Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Feature Our Music: E@ArtistIntelligence.Agency
> Licensing Inquiries: licensing@artistintelligence.agency

The Family:
@Hegemon
@WeArePantheon
@ThisIsEchelon
@EDM
@Hip-hop
@Future
@Chill
@DeepSounds
@XXX
@FirstEdition
@IvoryOasis
@Lavish
@Type91
@Dubstep
@TrapMusic
@HouseMusic
@eyesonyourecords

The Catalog:
@AIAPresents

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

Announced: "My Heart Is Compromised" EP Tracklist:
1. I Want You Back
2. Slumber
3. Torn Up
4. Heard You Say
5. Start New
THE BLACK AND THE WHITE are a hard-pop indie band from Los Angeles, CA.  Passionate about their song craft, they are driven by their bowie-prince-electric-raw sound. Having gone through so much, the band pushes forward with their new EP, and continues to enjoy tearing down stages at their live shows. They will see you at the next one...

new stuff for the horde! -
▷ https://linktr.ee/mau5trap

▶︎ deadmau5 & friends : https://spoti.fi/2SOUfWd
▶︎ mau5trap new releases here: https://spoti.fi/2p2FViV

about the label:
Over a decade since its formation, mau5trap -- the independent record label founded by groundbreaking electronic music producer deadmau5 -- has become a bastion for trailblazing and genre-defying artists. Casting a palpable influence over the genre, Mixmag readers voted mau5trap among the “Top 50 Labels of the Decade”, placing it in the Top 10; since then, the imprint has been supported by dance music magnates Billboard, DJ Mag, Forbes, Insomniac, and The EDM Network. More recently, mau5trap has maneuvered toward live events boasting curated stage takeovers at the world’s biggest electronic dance music events like Ultra Music Festival, Creamfields, EDC, and beyond.

The multi-genre platform has extensively served as an authoritative platform for dance music heavyweights such as Skrillex, REZZ, Feed Me, Zedd, Noisia, i_o, Dillon Francis, Chris Lake, and Madeon; a combination of dark, forceful techno and complex, electro sounds, the label acts as a hotbed for rising talent such as Lamorn, Volaris, LUPA, DJ Dee, and others alike. Welcome to the horde.

Following a period cultivating their fierce talent and sound on labels such as Citrus and Disturbed, Ukrainian duo
AGRESSOR BUNX struck deep into the psyche of the drum & bass scene with a series of powerful releases on
some of the most established labels of the genre, including BAD TASTE RECORDINGS, PROGRAM,
BLACKOUT and TRENDKILL. But it was their striking emergence onto premiere neurofunk label EATBRAIN with
‘The Order’ EP in 2016 that changed everything and gave Agressor Bunx a sonic family, with the brothers
refining their sound to tear a ragged furrow through the year with their rapid rise to the apex of the drum & bass
sphere.
With the duo featuring heavily on the drum & bass club circuit, they’ve seared their aesthetic deep into the hearts
and ears of ravers across Europe, quickly becoming embedded in the very core of the scene. With 2017 rolling,
the future is brighter for the pair than ever, bringing the release their collaboration with THE UPBEATS on
NOISIA's VISION label and the duo’s debut LP on Eatbrain in the form of the PROPERTIES OF ADDITION,
delivering an array of the kind of cutting-edge diverse and heavy-hitting forms of drum & bass that fans of both
Agressor Bunx and Eatbrain have come to expect. The brothers have staked out a fierce and advanced sound
field with their evolved and tech-driven funk, with their audio experimentation pulverizing speaker cones in ever
more unique ways.
Bookings: james@earth-agency.com

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Sean Malcolm is following