I really like this piece. Great background violin. :)

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Upon The Sky's Whales

Blue Sirens

somewhere near the end of “While They Were Sleeping,” something shifts. A final candle flickers. The pages begin to stir. And quietly, a sentence appears  one that was never meant to be written.

“And Then He Rewrote the Ending…” is the call. Not a scream, not a battle cry just truth whispered back into the dark. A musical prelude to what comes after. A response not with rage, but with resilience.

The melody doesn’t fight. It remembers. And slowly, something in the silence begins to bend.

What’s coming cannot be beaten. It’s too big, too old. But maybe it doesn’t have to be. Maybe survival is its own kind of ending. Or maybe… it’s the beginning of another story entirely.

And Then He Rewrote the Ending

CREATION

This piece was written for a project for a new social media app that revolves around offering encouragement, upliftment and other various ways to communicate happiness. The cinematography and directing was of utmost perfection thanks to Cameron Gade and Jared Fadel. On top of that, what really brought the piece together was Zach's amazing guitar skills - Simple yet sonically beautiful. Enjoy and it's available on my band camp page for purchase!

For Zach Sundwall - https://soundcloud.com/zsundwall

04/28/2016

S O U L (feat. Zachary Sundwall)

Audio Comic Universe consist of a group of Composers who came together to write Themes/Suites for A Superhero and Villain of their choice. Here is my Theme for " Hush " Enjoy!

The project will be released soon and all proceeds go to A Charity for Children. Please share. 

Thanks.

Character Suites Vol 1

Tommy Hush Elliot!

Purchase: tomasolivamusic.bandcamp.com/track/experiences
License: tomasolivamusic6.webnode.cz/license/

An emotional and fulfilling track giving hope for better things despite all obstacles and problems anyone can encounter on a journey to a dreamed life.

Track was composed in roughly three hours as a background for 48 hour film project movie.

© Tomas Oliva 2016

Buy on Bandcamp

Experiences

Evolved 2016 - Video Game

"THEME FOR HUMANITY" - Inon Zur & Aeralie Brighton

A U T U M N | L E A V E S - Extended

Across the Sea (Brooke Mitchell Rework)

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Scott Johnson is a composer for film, games, and other media. Also a writer and filmmaker, Scott began scoring his own films from a young age; with the idea of making movies naturally came the need for music. As time progressed, he further realized the power of the right score. Now a member of ASCAP, Scott professionally produces music for a variety of projects. His involvement ranges from student films to work from major film studios, such as Warner Bros. 

For Scott, film scoring is a process of energy and creativity. Adept at creating themes and symbols through music, Scott rewards listeners for repeated listening, especially in the case of a larger work such as an album. Scott enjoys film scoring because of this; there are a myriad of ideas in a film’s story to be represented musically. 

Every project has a unique sound. Scott not only writes music that complements the storytelling, but music that establishes the sonic landscape of a project (considering setting, characters, motivations, etc). In this case, an understanding of film is equally important to an understanding of music. While film scoring allows for a versatility of styles, a film requires music strictly linked to its DNA. For Scott, it's all about writing to this identity, exploring different harmonic languages, textures, and sounds to build an auditory story to accompany the visual one. The collaborative energy and effort involved in filmmaking has always been an inspiration for Scott. Like Christopher Nolan said to Hans Zimmer at the conception of “Interstellar”: It’s about knowing the heart of the movie. 

In addition to working with traditional, live players, Scott embraces technology in the music industry, and works at the forefront of its rapid development. With the art of sampled music and orchestral mockups, Scott focuses on achieving the greatest realism possible through the marriage of tools such as sample libraries and skills like orchestration and sound engineering. 

From the movies to personal life, music keeps everything connected. A film’s score integrates components such as character situation and landscape to reinforce a story. But outside of film, music connects people to their own stories, and to each other. Unique to the medium of music, something so personal to one person can instantly become personal to another the moment it is played. Mastering the psychology of music is a mastery of connection.

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Scott Johnson

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