You are forever a best. Please never stop

Third Coast Percussion's second full-length album, "Unknown Symmetry," describes a very personal history of the Chicago-based ensemble from their founding in 2005 to today. The album includes the first recording of the percussion quartet arrangement of Arvo Pärt's iconic work, "Fratres;" beautiful, rarely-heard works by Peter Garland and Christopher Deane, and new music from Third Coast Percussion's own David Skidmore and former member of TCP, Owen Clayton Condon.

Skidmore's multi-movement work, "Common Patterns in Uncommon Time," was commissioned for the celebration of the 100th anniversary of Taliesin, Frank Lloyd Wright's home and architectural studio in rural Wisconsin.

Fratres - by Arvo Pärt

Un Nuevo Segundo De Amor

Buy Infinity Pools EP: http://smarturl.it/buyipools

Debuted on Stereogum here: http://bit.ly/1DAC8ZQ

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Buy EP

Mute Forest - Infinity Pools (from Infinity Pools EP)

// CHRISTINE OTT - SOLITUDE NOMADE
cd > http://www.christineott.fr/disques.html
dl > https://christineott.bandcamp.com/album/solitude-nomade
// SOLITUDE NOMADE (live / Théâtre de Neuilly) 2011
Solitude Nomade - Feat Marc Sens, Ophir Lévy, José Navas, Anil Eraslan
Autres featuring : Raphelson, Yann Tiersen, Olivier Maurel, Jean-Marc Butty, Eric Groleau et Denis Barthe
// vid : https://www.youtube.com/watch?v=y924FPqpKrk
other version : https://www.youtube.com/watch?v=_MW4uVhc11c

Solitude Nomade (Live - Carte Blanche)

Taken from the limited edition vinyl LP:  2.11.14
It documents two improvisations from Hauschka recorded in Japan last year. 


Hauschka - 02.11.14 - Part 1

His Way Became Lost

Hauschka Kosminen Zeigler live at Radialsystem on 13 September, 2015.

With the celebrated experimental pianist Hauschka, the Finnish percussion wizard Samuli Kosminen and the cellist Jeffrey Zeigler, former member of the legendary Kronos Quartet, UM:LAUT brought together three exceptional and internationally renowned musicians for the first time ever in Germany: Entirely based on free improvisation and the exploration of space with sound and rhythm...

Special thanks to the artists for a great performance, to Michael Buchholz for the amazing sound and to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Ioana Taut

Hauschka Kosminen Zeigler @ UM:LAUT - Live Snippet 2

recorded live at Roter Salon Berlin on FEB 6th 2017
taken from the album "Solo Collective Part One" , available on Vinyl and CD :
https://solocollective.bandcamp.com/album/solo-collective-part-one

Anne Müller with Alex Stolze - Solo? Repeat! (LIVE)

[p*dis] distribution sampler for February 2012.

Dictaphone - Poems from a Rooftop - The Conversation (sonic pieces)

Japanese vocal performer Hatis Noit will release her enigmatic EP Illogical Dance via Erased Tapes worldwide on 23rd  March 2018. The arresting 4-track record creates unique song-worlds with transcendent vocal interpretations that at once deconstruct and recombine Western Classical, Japanese folk and nature’s own ambience atmosphere. Illogical Dance also features Björk-collaborators Matmos, who were so impressed with Hatis Noit’s recordings, they volunteered to edit the lead track Illogical Lullaby. 

Hailing from the distant Shiretoko, a small town in Hokkaido, which is the largest island in north Japan, Hatis Noit’s accomplished range is astonishingly self-taught, inspired by everything she could find from Gagaku — Japanese classical music — and operatic styles, Bulgarian and Gregorian chanting, to avant-garde and pop vocalists. The sounds she created on Illogical Dance, co-produced by Haruhisa Tanaka and Matmos, bring to mind the experimental vocal patterns of Meredith Monk with the attentive production of Holly Herndon.

It was at the age of 16, during a trek in Nepal to the Buddha’s birthplace, when she realised singing was her calling. While staying at a women’s temple in Lumbini, one morning on a walk Hatis Noit heard someone singing. On further investigation it was a female monk singing Buddhist chants, alone. The sound moved her so intensely she was instantly aware of the visceral power of the human voice; a primal and instinctive instrument that connects us to the very essence of humanity, nature and our universe. 

The name Hatis Noit itself is taken from Japanese folklore, meaning the stem of the lotus flower. The lotus represents the living world, while its root the spirit world, therefore Hatis Noit is what connects the two. For Hatis Noit, music represents the same netherworld with its ability to move and transport us to the other side; the past, a memory, our subconscious. It is the same for Illogical Dance, a set of transformative songs that taps into our most primal instincts. 

“The human voice is our oldest, most primal yet most powerful instrument. I use it to describe nature’s many sounds, a language that isn’t logical. Yet it forms a beautiful conversation that isn’t restricted to words like the human language is. I want my music to remind us of that.” — Hatis Noit

Wanting to interpret and mimic the sounds Hatis Noit hears in nature, Illogical Dance is as unpredictable, beautiful and mysterious as the world around us. Each track is made up from multi layers of vocals, all improvised and without words, before being carefully pieced together. Astonishingly no samples are used throughout, even the sound of crushing leaves came from Hatis Noit’s own vocal chords. The result is a stunning array of sound sculptures that see her switching between multiple styles with great ease. From the sweet operatics on Illogical Lullaby, the manipulated vocal loops duplicating electronic production on Anagram c.i.y. to the primordial chanting call to arms of Angelus Novus, a 10-minute odyssey that features whispering and leaves crunching, it showcases Hatis Noit’s full range and introduces a truly original artist. 



After participating in a memorial and appreciation ceremony tailored to the withdrawal of the evacuation area in Fukushima on 31st March 2017, Hatis Noit collaborated with renowned visual artist Nobumichi Asai on a project titled INORI (prayer) which they premiered live as part of an Erased Tapes showcase at Mutek Japan in Tokyo. 

Having recently moved to London and performed a first string of UK shows, followed by a special live performance at the Milan Fashion Week and Mutek Japan appearance, Peter Broderick has invited Hatis Noit to support him at the Jazz Cafe on April 15th. She’s also been announced as part of this year’s Sea Change Festival line-up, and asked to participate in a workshop with the London Contemporary Orchestra.

Illogical Dance

Buy 12" / CD / DL

Hatis Noit - Illogical Lullaby

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Bulbus

'Seabuckthorn' is the solo work of Andy Cartwright.
Exploring various approaches on guitars, with fingerpicking, bowing and slides, often with layered accompaniments

His Way Became Lost

Seabuckthorn

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