Filip from Sweden takes us on a gentle pop ride!

Pearly B #3: Filip Esaiasson - It's Spelled POP

Recorded live at Radio Oedipus on 22 April 2022

Steele Bonus & Calypso Steve at Radio Oedipus - 21 April 2022

Episode 50, what a ride so far! Very special thanks to all the guests who have provided mixes for the show, what an unbelievable education in music. Today we have a very special mix from Sachin Mohindra aka Short Bloom, a good friend and key part of the SC team. He’s also an incredible producer - check out his People Patterns cassette. For this episode he’s put together a mix of influences ranging from fragile IDM and dubby new wave to Australian electronic pop and contemporary composition. Like everything with Sachin it is packaged and delivered flawlessly.

Vangelis - La Mer Recommencée
Massive Attack - Hymn Of The Big Wheel (Nellee Hooper Mix)
Cass. & Niklas Wandt - Verpuppung
Pink Industry - What I Wouldn't Give
Masayoshi Fujita - Pons
Arovane - thaem nue
Mica Levi - Blue Shit
Susumu Yokota - Song Of The Sleeping Forest
Scribble - River
THE BEATNIKS - Unending Heaven (Full Of Loneliness)
DJ Yogurt & Moja - いややこやや feat.下津光史 (Dub)
Jonn Serrie - The Far River
Tornado Wallace - Today (I:Cube Aujourd'Hui Beats)

Séance Centre Radio Episode 50 NTS w/ Short Bloom NO BANTER

@curiousaboutmusic

Curious Music crosses boarders with this Coastal Guide through unpredictable landscapes. 

I had the pleasure of meeting the Pembrokeshire native at this year's @westivalrecords and am fortunate to present his guide through uneven paths of Synth, AOR, Folk & More!

Coastal Cruising - Curious Music (#10)

​​Invisible City presents a mix by Cam Hildebrandt, DJ from Toronto trying to create sets that are eclectic and cohesive at the same time.

🌐 "Outsiders" is our daily show hosted by global record labels, record stores & more
📡 Connect with the Outsiders, every day, at 9am and 9pm CET
🔗 kioskradio.com


Outsiders: Invisible City w/ Cam H @ Kiosk Radio 15.08.2022

Новий епізод щомісячного подкасту Hunt The Unknown, який знайомить слухачів з різними представниками сучасної діггерської спільноти. Цього разу мікс підготував Basso – один із знакових діггерів Європи, який ще у 90-х присвятив своє життя колекціонуванню еклектичної музики, а зараз стоїть за лейблом Growing Bin та одноіменним магазином платівок. 
____

A new episode of the monthly Hunt The Unknown podcast, which introduces listeners to various members of the digging community. This time the mix was prepared by Basso – one of Europe's iconic diggers who dedicated his life to collecting eclectic music back in the 90s, who started the Growing Bin label and the record store of the same name.
____

Cлідкуйте за гостем:

www.soundcloud.com/growingbinrecords
www.instagram.com/basso_in_the_bin

Cлідкуйте за куратором шоу та його Youtube-каналом:

www.soundcloud.com/ruslancher
www.instagram.com/hunt.the.unknown
www.youtube.com/channel/UC48i3V-nIyvjEVNK0SBf8Ow

Підписуйтесь на Gasoline Radio:

www.gasolineradio.com
www.instagram.com/gasoline.radio
t.me/gasolineradio

HUNT THE UNKNOWN W/ BASSO 18/09/2022

The 43rd mix comes from Vio DJ (@vio-deejay)and is a rather melancholic one, perfect for the current short autumn days. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Curtis, welcome aboard. What have you been up to lately?

VD: Thanks guys, happy to be a part of the series. I’ve been living in Berlin for ten years now and collecting records for about fifteen. I feel like my interests are constantly changing, but I always come back to records. Lately I’ve been reading a lot and spending more time in museums. I’m growing to appreciate the common thread between things and the way my interests intersect.

MFM: How are you connected to the Berlin music scene? 

VD: I used to throw parties in a space that’s future is now sort of uncertain. I would say I met most of my music friends there. I’ve also worked in music most of my life and am currently taking of the shop at ‘Record Culture Magazine’.

MFM: Do you think Berlin is still an interesting and healthy place for music and culture in general?

VD: Good question. I recently read that Berlin has experienced the sharpest increase in rent over the last five years (42% between 2016 and 2021) of all major European cities. This has lead to a sort of cultural homogeny that has largely erased the city’s distinctive character. That said, we still have an amazing sense of community here, where everyone involved in music supports each other; attending each other’s parties, buying each other’s records and generally just hanging out.

MFM: Word on the street is that you're a great digger. What does that mean to you? 

