Longing

This is my interpretation of a classical piece that I really like. It is not my own composition, but you can enjoy the dark and mysterious sound of Scriabin. I love how he puts so many things in so small space.

Alexander Scriabin - Prelude Op.11 Nr.10

As it grows increasingly apparent that humanity lacks the wherewithal to unify over the existential threat of climate change, my response has been to write music intended to evoke, in the hearts and minds of those who hear it, a comprehension that it is humanity's obligation to act as caretakers, rather than destroyers, of the life that surrounds us. This album includes three orchestral works from my Music for the Earth series.

GAIA’S LAMENT. In the background, music for violin and orchestra was playing for quite a while, but I didn’t quite muster the courage to embark on writing it down until recently. At the time I began to think seriously about writing a concerto for violin, the United Nations was in session and what, if anything, would come out of the climate change discussions was the hot topic of the day. The young activist Greta Thunberg had sailed to the U.S. on a solar powered sailing vessel and having been invited to speak before the assembled members, gave all of the adults in the room the thrashing they well deserved. With all of this going on, somehow a scene from the 1960 film of H.G. Wells “The Time Machine” kept coming to mind – a brief scene where he travels to the far, far distant future to arrive to find a dying earth, a huge red sun suspended on the horizon, and a desolate landscape nearly devoid of life.

It was with this somber vision that I set about writing music, filled with sorrow at what our species is doing to our only home, with little hope that we have the awareness, rationality or willingness to act as we must.

GAIA’S SONG.  A companion work to Gaia’s Lament, this bucolic music was nearing completion when the Intergovernmental Panel on Climate Change published its Sixth Assessment Report, Climate Change 2021. While reading the findings of the report was, unsurprisingly, deeply distressing, my vision for the earth which helped inform the writing of the music is the opposite. A vision for humanity that is built on hope rather than the reality of human nature, one where humans come to recognize our responsibilities as caretakers rather than destroyers of the earth and the living creatures with whom we share the planet. This is gentle music, intended to inspire a gentler approach to living.

Whatever anger or despair I feel at the realization that our species will prove, in all likelihood, incapable of taking the necessary actions to stave off environmental catastrophe in the coming decades, I laid those feelings aside when writing this song. Let Gaia sing, not a song of lament, but a song of peace and hope.

SEASON OF RAIN. A symphony in four movements, composed during a mostly rainy season. The music is also a rather somber reflection on the state of the world, as it becomes devastatingly apparent that climate change is a certainty and, at the same time, the rise of populist politics around the world makes it equally certain that humanity will not respond to the alarms.


Gaia's Lament (Andante)

“Symphony for Chamber Orchestra - 2nd Movt: Largo” was completed in January 2025 in Fairview, TX. Performance time is about 3.5 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. Mastering was done by EMastered. For the best listening experience, high quality headphones are recommended. 

Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2025

Symphony for Chamber Orchestra - 2nd Movt: Largo

A light frivolous piece. Now it's finished (15-2). Let me know what you think of it....and/or your connection with this is....

Lightness of Being

Inspired by the short poem "Dust of Snow" by the American poet Robert Frost.

Dust of Snow

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.


A Dust of Snow

IMAGES is a numbered series of original piano pieces inspired by the music impressionists of the late 19th and early 20th centuries... Ravel, Debussy and Faure. I love the impressionist painters. As a composer, I hear colors, the painter sees. And, I hear movement, shape and expression with sounds of melody, rhythm and emotion.

I hope you enjoy this collection. I would love your thoughts about how the music makes you feel, the story you imagine and the images you see when you listen. :)

Music Dreams Productions
Jennifer L. Jones
Music Dreams
Composer | Pianist | Producer
May 2025

Images for Piano No.3

Images for Piano No3

Sail On

Mendelssohn Op. 53. N0 1 (performer Ad van Nederpelt)

filmmusic based on a song of Irma Thomas. Sound in Motown style.
Phil Spector….?

Filmmuziek 4 (arrangement song from Irma Thomas< Ad van Nederpelt)

Spontaneously improvised this classical piano solo tune at the morning of this last day of summer of 2025.

For this improvisation I’ve used: Scoring Piano from FluffyAudio + Brainworx townhouse compressor + Relab LX480 reverb. I think Scoring Piano is really my most favorite piano because I can feel a very warm and still emotional vibe while playing on this beautiful piano. Brainworx compressor and LX480 reverb gives a soft and a bit retro-analog sound which I really enjoy.

08.31.2025

Me in Spotify/Apple
Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Me in a social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer

All my Albums: https://ashotdanielyan.bandcamp.com/

» My Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

The Last Day of Summer

Spotify

Ashot Danielyan - The Last Day of Summer

Hi, I’m Sebastian Korsak—though some know me as BlackPianoCat. I’m a Greek-Polish scientist by day, working in physics and computational biology, but music, and especially the piano, has always been where my heart truly lives.

I don’t play to impress or seek the spotlight. I play to tell stories, to soothe, to connect. These are my personal compositions and interpretations—small reflections of emotion that words often can’t quite express.

If any of this music resonates with you, you’re warmly invited to stay, listen, and be part of this little world I’m creating, note by note.