Download the album here > https://theancientyouth.bandcamp.com/album/the-future-of-classical-music-is-in-the-hands-of-the-uneducated

T H I S L O N E S O M E M A N

Inspired by 90’s IDM, early electro and everyday life.
melancholic emotika and rushed beats

https://open.spotify.com/album/2hj8midNw8lO8oNxRJ1bq0?si=3rZ7znoPRuq_LBwSb8bGGg
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https://fundamentalrecords.bandcamp.com/album/5th-anniversary-808-box
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 https://haarrecords.bandcamp.com/track/naqara-altered
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https://midievil-records.bandcamp.com/track/naqara-2018untitled004
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https://concretecollage.bandcamp.com/track/03-naqara-2017023edit1-fxbip-remix

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JAAnderson (aka Jeff Anderson) is a Seattle-based musician and sculptor, a contributor to the Wayward Music Series, Sonarchy Radio and a host of Northwest music collectives. Such instrumental projects include Seattle's oblique, Steve Reich-esque Plancklength and FHTAGN, and MONED. Other songwriting pop/rock entries on bass and guitar include Daguerreotypes, Moon Dial, Tea Cozies and more recently Garden Party and Loose Feels. 

Saɪˈdɪəriəl_Plains (sidereal plains) was released on UK label state51conspiracy in 2016 and features contributions from Blake DeGraw (Plancklength, FHTAGN), Patrick Neill Gundran (Uneasy Chairs), Ryan Soper (Fox/Soper Duo) and Jacob Powers.

A new project for exploring new worlds in ambient sounds... beginning within the subconscious memory of the red earth... 

before the river runs thru the church of the holy forest...

and find the electronic voyage within...

All sounds & samples by:
https://soundcloud.com/keithregenerate

Demand music with heart, creativity and sincerity!

electronic/experimental/acoustic music from the mind of a man stuck in the fields of central pennsylvania.

contact at fields.of.spring.pa@gmail.com

*S O U N D S C A P I N G*
Contact: Shimmeringmoodsrecords@gmail.com

Other projects:
Slow Tone Collages 
https://soundcloud.com/analogue-chat

*Monthly Radioshow @ Resonance Extra: First Wednesday at 8pm / 21:00-23:00 CET www.extra.resonance.fm

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com

T H I S L O N E S O M E M A N

Sean Revell