VD: Haha, my reputation precedes me, thanks! I think since letting go a little I’ve realised that the medium is far less important than the way in which it’s presented. Outside of my interest in collecting second hand records, there is a whole world of other types of music that I love. The stuff I listen to at home or on the bus is often completely different to the stuff I play out. I think blurring those lines can reveal a certain truth in what you do, it’s a purer form of expression.

MFM: What does collecting records mean to you these days?

VD: I have to say, almost none of the records I buy can be played (easily) in a club. For a long time, I was buying music almost exclusively for mixes, which is a habit I’m happy to have broken. Now I will only buy things that can’t be heard beyond the format, as well as the occasional LP for home listening.

MFM: Rumour has it that you've got a knack for organising your records :) What is that all about?

VD: Haha, yeah. So last year, during a year-long sabbatical courtesy of the German state, I decided to start a small web store. I wanted the records I was selling to be presentable for home visits and got tired of never being able to find where anything was. I built a shelving unit that could hold the weight, cut dividers and labelled them and found 12-inch-wide crates to sort the records. Everything is now upright and browsable by genre. 

MFM: How do you find new records? Do you have your secret or not so secret methods?

VD: Nowadays I just go to the shop and listen to things that catch my eye. I used to obsess over how ‘known’ stuff was but now I’m mostly not bothered. I see records as a curiosity; those with an interesting back story or aesthetic quirk are always the nicest to own. This is usually what I look for when I’m in the store. The rest always works itself out.

MFM: So, please tell us about your mix! Is there a story behind it? 

VD: It’s for anyone who struggles with the shorter days. Autumn in the Northern Hemisphere always has me feeling pretty melancholic, and I wanted the mix to reflect that. It’s something that you might listen to as it gets dark at 4pm.

MFM Mix 043: Vio DJ

Delighted to host Brandon Hocura Influence mix on Oddity Radio for @seance-centre.

Brandon Hocura : Thinking back to my formative musical experiences brought back places, moods, and memories, mostly from my late teens and early twenties. For the mix, I wanted to connect those salad days with my long-term interests; basically I chose some foundational favorites and filled the spaces between them with sonic portals, linking then and now in my mind.

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Brandon Hocura - Oddity Influence Mix

Kayne the Hermit LIVE DJ cut - Dancing for Mental Health @ Sameheads 27.01.23

Hold on to your hats, this kid knows a thing or two about those outlying records we all wish we owned. This sparkles and hums at every turn... A real funked out cosmic jaaaam recorded live from the Sameheads basement a few weeks ago at our semi-reg event "Dancing for Mental Health, curated by Tom Bolas.

https://soundcloud.com/kaynethehermit
www.sameheads.com

Cheers xxxx

Kayne the Hermit LIVE DJ cut - Dancing for Mental Health @ Sameheads 27.01.23

@earlgreyradio

E2E: Did your move to Melbourne influence the mix? 

A little bit, yes. I have been feeling particularly nostalgic lately and that probably came through in the selections. Last week, I drove from Glebe to Brunswick in a 12 seater bus with my cat Romeo. We listened to this mix together to see how it sounded on the road. Unfortunately, Romeo did not like it and he did not like much that day. 

E2E: Were there any environments or contexts that you had in mind when putting this mix together? 

As the title of your mix series suggests, music can be a wonderful accompaniment to activities. When I have watched a film that has really affected me I’ll often listen to the soundtrack for weeks after and sometimes make my own imaginary soundtrack of songs that fit with the world of the film. While I was reading Cormac McCarthy’s ‘Border Trilogy’, I wanted to find ways to stay in the novel when I wasn’t reading it. The novels are set at the southwest border of the United States and the characters spend a majority of the novels riding on horseback, often alone and usually on a quest to avenge a loss. I found myself preoccupied imagining the sort of music the characters and their horses could be listening to, riding under lonesome skies, contemplating their place in the world. 

I don’t expect that much of your audience owns or has access to a horse. Still, I hope some of them can enjoy these songs on journeys of their own. 

E2E: Any news or projects coming up with Best Effort, Ken Oath Records or Rimbombo?

Nothing is planned on the release front and my bank account implies that maybe it’s time for a bit of a break. Best Effort Dance Parties will continue every few months at Freda’s and I’m looking forward to some summer parties in Sydney with my Rimbombo buds Adi and James at the end of the year.

music for... horse and rider - DJ Earl Grey

Celebrating Chill Pill II w/ a Radio 80000 takeover. Starting at noon going all the way until 9pm. Only the best music with contributions from Nice Girl, Bell Towers, Laura Groves, Andras, DJ Chrysalis, Eden Burns, DJ City & Secret Circuit.

PP Chill Pill II 80000 Takeover (ANDRAS)

Séance Centre is a label, publisher, and distributor conjuring timeless music from the past, present and future.

For NA distribution contact: info@seance-centre.com
For EU distribution contact: info@rushhour.nl

Séance Centre Radio Episode 50 NTS w/ Short Bloom NO BANTER

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