très belle atmosphère, la compo est excellente!

Love that kit. A very aquatic feel to this - it feels cold, like swimming beneath the ice in Antarctica. Lovely work with the layering of sounds. I genuinely am in awe of your production work 😍🔥👌

Wonderful drop of bass and widening of sound,floating in the cosmos ,Thanks SK

Daily Drops

Future Garage meets ambient in this deeply contemplative track. Somewhere in between the lines, there lies a space where light and darkness mix... where the waves of heavy droning synth bass wash upon the sparking shores of light hearted synth melodies. Where echoing vocals reverberate within an undefined space and time... Where we realise, that sometimes we feel more than we care to admit 🤍


Available for download here 💿https://scratchkelly.bandcamp.com/track/more-than-you-care-to-admit

To What Extent

More Than You Care To Admit

Download

'your addiction' 

Scratch Kelly: beats, production, photography
Scotty: lyrics, vocals, guitars 

I loom in the subconscious of your mind.
I won't reveal myself until it's time.
Assume you're well until I come to find
your weakness. Then your ass is fucking mine.
And once I get my filthy hands on you,
you'll have no idea of the things that you will do
to get me into your blood, and when I'm through,
you'll crave my love and I'll be stuck with you. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction. 

Consumed by the evils in your mind.
You're ruined by the fecal memories you find.
Your wounds that you can't forget or leave behind.
Resume with your need for my love until you die. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction.

your addiction (with Scratch Kelly)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Just another song from my "spanish heart".

New Flamenco Improvisation II (For two guitar)

Pierre Bordetti productions (c) 05/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Blue in your eyes

Let's go in blue paradise,
fullness in live,
we fly up to the sky,
with peace of mind,

Blue in your eyes,
always this light,
dreams of getaways,
until the dark night,

Blue in your eyes,
Blue in your eyes...

Blue in your eyes

Blue In Your Eyes

“Trapped Keys”  by Luke


Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Trapped Keys” by Luke

Cold Grey Confession

PHQR

Thank you to everyone who stopped by and listened to this track. 
Thank you for your time.People seek warmth and love in their homes.
Quiet, flowing spaces, glamorous family rooms, and all kinds of home shapes. Even if we are lonely at times, we all have our own important personal spaces.
Just because you are alone does not mean you are living in loneliness. Even the light of a single candle gives different warmth to different people.
How do we measure wealth? People who have no gaps in their hearts feel rich.

Silenced Home

Keyboard Mixdown - Picture ,Monica De Cardenas

Flat ball

Pure focusless ambient. The greatest challenge is to actually stop the production somewhere, these tracks can get unhealthy long. But I like it. You can compose these zoned out with eyes closed, completely immersed into it.

Lost In A minor

Well added some sweet and subtle synth work to 
https://soundcloud.com/remnant60/project-2-in-c-open

Dark Fontin - Variations on a Dream

Il pleure en silence aux rives endormies,
Un miroir brisé par l’oubli des vies.
Les roseaux chuchotent des contes anciens,
Que l’écho seul reprend dans le matin.
Sous la surface, des souvenirs s’enlacent,
Des rames fantômes glissent sans trace.
Le ciel ne s’y mire plus qu’à demi,
Fuyant l’azur terni d’un doux ennui.
Un trône d’eau sans royaume ni fête,
Où même le vent semble faire retraite.
Et l’onde, lassée de n’être qu’un décor,
Verse des perles que nul n’adore.

Les larmes du lac

Need U

weird idea 1

If you vibe with slow, celestial synths and nostalgic textures, this one’s for you.

It’s a vaporwave-inspired soundscape-dreamy, reflective, and built around a gentle mid-50's BPM pulse.

Think vaporwave meets cloud rap.


an E T E R N A L second with Y O U

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Official Soundcloud for Dark Electro Songwriter + Producer Scratch Kelly 🖤
West Coast, Tasmania 
Darkwave + Coldwave + Dark Ambient + Experimental

 ⚔️ Please note: I do not use any AI for my music creation and I do not consent to my work being used for generative AI purposes ⚔️
Please do not use or reproduce any work without permission. Thank you.

More Than You Care To Admit

Scratch Kelly

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