Moog Grandmother

MOOG GRANDMOTHER

Deepz

Synthanysize

Sonic experiments using Valhalla Delay: https://valhalladsp.com/shop/delay/valhalladelay/

ValhallaDelay

Moog

Roland TR-06 processed through modular for drums (Random Source Wave Multiplier/Intellijel Morgasmatron/Make Noise Maths for filtering of main TR-06 output, Intellijel Atlantis triggered for bass drum). 

Moog Grandmother for all pitched notes. 

ValhallaDelay used for looping, reverb, echo, pitch shifted reverbs, lofi tape grain.

Inspired by some recent fever dreams. I had a BAD cold.

Delirium Loop

Lewis M - When She's Around

eMeL - Colonnes

• Erikoisdance 31
Release: Rope Commercial Vol. 3
Artist: Three Legged Race
Running time: 22 minutes
Format: CDr (+ A3 xerox inlay)
Out: November 28, 2015

Part 3 of TLR's Rope Commercial saga. A CD-R Day 2015 special featuring 22 minutes of audio and exclusive euro-weirdo DIN A3 xerox artwork by Robert Beatty.
Music answering to no logic but that of it's own incandescent genius. 
A record so good, anything you hear on the radio afterwards will sound like a weird absurdist joke. 

For sale for **ONE** day only, November 28, 2015.
Place your order at http://mustakirahvi.net/erikoisdance
3 euros + P&H.

http://www.robertbeattyart.com
____
Further clicking: 
     http://www.cdrday.com/
     http://www.thewire.co.uk/news/38539/cdr-record-store-day
     #CDRDay

CD-R Day 2015 preview clips: Three Legged Race "Rope Commercial Vol. 3" (Erikoisdance 31)

meditation 003

A quick test of the new Moog Grandmother synth. Random arpeggios, through the built in spring reverb. Delay from an early prototype of ValhallaDelay.

MoogGrandmotherAtTheScienceFair

Moog Grandmother, through ValhallaÜberMod (for reverse reverb) and some other Valhalla stuff for the warble.

GrandmaSawDrones

7 tracks of Moog Grandmother:

- Sequence
- Drone
- Drone
- Upper Bass
- Deep Bass
- Upper Lead
- Lower Lead

I used ValhallaShimmer and a tape echo plugin (in progress) for the effects.

ThemeFromGrandmother

PLAYING MOOG GRANDMOTHER FOR THE FIRST TIME
ALL BUILT IN EFFECTS
06.05.2018

GRANDMOTHER DRONE #1 06.05.2018

A Moog Grandmother sequence, played twice, and started on different beats and different keys. Drone notes from Grandmother as well. Dotted eighth note delays from ValhallaDelay.

GrandmotherInterlockingSequence

A sound journey session with the Moog Grandmother and Roland RE-301. Wow. Nice ambience. I added some backing drone stuff from the Yamaha Montage and Native Instruments Kinetic Metal

Grandma Roland

Moog Grandmother, through two series instances of ValhallaDelay. The first instance is creating an 8 bar delay loop, while the second instance is a 4 bar reverse delay that is shifted up by a 5th.

AsymptoticLooping

A simple Zither ostinato with wave-shaper distortion processed with four instances of ValhallaDelay (parallel).

Zither Meets ValhallaDelay

Example of the upcoming ValhallaDelay as the only processing used on this track. All reverb, delay and pitch-shifting is from ValhallaDelay; all effects kick in after two bars of the music completely dry.

Horrorshow

Definition Synematique -
Mario Hammer And The Lonely Robot create another stunning cinematic soundscape, rich in both emotional and musical intelligence.

free downloadable album bonus track:
18.	Herr Schneider feat. Wisdom Water	

from the forthcoming "Definition Synematique" album

enjoy Cocoon Recordings

Définition Synematique

MARIO HAMMER AND THE LONELY ROBOT - HERR SCHNEIDER FEAT. WISDOM WATER - CORDIG036 BONUS TRACK

Moog Grandmother, Ibanez AD-150 BBD, and ValhallaDelay. 606 bassdrum and sidechain via Ableton Live.

ElSonidoNuevo

Moog Grandmother, using output of reverb to linearly FM VCO2. Lots of ValhallaDelay being used as well.

HangingWithGrandmother

Live improvisation on Moog Grandmother, through 3 instances of ValhallaDelay (1 for looping, 1 for reverb, 1 for octave up reverb).

A Summer Cold

This is the first of a series of pieces I am creating that are centered around a Rhodes piano. This will be for my first solo album entitled Colorful Language.

The point of view for this Rhodes sound came from sticking my iphone on top of the piano when I was improvising on a friend's Rhodes in N.C. The phone picked up mostly the sound of the hammers hitting the tines. I liked that sound so much that, when I started recording this piece, I miked the Rhodes with the lid off and the speaker volume just barely on. The speaker's role is almost just to add its inherent hiss haha. I bought this Rhodes earlier this year and it needed a bit of repair and tuning. The tuning isn't perfect, but I kinda dig that. I spent a good bit of time poking around inside the piano, learning how it worked, and living with its mechanisms for a good while while fixing little issues. This may have been the influence to give this piece a "construct/destruct," "build and rebuild" kind of feeling. I often create from a very mental image point of view and that's what was lingering in my mind during production. Well, there's all that if anyone cares to know. This piece is nearly done (!). I just need to remove a couple of edit clicks, sit on it for a bit, and see if I need to add or take away any stuff :-) It has not yet been properly mastered. Video coming SOON!
 
I am also working on some big, bombastic horn/string pieces with huge beats that I'm excited to share soon. Thank you for listening. 

Envelopes Copyright McKay Garner 2012

AsymptoticLooping

seancostello