https://esselfortium.bandcamp.com/track/memory-entryrrrr

A remix of D_RUNNIN inspired by Everywhere At The End Of Time. Composed for myhouse.wad.

memory=entryrrrr/////

Pythius keeps his banger-streak up with Implant, a heavily acid influenced tune.

Get it here: https://bfan.link/implant


Artwork by Ossmoz

Pythius - Implant

This soundscape was created by Nadya Xyxu for Georgiy Rusyi's  photo exhibition 'Nieviadomaja Bielaruš', that took place at Tel Aviv at KakdelArt residence from 5th of may till 11th of may.

After a year of living in Israel, Georgiy visited his homeland to see it through the lens of new experiences and knowledge. Torn away from the familiar context and moved to a completely different world, he saw the some details and the whole picture in clear.

“Nieviadomaja Bielaruś” is translated from Belarusian as “Unknown Belarus”. In this project, Georgiy revisit his childhood memories and emotions about authentic, unique, unexplored and unsaid Belarus, a place that both scared and fascinated him, drew him in and pushed him away simultaneously. He wanted to understand better how this environment shaped his worldview and personality.


Sound mastering was made by _injectum [Andrey Markov]

Nieviadomaja Bielaruś - dark ambient soundscape

CS/DL : f-o-m.bandcamp.com/album/upstream-ensemble

@forms-of-minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens (@pablodiserens)

During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience.

Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Listeners encounter drifting habitats trickling with the songs of sea lions, dolphins, blue whales, humpback whales, Arctic terns, and algae photosynthesis – as well as with the invasive hums of submarines’ sonars, boats, and naval industries. With "upstream ensemble" some of the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones.

In resonance with Pauline Oliveros’ Deep Listening practice and inspired by Rachel Carson’s exploration of the intertidal zone in her book "The Edge of the Sea", this project contributes to an ever-expanding list of works that propose a focus on listening as a way of engaging and existing with the planet’s waters. By stimulating shared listening and attuning practices, Pablo Diserens aims to develop a sense of interconnectedness by blurring the boundaries between species as well as environments. Experiencing aqueous biomes both individually and collectively acts as a way of rethinking our relationships with the world. Despite these being mostly solitary experiences, Pablo believes that field recording and listening are communal and environmental practices that form gateways for earthly synchronicity and world mapping in time and space. Thus listening in turn can become a political act that sparks emotional bonds with the world and its biotic communities.

˜

concept: Pablo Diserens and Fiona Middleton (TBA21–Academy)

composition and mixing: Pablo Diserens

with sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Moritz Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian.

all profit of the release will be donated to the Blue Marine Foundation.

listening with good speakers or headphones is recommended as the piece features a large range of frequencies (notably blue whales' subsonic calls).

cassette mastering by Mathieu Bonnafous

graphic design by Cecilia Murgia

cassettes pictures by Camille Blake

duration: 30’29’’ — C60
piece repeats on both sides — limited edition of 100
published by forms of minutiae & TBA21–Academy — fom09 — 2023

special thanks to all the contributors, Fiona Middleton, Markus Reymann, Michal Kucerak, Petra Linhartova, TBA21, Madelyn Byrd, Diane Barbé, Lou Croff Blake, Thom Lucero, and Mélia Roger.

cassette & digital

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

Listen to my set recorded live on 4th August 2023 at A38 Ship in Budapest, Hungary at Friday pres. by Bladerunnaz. Hope you like it!

Live at Friday 2023-08-04

Pythius' second album is upon us, and it couldn't be done without another collab with label bosses Black Sun Empire. 
Stay tuned for the full album release announcement..

Get it here: https://bfan.link/doctrine

Pythius & Black Sun Empire - Doctrine

After the long waiting here we go !

if you want to support me get your tshirt with my art on it from www.shop.ivanshopov.com 

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Enjoy and spread the word :)


DOWNLOAD

Cooh - 300 (free download)

Завод Инкаб

Limited edition of 100. Hand numbered. Packaged in a black sleeve with a screen printed sheet affixed to the cover.

Three freely hanging black metal plates:

50x50x005cm, 75x75x005cm & 100x100x005cm 

Piezo sensor and contact speaker attached on rear side of plate, amplifying and mirroring its subtle and naturally occurring vibrations, evoking its characteristic resonant frequencies .

Jacob Kirkegaard © 2015 - 2019

Et sic in infinitum, Robert Fludd, 1617

Jacob Kirkegaard - Black Metal Square - LP Edition of 100 - Pre-Order Now

Four excerpts in one file of: 
Opus Morturarium, Opus Autopsia, Opus Crematio & Opus Putesco. 

Opus Mors is four listening spaces for one of the existential and natural aspects of being alive, which is death. The project portrays four sound environments that the human body commonly will be surrounded by or exposed to in the immediate post mortem: a morgue, an autopsy, a cremation and the decomposition - events that no one will ever get to sense on their own bodies because of the very fact of death.
The work is an immersive, intimate and powerfully detailed sonic meditation into these four significant death spaces.

OPUS MORS 
A sound work on four significant death-spaces

Four listening spaces for one of the existential and natural aspects of being alive, which is death. The project portrays four sound environments that the human body commonly will be surrounded by or exposed to after dying: a morgue, an autopsy, a cremation and the decomposition - events that no one will ever get to sense on their own bodies because of the very fact of death. OPUS MORS is an immersive, intimate and powerfully detailed sonic meditation into these four significant death spaces. 
Opus Morturarium
Two ambient recordings made inside two morgues listens within the deep tones from the facilities that keep the corpses cold

Opus Autopsia
Detailed near-field sound recordings of a full autopsy starting with opening the corpse, following the removal and slicing and cutting open all the organs and brain, to finally returning all the organs, closing and washing the corpse. This work reveals each unique sonic timbre of the human organs. 

Opus Crematio
Coffin being rolled into the oven, the oven's different burning stages, the removal and relocation of the ashes into the ash cooler and then to the bone crusher. Finally, the ashes being poured into the urn. Vibration sensors placed on the surfaces of the oven reveal the inside sound environment of the oven. 

Opus Putesco
Sound recordings made at a forensic study facility where donated corpses are placed in an enclosed nature area to decompose
while being studied. This work was made from near-field sound recordings of decomposing corpses recorded with
measurement microphones placed 1 cm above - as well as with vibration sensors inside the corpses. 

Exclusive deluxe release of 4 LP set in 180g black vinyl. Packaged in archival handmade box, bound in linen and embossed, including five unique prints on Tyvek paper. Signed and numbered limited edition of 250.

Graphic Production by Eks-Skolens Grafisk Design & Tryk
Mastered and cut by Mike Grinser at Manmade Mastering
Pressed at Pallas.

Recorded, designed, composed and mixed by Jacob Kirkegaard © 2019

Jacob Kirkegaard - OPUS MORS (TOPOS 04)

This thing gets into your brain and you can't pull it out.
Produced with hate to listeners in 2011 in Perm, Russia.

"If you high on meth, weed and booze somehow fall asleep this will be your nightmares soundtrack" - Alexander Zero

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