在FINAL有你從來沒有聽過的音樂，也有你耳熟能詳的音樂，充滿實驗性但又不失趣味。 

At Final, there is the familiar and the unexpected; the entertaining and the experimental. 

這裡是每一個躁動不安靈魂的歸屬。 

At Final, there is a home for all the restless. 

在音樂上我們嘗試不同的可能性，試著打破類型限制與規則，很多時候我們會搞砸，但每當我們完美抓到平衡的時候，是世上最美的事情之一。 

At Final, we strive to create new possibilities. While we screw up sometimes, when we get it right, it's pure magic. 

它帶給了我們希望與絕望，賦予痛苦與喜樂，但能因此碰到很多志同道合的朋友，人生本不就如此？ 

This pursuit brings us a lot of hope, pain, and joy. But in this struggle, we are able to meet many like-minded friends and build a community. 

張合輯收錄了五位跟我們有著緊密關係的音樂人，代表FINAL的聲音，獻給台北。 

This compilation is dedicated to Taipei. Inside is the work of five artists who are very dear to us, and who represent the sound of Final. 

「這裡是我們的故鄉，活得沒法不自在，祖祖輩輩根就扎在這片土地上，用不著你遠道再來尋找」—高行健。 

"This is our hometown, it's impossible to live uncomfortably here. Our ancestors have been rooted in this land for generations, you don't need to come all the way to find home." - Gao Xingjian.

Mastering: Enyang Urbiks 
Cover: Tea Strazicic 
Rebels of the Neon God mixed by jondu

04 Meuko! Meuko! - Rebels Of The Neon God

‘Inflatable Gravestone’ is the debut album by Mun Sing released on https://soundcloud.com/planetmurecords on 2nd June 2023

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. His father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for his own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by him and his father. His father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Squabble

From the album "What Stays In Vegas" out 22 November.

A chance meeting in Bucharest two summers ago saw Ratty Slay Johnson and Soopie reunite. It has been a much discussed topic amongst art and music circles as to how and why Rat Section abruptly fell into obscurity in the late 90s and up to this point their sudden disappearance remains a mystery.

Their sparse back catalogue seems inaccessible now. A dedicated collecting community known as ‘Club Rodentia’ sought to preserve their tape and vinyl output, amassing releases from Ratty Slay Johnnie’s sophomore release ‘Tails from Estonia’ to Soopi and Slay John’s last known excursion ‘Tashkent Knights’.

An unfortunate occurrence led to the destruction of this archive in 2005. Member of Club Rodentia Carlos Moscato was quoted in an article of NME magazine saying “In the dark of night, a fire emerged, I was responsible at the time for the care of the archive, as standard Rodentia protocol we would move the collection every 3 months, for both preservation and for local access to Rat Sections catalogue. On the final night of my duty I heard footsteps, a crash, and before my eyes years of hard work erupted in flames. Since this incident I haven’t found even a crumb of Rat Sections body of work and people say we will never see them again." Carlos Moscato was correct, until now.

Rat Section have been active for the last two years with appearances in London, Berlin, Malmö, Melbourne, Paris and Los Angeles, it looks like we are finally going to hear Rat Section again. They have found a home for their debut album on Halcyon Veil.

Rat Section are back in the spotlight.

Follow Rat Section
@ratsection
https://www.instagram.com/rat.section/
https://ratsection.bandcamp.com/
https://ra.co/dj/ratsection

What Stays In Vegas

Bandcamp

Rat Section - Rat Lifestyle

https://wantonwitch.bandcamp.com/album/wayang-hidup

What does it take (to live)

Psykohm, Scorching Dose - Black Manner [Volkane Records]

INVIZITOR

Chillexing track to chill and relax to B-)

Sutdy & Realx (289)

Poise - The Remixes

Forever (Dirty K Remix)

@bugab
Graphic design by Andreu Serra
Video by GVN 908 : https://www.youtube.com/watch?v=xGuuHE56v_I

Buga - Visions Of One Truth

Taken from SBKT030: Slikback & Hyph11E - Slip B

Artwork by Sam Rolfes
Mastered by Raphael Valensi

Release date: 6th September 2019

For the first output from an ongoing exchange between East Africa and East Asia, via collectives Nyege Nyege/Hakuna Kulala (Kampala - Uganda) and SVBKVLT (Shanghai – China), we are excited to present ‘Slip A’ and ‘Slip B’, two Eps made during Slikback’s China tour/residency in April 2019.

After making first contact online in late 2018 and subsequently meeting up at CTM festival, Berlin, in January 2019, Nyege Nyege and SVBKVLT founded the beginning of a long term project exploring collaborations between East-Africa and East-Asia based artists.

For the first stage of the project, SVBKVLT invited Kenyan producer Slikback to China for a 3-week tour and residency in April 2019. During these 3 weeks, Slikback performed in 5 cities (Shenzhen, Shanghai, Hangzhou, Nanjing and Beijing), spending time in the studio with artists throughout the tour. The results of these studio sessions are now being presented in the form of two Eps, to be released simultaneously across the two labels Hakuna Kulala and SVBKVLT on September 6th, coinciding with Nyege Nyege Festival 2019, Jinja – Uganda, at which Slikback and 2 of the collaborators, Hyph11E and 33EMYBW, will perform.

‘Slip B’

The second EP, entitled ‘Slip B’, is a 5 track EP from Slikback and Hyph11E, consisting of 3 collaborative tracks as well as a remix exchange of the artists' previously released works. During his China tour, Slikback spent the majority of the time in Shanghai, spending 3 intense days in the studio with Hyph11E. As well as presenting these works at Nyege Nyege 2019, Slikback and Hyph11E will play an exclusive b2b set at Unsound Krakow in October 2019. ‘Slip B’ will be released via SVBKVLT on September 6th 2019.

______________________________________________________________________

More info on 'Slip A' and the first track 'Zeno' by Slikback and 33EMYBW here:

Hakunakulala – Album-preview-slip-a-slikback-33emybw-zeno

Slip B

Slikback & Hyph11E - SHIMIAN

Slikback & Hyph11E - USINGIZI

Sea Cucumber is a label founded in 2021 by @Tzusing 
Sea cucumbers are found on the sea floor worldwide.