Quite  A Stone

Produced by Reed Recording Company

Words by Ray Torres and Chris Howard

Artists:
Ray Torres: Guitar, Vocals
Shar Molina: Vocals
Chris Howard: Drums, vocals
Jake Voizen: Guitar
Monte Carl: percussion, vocals 
Natalie Daniels: Keyboards
Christina Elizabeth: Violin
Sean Drysdale: Bass, vocals

Quite a Stone (click mix)

Bassist, Singer, Songwriter and collaborator.

Shadow account for demos for other artists. See you in the wash.

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

https://johnpalmer1.bandcamp.com/track/i-could-be-anyone
https://music.apple.com/us/artist/john-palmer/81680846
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE?si=plG2rBUGS5W-6cmXR3FErw

I have been experimenting with sounds since I was really young , when I was about 6 or 7 years old, after lots of pleading, from me, I managed to get my hands on a very old reel to reel tape machine, that everyone thought I was too young to have, and I discovered and loved recording. 
I played guitar and wrote songs in a indie punky band ,toured, made albums and worked in Studios. Now I work from my home studio in SW Germany,  using synths, groove boxes, guitars and vocals to produce electronic music. I also produce images through photography and  make ceramic sculpture.

https://open.spotify.com/album/2yGCqhznpvLLuGPDKD66in…
https://itunes.apple.com/…/faint-glow-in-the-sky/1458147207…

In more and less distant pasts, I played in several hard-rock bands as a rhythm guitarist. 
I really enjoyed it. 
Currently, I have to admit that my motivation for this activity has disappeared. I have much more fun composing and recording in my little home studio.
I’m also keen to collaborate with other artists, people who want to offer their services, or people who would like to benefit from my skills.  
Do not hesitate to get in touch.  
Some examples of my musical aesthetics: Accept, Black Swan, Scorpions, Shakra, Saxon, Bloodbound, Dokken, Battle Beast, Y&T...  
I mean: rock/hard-rock on a square base.
If you've enjoyed some songs, feel free to spread the word.
I thank you so much and I wish you a lot of fun.

Spent 10 years on thevroad in different bands as primary kbd player.  I miss those days.,  then decided to get a real job as as ac a software  engineer for a major health care system.

NO MESSAGES ABOUT PROMOTIONS PLEASE!!!

Independent artist, writer, producer


I started playing gigs in 1968,  I believe I was in the eight grade. It was only junior high school dances but at the time, it was electrifying. In 1964, I remember watching "The Ed Sullivan Show" and seeing the Beatles perform live and they pretty much jump started my interest in music, Long hair, guitars and Beatle boots, very cool, still cool. I have always enjoyed good harmony parts and George's slide work has always inspired me. Over the years like so many others, I’ve played concerts, night clubs, special events, coffee houses, bars and such. Also toured the U.S. in 76. Now it's all about writing, recording, having some fun and being a part of the Sound Cloud community. Yeah man! 
Debut Album called “ Seafoam” released 2018 at Bandcamp, iTunes, Amazon and CD Baby.


Some of my fav producers would be Gary Katz, Jeff Lynne, Sir George Martin, Eddie Kramer and Mark Hudson. As far as guitar players, great hooks from Keith Richards, best tone Eric Clapton, best feel SRV! Best slide guitar George Harrison, Sonny Landreth, Derek Trucks and Ry Cooder. Most creative exploration Eric Johnson. The most original and always inspiring the GOAT Mr. Jeff Beck, he is amazing. Walter Becker had the cool factor and the Mu chords as well as wrote such interesting lyrics.

Early Influences__________________
Beatles, Cream, Jeff Beck, Jimmi Hendrix, Steve Windwood, Roy Orbison,Tom Petty Todd Rundgren, The Yardbirds, Lacerne Dixon, John Mayall & the Bluesbreakers, Spencer Davis Group, The Who, Rolling Stones, SRV, Wings, Sparks, T-Rex, The Doors, Led Zeppelin, ELO, Steely Dan, Boyce & Hart, The Who, Rory Gallagher, Taste, Grinn, The Nazz CSN&Y. Many more to add here.

