There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Tronic, Ovum Recordings, Minus12, Smiley Fingers



Michael is a creative and ambitious music producer and sound designer from Scotland. He has travelled across the globe for many years, working in the music industry in the likes of Los Angeles, London and Berlin.
 
Michael has developed his sound and technique by taking huge influences from his ever changing surroundings. This has helped him mould together a distinctive sound. Whether it is his funky minimal extracts or the rolling late hour tech house, Michael embodies a sound that helps to intertwine with your body and mind, creating a true listening experience.
 
This talent has seen him release a number of hits on Slovakian minimal label Leporelo. With each track possessing bouncy catchy bass lines, slamming drums and a wide array of glitched out percussion and effects. These delightful little morsels soon tickled the taste buds of M-nus artist Ambivalent, which soon saw the him  chart  “Greasy Love” in his October Glass Half Full Chart.
 
And it wasn't too long till Michael attracted other top DJ’s. The likes of Richie Hawtin and Dubfire started to play a selection of Michael tracks across 2011 and 2012. This lead onto Richie using Michael’s track “Wa” his essential mix on Pete Tong Radio 1 show.

Michael's music is getting getting support from people such as Richie Hawtin, Huxley, Josh Wink, Adam Beyer, Gregor Tresher, Kenny Larkin, Dan Curtin, Anja Schneider, Nicole Moudaber, Yousef and many more. 

Send Promos to: promos@michaellpenman.com

Bookings: info@mind-flux.com

contact: mail@biasbeachrecords.com
Bookings:
tobias.klose@goodliveartists.com (GSA)
simon@primarytalent.com (Europe & ROW)

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HAPPY MUSIC is the 1# Independant DANCE / ELECTRO / DEEP / HOUSE French Label !
http://www.happymusic.fr
happymusicnat@aol.com A&R
promo@happymusic.fr

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Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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