I really like this piece. Great background violin. :)

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Golden Skies

A Quiet Arrival is an original cinematic orchestral composition built around emotional arcs rather than excess.

The music focuses on the balance between tension and release, allowing dynamics and orchestration to unfold naturally.
It moves gradually from restrained, intimate moments toward a fuller, layered orchestral expression — without losing its sense of calm and control.

This piece was written as a standalone instrumental score, inspired by film music and the expressive possibilities of a modern orchestral palette.

A Quiet Arrival

CREATION

This piece was written for a project for a new social media app that revolves around offering encouragement, upliftment and other various ways to communicate happiness. The cinematography and directing was of utmost perfection thanks to Cameron Gade and Jared Fadel. On top of that, what really brought the piece together was Zach's amazing guitar skills - Simple yet sonically beautiful. Enjoy and it's available on my band camp page for purchase!

For Zach Sundwall - https://soundcloud.com/zsundwall

04/28/2016

S O U L (feat. Zachary Sundwall)

© Jamie Stevens Composer - Earth & Beyond

License the track - www.jamiestevenscomposer.com/contact/

Earth & Beyond

Evolved 2016 - Video Game

"THEME FOR HUMANITY" - Inon Zur & Aeralie Brighton

Hello friends! 
Here is the other half to one of the compositions I did for "The Boatmaker" soundtrack! 
(IMDB link: http://www.imdb.com/title/tt6639300/)

Check at more of the soundtrack @derricomusic

Thanks for listening! Please share and like if you enjoyed it :) 
© 2017 Kristen Personius

Over The Stillness

Follow Ryan Taubert:

Instagram: www.instagram.com/ryantaubert/?hl=en
Twitter: twitter.com/taubertryan
Facebook: www.facebook.com/ryangtaubert
Spotify: open.spotify.com/artist/79jExF7jUg31BFtXAmru1k
Soundcloud: @ryantaubert
Website: www.ryantaubert.com

Legacy

Future With Delight

This piece is dedicated to all the most important people in our lives.

Written By: Luke W. Standridge

Our Story

Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.

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Scott Johnson

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