Gear___________________________________
Logic pro 10, Native instruments software, focusrite scarlett 2i4,  Yamaha HS8" studio monitors and Krk Rokit 5 , Blue Mic, Blue Baby Bottle, Neumann TML 102, MXL mic, Sure 57, Assorted guitars mainly Fender Stratocasters, telecaster, Gibson SG Jr., Parker PM20G, Rickenbacker, Godin Session custom, Violin bass, Fender Precision fretless bass, Native instruments Komplete Kontrol S-61 Keys. Glass Slide, Neural DSP: Tone King Imperial MKII,  Mesa Boogie, Soldano, Positive Grid: BiasAmp 2, AmpliTude5: Fender, iZotope Ozone 11, plectrums Galore and a black cup of coffee.

Please stop back by I'll be adding more tunes, I greatly appreciate all the comments, support and reposts. 

 Thanks again all. Peace Greg

Also please check out some of my fav talent below!

https://soundcloud.com/ruby-larue
https://soundcloud.com/jeff_roberts
https://soundcloud.com/mike_kavanaugh
https://soundcloud.com/user-425535373
https://soundcloud.com/ghostlybeard
https://soundcloud.com/tom-roxx
https://soundcloud.com/bobbinkley
http://soundcloud.com/the-musical-crucible
https://soundcloud.com/derek-cornett
https://soundcloud.com/orbiting-freakshow-orch
https://soundcloud.com/richard-orange-7946449
https://soundcloud.com/danarchx
https://soundcloud.com/lee-lucas
http://soundcloud.com/marycigarettes
https://soundcloud.com/esemanolain-ruizzo
https://soundcloud.com/the-fisherman
http://soundcloud.com/jungle-dog
http://soundcloud.com/sun-tower
https://soundcloud.com/finn-slide-guitarist
https://soundcloud.com/william-j-lepetomane
https://soundcloud.com/gus-goad
http://soundcloud.com/klutzee
https://soundcloud.com/sagoba
https://soundcloud.com/markjbennett
http://soundcloud.com/dave-mckeown

„a style of Doom blending from destructive energy to a own creative dominance“

Epic Down is a duo from Leipzig, Germany dedicated to the sluggish grooves and lumbering riffs of sludge & doom, started in 2021 by Mitzschi (guitar(s)/bass) and Fabian (drums/vocals).
Influenced by primal doom, drone and stoner, the sound of Epic Down is mainly characterized by solid downtempo grooves and rolling walls of guitars, complemented by slightly melancholic vocals.

With the release of their first EP "Equinox Pt1" and it’s sequel "Equinox Pt2" in 2023, the band stepped into the light of publicity.
After signing to Argonauta Records the band was able to celebrate the release of „days of oblivion“ as their debut album in fall 2024.

Follow us & stay tuned:

main page
https://soundcloud.com/john-palmer
A page where I can share some of the great music here on soundcloud 
https://www.youtube.com/user/externalcontrol
https://www.youtube.com/user/worldinsideaworld
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE

DJ Se77esfaction é o nome artístico de Rodrigo, um apaixonado pela música que iniciou sua jornada no universo musical no começo dos anos 2000, com uma banda de rock. Em 2010, a sua trajetória se transformou com a transição para a música eletrônica, e desde então ele se dedica com paixão à arte de ser Dee Jay.

Com formação em música eletrônica e em diversas áreas da comunicação, Rodrigo possui um estilo único e enérgico, capaz de conectar o público e criar experiências memoráveis.

DJ para festas, eventos e baladas – com presença em Sorocaba e toda a região. Se você busca uma experiência musical que vai além, com a energia certa para qualquer evento, DJ Se77esfaction é a escolha ideal.

DJ for parties, events, and clubs. Bringing energy to Sorocaba and surrounding areas. Let the music take over.

DJ para fiestas, eventos y discotecas. Conectando con la energía de Sorocaba y la región. ¡Deja que la música te haga feliz!

#soundcloud #instagram #youtube

We are a quality rockband from Sweden. Al productions are selfwritten and produced. Hope you enjoy!!

Quite a Stone (click mix)

ON PURPOSE