/faves589

Fresh Faves: Batch 589

LANDSICK

An electro indie synth pop song exploring why we lie to people we claim to like. Is it insecurity, cockiness, or wanting to suppress your feelings? Maybe it's all of the above.

Honesty

These Last Few Weeks

Bad Days

Amity rush released hard-hitting toxic masculinity anthem ‘To Make A Man’ on the back of viral TikTok demand. An unsettling portrayal of the growing subculture of misogyny and male violence, To Make A Man has struck a chord with fans of Sofia Isella, Paris Paloma and REN.

This is the first release since Amity’s acclaimed Royal Albert Hall-backed debut EP ‘Bite Me’ and, having been recorded at home within 48 hours of being written with only piano and vocal, marks a radical departure from the polished, instrument-rich, epic studio productions that preceded it.

To Make a Man

To Make A Man

You Said

Scottish singer-songwriter, Calum Baird, returns with Mi Verdad, a powerful and intimate track that blends raw emotion with a bold, sonic palette reminiscent of Jeff Buckley, Billy Bragg and Springsteen.  Written and recorded in June during his Germany tour, the song represents a sharp turn from his usual acoustic-driven sound, this time built around an electric guitar, expansive reverb, and a vocal performance that mixes confessional half-speech and engaging melody.

Mi Verdad (“My Truth”) is a reflection on the weight of words left unsaid. The track captures both fragility and strength — its lyrical honesty balanced against atmospheric layers that echo with tension and release. Lines like “I’m not over apologising / At worst, I’m philosophising” and “ Like a nod across a crowded room / I’m holding it for a while, and I’ll move on soon” carry the duality of vulnerability and resilience. 

The song builds on Calum’s reputation for politically and emotionally charged songwriting, but here the focus is purely personal: universal and profoundly human themes of regret, reflection, and connection. At little more than 3 minutes long, Mi Verdad manages to be both concise and expansive — a song that feels timeless and immediate all at once.

With its haunting reverb, deliberate space, and a vocal performance that walks the line between tenderness and urgency, Mi Verdad is one of Calum Baird’s most affecting releases to date.

Mi Verdad

Tall

jxrden - tell me

+++
soundcloud: @jxrden-flp
instagram: www.instagram.com/jxrden.flp/
tiktok: www.tiktok.com/@_jxrden1
+++

FREE DOWNLOAD: https://hypeddit.com/g4lrwf

Tell Me

hello this is the first scott is okay album to come out!!! it's called Turning up the Draw Distance and it's about my inability to see anything past my own stupid life :) 

thanks to me for producing it and me for writing it, and me for playing all the instruments, and me for attempting to mix and master it, and HURU and blenum for lending their voices, and brad for a clip of you talking in my room like 8 years ago, and ben for a second of you talking on a voicemail like 3 years ago, and james and sean my managers who have unwavering patience as i literally had this sitting at 99% finished for two years and didn't do nothing with it, and absolute for distributing it (shoutout lucia), and props, bonzai florists, conor, tragic sasha and a few others (sorry i forgot rn) for listening ahead of the release and giving me encouragement.... i think that's it.

i like soundcloud because it's basically free so people can listen freely BUT the gapless transitions between songs don't work because in 10 years of uploading to their site, they still don't support gapless albums and i always make my albums gapless because of the energy never dies by black eyed peas, (shout out the energy never dies by the black eyed peas) and they never sound as clean so if you have the opportunity to listen somewhere else (like apple music, youtube [when i upload the full album sometime this week], tidal, etc.), this is me suggesting you do that instead for the full listening experience

follow me on things if you want to stay updated when i release stuff i don't really post unless i'm releasing something (that can be a good thing or bad thing depending on your preferences), but i do share memes and (rarely share) musings on my IG stories sometimes. honestly, i fuck w/ letterboxd out of all social medias the most right now so that's probably the place to keep up with what i'm up to


The Reset Button

Co-Pilot

Devils in the Ground is the fifth chamber of Room 7, on the 7th — a song of remembrance and release.
Written after his father’s passing, it’s both a confrontation and a burial: shedding what no longer serves, but honouring what can’t be forgotten.
Recorded with friends Sean Rogan, Andrew Finney and Henry Webster, the track’s closing chant — “bury my devils in the ground” — became a mantra of renewal, a shared act of letting go.
Out now. Live video from the hotel session arrives this Friday. ⭕️7

Devils In The Ground

Little Crimes

Recorded at home, performed by Isla Mae, produced by Isla Mae, mastered by Ryan Davies at RCD Audio.

This track is the title track of my third EP released on streaming platforms on 7th November 2025. It imagines what it might feel like to finally give yourself permission to fall in love with someone and begin to believe that it could actually work out. It explores the idea that those elements coming together at the same time could feel like a form of art.


Some form of art

how embarrassing 

mgmt: james@amourmusic.co.uk