I really love that! it has very strong vibrational healing properties, was that intentional? Nailed it! very good vibe!

Impresionante Atmosphere, Excellent sounds!!😊🔥🔥🔥🤘🏻

Downtown. Streetside bars. Instrumental. Kind of a latin/blues/jazz thing that morphed into hard rock, then synth pop.
Credits: Freesound for street/crowd samples. Gencraft image.

Streetside

An emotive, downtempo triphop soundtrack to chill out to 🤍
Sometimes the best things are worth waiting for...

Available for download at Bandcamp https://scratchkelly.bandcamp.com/track/divine-expectation

Where It's Always Afternoon

Divine Expectation

📀

Boss Fight

Collab with Roberto Klavi 😃
Music , Mix & Mastering:   Roberto Klavi
Lyrics & Singing:    Just 

Oryginal track:    Cybernetic Dreams -by Roberto Klavi  #SoundCloud
https://on.soundcloud.com/hDjWe.               

Enjoy listening 😃🎶🌺

In the shadow of the night

Burning for You / Paploviante 
Paploviante: E Bass, Composing, Arrangement, Mix and Mastering 
Female Vocals from BB Samples
Other Vocals Logic Pro X

Burning for You

Thunder Pants

Too bad I was your Rembrandt in waiting
Though you sensed you were Ms Convenience
So many days in a chamber debating
Instead of between sheets of Salinas

There you go again 
Mount Vesuvius – in your hands
Manufacturing pain
Emphatically – Thunder Pants
(your cross you bear is burning dangerously near)
(Here seeking comfort from anxiety wizened)

So soon the ejector seat after the thrill
Brings the acid to the back of your teeth
You can’t let it go like a Janice girl
So it’s almost time to lay a wreath

A rational man would cut you dead
But testosterone makes fools of the best

Sometimes it seems that you’re talking nice
But I know it’s the crack end of the bench
It’s a midday roast and my tongue is dry
Anticipating that rapier sledge

Thunder Pants

takechee

Low Battery

This tune was added to Free Download Album "Terminal"!!

<< Free Download >>
https://negativeheadphone.bandcamp.com/album/terminal




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Free Download

devotion

JTSunrise Rendition of St. James Infirmary

Slow Blues, 60bpm 4/4

[Refrain]

Dm                    A7              Dm
I went down to St. James Infirmary 
Bb7 A7 Bb7 A7 Dm
To see my Baby there
                        Dm                     A7                 Dm
They had Her stretched-out on a marble table 
Bb7    A7 Bb7 A7 Dm
Asleep, so cold, so fair

[Verse]

             Dm                      A7                Dm
Let her go, You let Her go, God you let Her
Bb7    A7 Bb7 A7 Dm 
Wherever You may be
                Dm                                  A7                 Dm
Couldn’t never look this whole-world wide-over
Bb7    A7 Bb7 A7 Dm
Find a girl half as sweet

[Verse]

            Dm                 A7                     Dm
Gonna bury Her in Her strait-laced boots 
             Dm             A7                 Dm
In Her  walk’n coat and Cloche’ hat
          Dm                    A7            Dm
Put a twenty-dollar bill in Her coin-purse 
        Bb7                    A7   Bb7 A7 Dm
So She’ll know She died standin' pat

An American folk song about going to St. James Infirmary to retrieve a deceased lover. The song evolved over time and potentially from British origins in the 1800s, roots can be traced to the early jazz and blues era in New Orleans. Lyrics and melody were adapted and rearranged by numerous artists over centuries and emerged from a blend of folk, blues, and jazz. It’s popularity grew through oral traditions, diverse interpretations, and legendary performances 

Marble tables were practical for hygiene in morgues due to their white, durable, and non-porous characteristics. The thermal mass of a thick marble stone slab table allowed for temperature retention—ideal for icing in warm climates or maintaining an ambient cool surface in morgues which were typically located in medical facility basements

During the late 1800s and early 1900s, fashionable women dressed in tailored jackets, walking coats, and tailored suits. Garments were designed to be fashionable and practical. Popular was the tailor-made suit, which consisted of a matching jacket and skirt. Suits could have varied styles, including fitted jackets with defined waists and skirts. A walking coat was characterized by its length and suitability for outdoor activities. Women's fashion during this period saw a shift towards more tailored and practical clothing

Unlike higher heels of previous decades, shoes in the 1920s often had lower, practical heels to reflect the era’s active style. Boots had lace-up designs, providing a snug fit around the ankle and calf. This style allowed women to participate in energetic social activities. A stif pointed-toe contributed to a sleek and modern look and had defensive advantages. Boots were made of leather or fabric. Suede and patent leather being also popular

A Cloche (“bell” in French) is a bell-shaped fitted hat that became fashionable in the 1920s, complementing shorter hairstyles of the time

"Standing pat", a poker term meaning to keep one's hand as dealt without drawing additional cards, suggests the idea of a person being content and staying true until the end

In 1927 Fess Williams and his Royal Flush Orchestra were first to record the song under: "Gambler's Blues", crediting Carl Moore and Phil Baxter’s “St. James' Infirmary”. The song became more popular after Armstrong's comedic 1928 recording which mocked more emotionally serious versions. By 1930 at least twenty different recordings had been released. The Duke Ellington Orchestra recorded the song multiple times under names like "The Ten Black Berries", "The Harlem Hot Chocolates", and "The Jungle Band”. In 1933, Cab Calloway's version was released in a classic Betty Boop cartoon and his instrumental version featured Calloway's related hit song - Minnie the Moocher. Irving Mills managed both Calloway and Ellington. Mills Music published both artists 

My version of lyrics. Info from the internet

JTS

St. James Infirmary

'among other influences'

Harmful & Mac - lyrics and music
Scotty - vocals

Are you paying attention? I guess you're not.
There’s too much information. Yeah, I hear that a lot...
And like a lot of fools you feel that you cannot improve without YouTube 
to help you through the bumps and bruises,
help you chew the lumps life chooses.
I don’t know if I wanna hold your hand.
If you follow me I’ll help you see that only I know how to breathe.
Come to stay and never leave.
See that violence leads to peace.
Instructions hid behind the crease.
Disruption to the sanity.

among other influences (with Harmful if Followed and Mac, 'Isaac and the Apple')

Soul Of Light * Instrumental

Scratch Kelly is an electronic music producer, songwriter and sound designer based on the remote West Coast of Tasmania.
A self proclaimed synth addict, she enjoys experimenting with distortion and harmonic frequencies to create her unique sound. She is currently exploring Triphop, Downtempo, Future Garage and Instrumental Hip Hop genres.

Divine Expectation

Scratch Kelly

Recent comments

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the stellar lifetimes

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